1 00:00:02,320 --> 00:00:03,320 Oh, no. 2 00:00:05,560 --> 00:00:06,560 Hello. 3 00:00:08,320 --> 00:00:12,960 This programme contains strong language and adult humour 4 00:00:13,000 --> 00:00:14,240 Eh. 5 00:00:17,040 --> 00:00:18,040 HE GRUNTS 6 00:00:19,000 --> 00:00:21,160 Nothing's ever straightforward in this stupid house. 7 00:00:33,280 --> 00:00:37,680 Hello, there. I'm Greg Davies. Welcome to Taskmaster. 8 00:00:37,720 --> 00:00:40,000 They say it's not the winning that counts, 9 00:00:40,040 --> 00:00:42,720 it's the taking part and if you're a child watching 10 00:00:42,760 --> 00:00:44,640 the pre-watershed version of this show, 11 00:00:44,680 --> 00:00:47,080 I'm here to tell you an uncomfortable truth. 12 00:00:47,120 --> 00:00:50,600 You're being told that, because you're not good enough. 13 00:00:50,640 --> 00:00:51,920 That's the kids sorted. 14 00:00:51,960 --> 00:00:53,960 Now... LAUGHTER 15 00:00:55,240 --> 00:00:57,440 ..let's see if we can break some adults. 16 00:00:57,480 --> 00:01:00,840 Please welcome Ania Magliano... CHEERING AND APPLAUSE 17 00:01:02,040 --> 00:01:04,440 ..Maisie Adam... CHEERING AND APPLAUSE 18 00:01:04,480 --> 00:01:06,400 ..Phil Ellis... CHEERING AND APPLAUSE 19 00:01:06,440 --> 00:01:09,120 ..Reece Shearsmith... CHEERING AND APPLAUSE 20 00:01:09,160 --> 00:01:11,480 ..and Sanjeev Bhaskar. CHEERING AND APPLAUSE 21 00:01:13,720 --> 00:01:16,560 And, next to me, a man who secretly told me, 22 00:01:16,600 --> 00:01:19,680 and I really must distance myself from comments like this, 23 00:01:19,720 --> 00:01:22,920 that he thinks that women are like electric vehicles, 24 00:01:22,960 --> 00:01:26,000 really good as long as they're not in charge. 25 00:01:27,240 --> 00:01:29,760 It's little Alex Horne. CHEERING AND APPLAUSE 26 00:01:32,280 --> 00:01:35,880 Hello, everyone. How are you feeling? 27 00:01:35,920 --> 00:01:37,080 I'm feeling good. Unfortunately, lurgy, 28 00:01:37,120 --> 00:01:38,720 you've got the lurgy now. No returns. 29 00:01:38,760 --> 00:01:41,320 No returns. I've had that for two months. 30 00:01:42,720 --> 00:01:45,000 You've now got it and you can't get me. 31 00:01:45,040 --> 00:01:46,880 Oh, cheese touch, bad luck. 32 00:01:46,920 --> 00:01:49,240 Can't get me? You're now a social outcast. 33 00:01:50,120 --> 00:01:51,880 Cheese touch. Yeah, yeah. 34 00:01:51,920 --> 00:01:55,000 Oh, no, you've got loads of up dog on your waistcoat. 35 00:01:55,040 --> 00:01:56,400 What's up dog? 36 00:01:56,440 --> 00:02:02,080 Not much, what about you? CHEERING AND APPLAUSE 37 00:02:02,120 --> 00:02:05,200 That has killed the atmosphere. 38 00:02:07,320 --> 00:02:10,000 What's the prize task? You've been very specific, 39 00:02:10,040 --> 00:02:12,320 yet incredibly vague with this one, Greg... Hm. 40 00:02:12,360 --> 00:02:13,520 ..as they've been asked to bring in 41 00:02:13,560 --> 00:02:17,280 the best thing you can either ride, or rip. 42 00:02:18,440 --> 00:02:22,200 Yes, ride or rip, or is it both? That's up to Greg, 43 00:02:22,240 --> 00:02:24,920 my favourite host ever. 44 00:02:24,960 --> 00:02:26,600 The winner of the episode will take home 45 00:02:26,640 --> 00:02:28,880 all five things you can either ride, or rip, or both maybe, 46 00:02:28,920 --> 00:02:30,120 which is pretty sick and gnarly, 47 00:02:30,160 --> 00:02:31,720 but that's quite enough from me. I'll see you all later. 48 00:02:31,760 --> 00:02:35,400 OK, Sanjeev, hello. What have you brought me that I might like 49 00:02:35,440 --> 00:02:38,000 to ride, or rip? 50 00:02:38,040 --> 00:02:40,200 I figured the most fun thing to ride... 51 00:02:41,080 --> 00:02:42,080 ..would be... 52 00:02:42,720 --> 00:02:46,040 ..Alex Horne. 53 00:02:46,080 --> 00:02:48,560 Erm, according to the internet, I agree. 54 00:02:48,600 --> 00:02:52,320 Yeah. But I have brought something which will allow you, 55 00:02:52,360 --> 00:02:54,200 to be able to manoeuvre him. 56 00:02:56,400 --> 00:03:01,080 LAUGHTER Perfectly fits Alex Horne's head. 57 00:03:01,120 --> 00:03:03,720 Lovely. And obviously you've got rear-view mirrors 58 00:03:03,760 --> 00:03:05,760 so you can see what's coming up behind you. Yeah. 59 00:03:05,800 --> 00:03:07,280 Erm, and you've got a bell 60 00:03:07,320 --> 00:03:09,840 to warn people that your Alex Horne's coming. 61 00:03:11,800 --> 00:03:12,960 LAUGHTER 62 00:03:16,200 --> 00:03:18,760 And I mean that in a pre-watershed way. 63 00:03:18,800 --> 00:03:21,040 So, anyone can ride me, can they, with this device? 64 00:03:21,080 --> 00:03:22,120 You could be on all fours 65 00:03:22,160 --> 00:03:23,880 and somebody can be sitting on your back. Mm-hmm. 66 00:03:23,920 --> 00:03:25,160 And they've got your head. 67 00:03:25,200 --> 00:03:26,560 OK, yeah. And they turn you that way. 68 00:03:26,600 --> 00:03:29,320 Also sitting on your shoulders like that. Oh, and leaning down. 69 00:03:29,360 --> 00:03:31,520 Yeah. Oh, like a penny farthing, Alex. 70 00:03:31,560 --> 00:03:34,720 Like a penny farthing. 71 00:03:34,760 --> 00:03:39,120 Phil. Right, so, this is something that is... 72 00:03:39,160 --> 00:03:42,560 You are ripping and riding at the same time. 73 00:03:42,600 --> 00:03:43,720 Hello. If you'd like to show. 74 00:03:43,760 --> 00:03:45,400 Here it is. Check this out. 75 00:03:47,520 --> 00:03:50,760 So, you're ripping off a very famous Monty Python joke... 76 00:03:51,840 --> 00:03:54,400 ..and you're riding an imaginary... Could be a pony, 77 00:03:54,440 --> 00:03:55,520 could be a horse. 78 00:03:55,560 --> 00:03:57,560 Could be a camel, depends what mood you're in. 79 00:03:57,600 --> 00:03:59,440 And it's... I've put a nice little ribbon on it, 80 00:03:59,480 --> 00:04:01,800 so you can wear it round like mittens through your coat. 81 00:04:01,840 --> 00:04:02,920 MAISIE LAUGHS 82 00:04:04,880 --> 00:04:06,400 Don't lose one. Because if you lose one, 83 00:04:06,440 --> 00:04:10,160 you're just a madman waving round half a coconut. Yeah. 84 00:04:10,200 --> 00:04:11,440 On the M1. No, when you're on the M1, 85 00:04:11,480 --> 00:04:12,720 you've got two, you're looking great. 86 00:04:12,760 --> 00:04:13,760 Yeah, yeah. They go, 87 00:04:13,800 --> 00:04:16,000 "Oh, don't beep your horn near him, you'll startle her." 88 00:04:17,280 --> 00:04:21,760 I like it. Maisie. I've gone all ride on this one. 89 00:04:21,800 --> 00:04:24,800 I'm hoping it will please you, Greg. 90 00:04:24,840 --> 00:04:27,040 It's even been mentioned so far. 91 00:04:27,080 --> 00:04:30,960 It's a personalised Greg Davies... LAUGHTER 92 00:04:32,000 --> 00:04:33,240 ..penny farthing. 93 00:04:36,000 --> 00:04:38,440 ALEX: It's pretty good. It's pretty amazing. 94 00:04:39,320 --> 00:04:42,480 It is gonna be a struggle for you to get in that seat, 95 00:04:42,520 --> 00:04:44,840 but, my God, it will feel brilliant. 96 00:04:44,880 --> 00:04:46,360 Once you're in, you're in, aren't you? 97 00:04:46,400 --> 00:04:48,000 Once you're in, you're in. Famously. 98 00:04:48,040 --> 00:04:51,640 That's what I always say. Oh, these are all good, 99 00:04:51,680 --> 00:04:53,680 someone's gonna mess up, aren't they? Reece. 100 00:04:56,720 --> 00:05:00,480 Well, I've gone ride and rip. And in the '70s, 101 00:05:00,520 --> 00:05:02,320 we used to have dare devils. 102 00:05:02,360 --> 00:05:03,520 You don't get them any more, 103 00:05:03,560 --> 00:05:05,680 but there was one very famous dare devil, Evil Knievel. 104 00:05:05,720 --> 00:05:09,680 Evil Knievel. And I had the Evil Knievel toy. 105 00:05:09,720 --> 00:05:11,480 Can I say? It's my favourite ever toy. 106 00:05:11,520 --> 00:05:15,000 Amazing. Well it's that. Cos, you get the opportunity 107 00:05:15,040 --> 00:05:17,440 to, sort of, ride like Evil 108 00:05:17,480 --> 00:05:20,520 and the rip cord is the rip of the ride. 109 00:05:20,560 --> 00:05:23,040 And there's a picture here of it. There we go, there he is. 110 00:05:23,080 --> 00:05:25,160 And there he is. Rip cord racer. 111 00:05:25,200 --> 00:05:27,280 I remembered the rip. There he is. Here we go. 112 00:05:27,320 --> 00:05:29,560 And then up he goes and he's off. LAUGHTER 113 00:05:29,600 --> 00:05:31,720 Oh. And there is a... 114 00:05:31,760 --> 00:05:33,320 APPLAUSE Thank you. 115 00:05:33,360 --> 00:05:35,640 There is also another rip. Yes. 116 00:05:35,680 --> 00:05:40,680 Because...Evil never made it. And he did actually die. 117 00:05:42,280 --> 00:05:44,640 It's a lovely double rip. Oh, that's saved him. 118 00:05:44,680 --> 00:05:47,280 Cos, up to that point, he just brought in a toy. 119 00:05:47,320 --> 00:05:50,200 But that little joke saved him. Ania. 120 00:05:50,240 --> 00:05:52,520 I've brought in something that I've designed. 121 00:05:52,560 --> 00:05:57,560 It's based on my feeling that, when I travel, 122 00:05:57,600 --> 00:05:59,440 I have quite a weak bladder. Yeah. 123 00:05:59,480 --> 00:06:03,080 So, I've designed something that should smoothen that situation. 124 00:06:03,120 --> 00:06:04,400 Smoothen. Smoothen me. 125 00:06:12,160 --> 00:06:13,640 This is Ania demonstrating it. 126 00:06:17,080 --> 00:06:20,800 And she is using it in both functions during that clip. 127 00:06:20,840 --> 00:06:21,840 Yeah. 128 00:06:21,880 --> 00:06:24,760 Let's say if, on Monday, I wanted to go the Chelsea Flower Show. 129 00:06:25,640 --> 00:06:27,960 Yeah. You... You don't... You think, erm, 130 00:06:28,000 --> 00:06:30,560 they'd be fine with me riding this round? Yeah, 100%. 131 00:06:30,600 --> 00:06:33,360 Just dropping turds on the floor. LAUGHTER 132 00:06:33,400 --> 00:06:35,360 I think so. That's good for the soil, isn't it? 133 00:06:35,400 --> 00:06:38,720 Yeah. They'd be welcoming you inside. 134 00:06:38,760 --> 00:06:40,520 They'd be going, "Over here, our garden. 135 00:06:40,560 --> 00:06:42,960 "The Peace Garden, The Peace Garden!" 136 00:06:43,000 --> 00:06:45,400 LAUGHTER 137 00:06:45,440 --> 00:06:47,480 "Quick, feed him." 138 00:06:49,720 --> 00:06:52,440 Can I say one more thing? It cost me four figures. 139 00:06:52,480 --> 00:06:53,840 LAUGHTER 140 00:06:53,880 --> 00:06:58,080 What, you had to pay over £1,000 for it? Yeah. 141 00:06:58,120 --> 00:07:00,360 Oh, my God, it'd be so funny if I gave you just one point. 142 00:07:00,400 --> 00:07:02,840 Greg. Greg, please, 143 00:07:02,880 --> 00:07:05,360 I'm begging you, if you do that, I will break. 144 00:07:05,400 --> 00:07:08,120 OK, you've seen all five. Yeah. It's hard to separate. 145 00:07:08,160 --> 00:07:09,360 I think they're all pretty good. 146 00:07:09,400 --> 00:07:12,160 I mean, Reece's is the worst, but then he saved it 147 00:07:12,200 --> 00:07:14,560 with that joke. But I'm not gonna give you one. 148 00:07:14,600 --> 00:07:18,560 Oh. OK. Cos I liked it. I'm gonna give him two points. 149 00:07:18,600 --> 00:07:20,960 But you are last, Reece. Yeah, apparently. 150 00:07:22,040 --> 00:07:26,360 Two lovely points followed by three lovely points, coconuts. 151 00:07:26,400 --> 00:07:28,280 Four points, the penny farthing. 152 00:07:28,320 --> 00:07:29,680 But third place. But third place. 153 00:07:29,720 --> 00:07:30,960 Yeah. No. 154 00:07:31,000 --> 00:07:33,320 Yeah. Second place. Joint first place. 155 00:07:33,360 --> 00:07:35,600 Are you kidding me? No offence, Sanjeev. Yeah. 156 00:07:35,640 --> 00:07:38,160 His is a hat. Yeah, I loved it. 157 00:07:38,200 --> 00:07:41,720 So, it's four points to Maisie, five points to Sanjeev and Ania. 158 00:07:41,760 --> 00:07:43,400 There you go. There we go, well done. 159 00:07:43,440 --> 00:07:44,960 CHEERING AND APPLAUSE 160 00:07:47,440 --> 00:07:49,320 I've gotta be honest, I don't think I scored that very well. 161 00:07:49,360 --> 00:07:52,840 Erm, right, let's start with a team task. 162 00:07:53,960 --> 00:07:57,200 Okey-dokey, yes, of course, but, be warned, I have word from 163 00:07:57,240 --> 00:08:00,560 security that there's trouble going down at the Taskmaster museum. 164 00:08:01,280 --> 00:08:02,600 O-o-oh. 165 00:08:07,960 --> 00:08:09,720 ALEX WHISTLES 166 00:08:10,120 --> 00:08:11,360 Staff room check. 167 00:08:13,840 --> 00:08:15,840 HE WHISTLES 168 00:08:17,640 --> 00:08:19,120 Pressure pad check. 169 00:08:20,160 --> 00:08:21,560 Statue, in place. 170 00:08:22,600 --> 00:08:23,800 Art room, clear. 171 00:08:24,520 --> 00:08:25,760 HE WHISTLES 172 00:08:29,040 --> 00:08:31,840 Oh, God. Reece. What's this? 173 00:08:31,880 --> 00:08:33,840 Are we safe? I don't know. 174 00:08:35,200 --> 00:08:37,280 Oh, there's a lot to take in here. 175 00:08:38,480 --> 00:08:41,200 What's this? Oh, God. Floor plans. 176 00:08:41,240 --> 00:08:43,800 Are we doing a heist? Oh, God. 177 00:08:43,840 --> 00:08:45,480 Where's Alex? 178 00:08:45,520 --> 00:08:47,640 Where is Alex? Oh, this is horrible. 179 00:08:47,680 --> 00:08:49,440 Look. It's the house. 180 00:08:49,480 --> 00:08:52,200 "Steal the statue of Archimedes." 181 00:08:52,920 --> 00:08:55,600 "Steal the statue of Archimedes. 182 00:08:55,640 --> 00:09:00,240 "You have 15 minutes of observation and preparation in the van." 183 00:09:00,280 --> 00:09:03,360 "Then, 15 minutes to carry out your heist. 184 00:09:03,400 --> 00:09:06,120 "Most sophisticated successful heist wins." 185 00:09:06,160 --> 00:09:09,560 "Your time starts now." 186 00:09:09,600 --> 00:09:13,560 So, we are gonna have to steal...that. 187 00:09:13,600 --> 00:09:14,840 Right, where is that? 188 00:09:19,760 --> 00:09:21,720 Is that Alex? Oh, look he's a policeman. 189 00:09:21,760 --> 00:09:22,960 He's got important codes. 190 00:09:23,000 --> 00:09:24,000 He's got important codes, OK, OK, OK. 191 00:09:24,040 --> 00:09:25,640 Oh, yeah, well, let's check out his route. 192 00:09:25,680 --> 00:09:27,760 So, his route is he comes out of the house. 193 00:09:31,000 --> 00:09:32,280 We don't have that long, guys. 194 00:09:33,080 --> 00:09:35,200 Staff room, door alarm check. 195 00:09:35,240 --> 00:09:38,240 There was three beeps of two after alarm check. 196 00:09:38,280 --> 00:09:39,840 Shed check. Clear. 197 00:09:39,880 --> 00:09:42,320 Right, we need to get to the tool shed. 198 00:09:42,360 --> 00:09:45,760 Statue room. Pressure mat alarm check. 199 00:09:45,800 --> 00:09:47,000 ALARM WAILS 200 00:09:47,040 --> 00:09:49,160 Good, good to know. Pressure pad. Before... 201 00:09:49,200 --> 00:09:51,840 Yeah, don't step on that. 202 00:09:51,880 --> 00:09:54,560 Functioning. Statue, in place. 203 00:09:54,600 --> 00:09:59,360 3-0-1-0-2-2, it said. 3-0-1-0-2-2. Excellent work. 204 00:10:04,240 --> 00:10:06,600 Wait, he's taking his jacket off to go to the toilet. 205 00:10:06,640 --> 00:10:09,120 If he does a routine wee, that's the time to get 206 00:10:09,160 --> 00:10:10,640 the jacket and the keys... Oh, yeah. Shall I set my watch? 207 00:10:10,680 --> 00:10:12,320 ..but with it round his neck. 208 00:10:12,360 --> 00:10:14,240 ALEX STRAINS 209 00:10:14,280 --> 00:10:15,920 Oh, my God. 210 00:10:15,960 --> 00:10:16,960 He's not well. 211 00:10:22,240 --> 00:10:23,560 So, where's...? He's in the lab. 212 00:10:23,600 --> 00:10:24,600 So, he's... Now, he's in the lab. 213 00:10:27,920 --> 00:10:30,600 Oh, look, he's not weeing again. Two minutes. 214 00:10:30,640 --> 00:10:31,880 He wees every two minutes. 215 00:10:31,920 --> 00:10:33,440 This is such good info. Excellent, yeah. 216 00:10:33,480 --> 00:10:35,600 Yeah, there's the key, look there's the key. 217 00:10:35,640 --> 00:10:37,160 So, they're in his top-left pocket. 218 00:10:37,200 --> 00:10:39,600 Is there a way of keeping him in the toilet? 219 00:10:39,640 --> 00:10:41,680 But is there something we can wedge against it? 220 00:10:41,720 --> 00:10:43,560 Yeah. Let's kill him. 221 00:10:49,960 --> 00:10:53,440 I mean, I was genuinely drawn into the drama of it up until that point. 222 00:10:54,560 --> 00:10:56,320 Erm, I'm quite excited about this. Yeah. 223 00:10:56,360 --> 00:10:58,880 It looks very dramatic. Who are we gonna see first? 224 00:10:58,920 --> 00:11:00,960 Well, first to plot and then partake in 225 00:11:01,000 --> 00:11:03,280 a heist are your stereotypical gangsters, 226 00:11:03,320 --> 00:11:05,880 Ania, Phillip and Sanjeev. 227 00:11:05,920 --> 00:11:09,440 The plan is, go to the tool shed. Well, should two of us just run 228 00:11:09,480 --> 00:11:12,080 and grab as much stuff as we think is useful. Mm-hmm. 229 00:11:12,120 --> 00:11:14,360 HE WHISTLES 230 00:11:14,400 --> 00:11:17,520 Where is he, where is he? He's there. 3-0-1-0-2-2. 231 00:11:17,560 --> 00:11:19,680 Go, guys, go. See what you can find. 232 00:11:24,160 --> 00:11:25,280 Hey, how's it going? 233 00:11:25,320 --> 00:11:28,080 Yeah, huge wire cutter. I'm getting a net. 234 00:11:30,000 --> 00:11:31,600 Oh, yeah, get a net, let's just trap him 235 00:11:31,640 --> 00:11:32,880 and kill him, I keep telling you. 236 00:11:34,480 --> 00:11:35,800 Oh, where's Sanjeev? 237 00:11:38,080 --> 00:11:39,400 Oh, shit. Sanjeev. 238 00:11:41,600 --> 00:11:42,600 WHISPERED: Red alert. 239 00:11:46,680 --> 00:11:47,680 OK. 240 00:11:51,160 --> 00:11:52,160 What's this? 241 00:11:52,720 --> 00:11:55,280 That's all there was in there. That's all there was? 242 00:11:55,320 --> 00:11:59,680 OK, the statue has a weight sensor, maybe that could replace it. 243 00:11:59,720 --> 00:12:02,080 Right. I'm just gonna have a quick look in the shed. 244 00:12:03,600 --> 00:12:04,840 Statue, in place. 245 00:12:07,040 --> 00:12:08,360 Is he about to go the loo soon? 246 00:12:20,240 --> 00:12:21,680 OK, we've got keys. 247 00:12:30,000 --> 00:12:31,880 Hello? Hello? 248 00:12:36,280 --> 00:12:37,440 I don't think it worked. 249 00:12:39,000 --> 00:12:40,480 Sanjeev, are you there? He's out the loo. 250 00:12:40,520 --> 00:12:43,080 Interesting. He's heading to the camera-feed room. 251 00:12:43,120 --> 00:12:45,760 You need to hide from the cameras now. 252 00:12:45,800 --> 00:12:47,400 Hide from the cameras. 253 00:12:47,440 --> 00:12:49,280 Who's that? There are two people on the camera. 254 00:12:49,320 --> 00:12:51,560 He's in the camera room, did you say? 255 00:12:51,600 --> 00:12:55,120 Right, I'm gonna go and investigate. He's heading out the front door. 256 00:13:08,840 --> 00:13:10,960 All the cameras have gone off. All the cameras have gone off. 257 00:13:11,800 --> 00:13:13,080 Where have they gone? 258 00:13:23,240 --> 00:13:24,240 Hi. 259 00:13:24,280 --> 00:13:26,920 Hello, sir, now, you shouldn't be here after the museum is shut. 260 00:13:26,960 --> 00:13:28,000 Sorry about that. What is your name? 261 00:13:28,040 --> 00:13:31,440 Pip. Yeah, I had a single out in the '90s. 262 00:13:31,480 --> 00:13:33,480 Right. Go into the car park. Thank you. 263 00:13:33,520 --> 00:13:35,520 Yeah, no, I do apologise about that. 264 00:13:45,200 --> 00:13:46,680 I've got it, I've got it, I've got it. 265 00:13:46,720 --> 00:13:48,280 ALARM HONKS 266 00:13:52,040 --> 00:13:53,360 Oh, what is that? 267 00:13:54,720 --> 00:13:56,760 I need someone to figure out where he is, 268 00:13:56,800 --> 00:13:59,480 so that I can get back. I've got the statue. 269 00:13:59,520 --> 00:14:00,760 Oh, yeah, I'll go and distract him. 270 00:14:00,800 --> 00:14:02,720 Because he can only send you back here. 271 00:14:02,760 --> 00:14:04,040 Hello? 272 00:14:04,080 --> 00:14:07,080 Just sent Phil to distract him, cos we've got no cameras at all. 273 00:14:09,400 --> 00:14:11,920 Sorry, me again. What time do you open tomorrow? 274 00:14:11,960 --> 00:14:13,680 Pip, we should be open at half eight, 275 00:14:13,720 --> 00:14:15,480 but if you wouldn't mind leaving the premises. 276 00:14:17,600 --> 00:14:19,600 Always a pleasure. Been great. 277 00:14:19,640 --> 00:14:21,000 So, we are shut at the moment. Thank you. 278 00:14:21,040 --> 00:14:22,400 No, I do apologise, no problem. All right. 279 00:14:22,440 --> 00:14:24,840 Thanks, mate. I've only got seven minutes left. 280 00:14:24,880 --> 00:14:26,160 That's a shame. 281 00:14:26,200 --> 00:14:28,960 Statue room. Pressure pad check. 282 00:14:30,120 --> 00:14:31,320 ALARM HONKS Che... 283 00:14:34,280 --> 00:14:38,000 Sta... Sta... Statue's gone. 284 00:14:38,600 --> 00:14:40,400 CHEERING AND APPLAUSE 285 00:14:45,320 --> 00:14:48,280 You're right, you know, it is weird you don't get cast in more stuff. 286 00:14:49,720 --> 00:14:51,880 Statue's gone. "Erm, erm, erm, erm, erm." 287 00:14:51,920 --> 00:14:53,280 Do you know what, also, that wasn't acting. 288 00:14:53,320 --> 00:14:56,480 I hadn't seen any of the footage, cos he tore 289 00:14:56,520 --> 00:14:59,640 the wires out of the security, which means we didn't even record 290 00:14:59,680 --> 00:15:01,640 the security footage after that, cos we weren't expecting anyone 291 00:15:01,680 --> 00:15:03,720 to rip the wires out. 292 00:15:03,760 --> 00:15:05,080 So, all that footage has gone 293 00:15:05,120 --> 00:15:07,200 and I couldn't believe the statue had gone. 294 00:15:07,240 --> 00:15:08,640 Yeah, you sort of came good at the end. 295 00:15:08,680 --> 00:15:10,880 Up until that point, I don't think it's unfair 296 00:15:10,920 --> 00:15:13,240 to say you might be the weak link the team. 297 00:15:15,000 --> 00:15:17,000 You remembered the code. Mm-hmm. 298 00:15:17,040 --> 00:15:20,160 Well done. Erm, I loved the finding an object to 299 00:15:20,200 --> 00:15:23,400 replace the weight of the statue. It was all going to plan 300 00:15:23,440 --> 00:15:26,480 and then we had a northern man dressed... 301 00:15:26,520 --> 00:15:29,240 Dressed as a '70s pimp... LAUGHTER 302 00:15:30,280 --> 00:15:33,600 ..attempt to lock him in the toilet 303 00:15:33,640 --> 00:15:37,160 and fail and then you became a maintenance man called Pip. 304 00:15:38,640 --> 00:15:40,000 He gave a fake name, Pip, 305 00:15:40,040 --> 00:15:42,560 which is short for your name, Phil. Yeah, I know. 306 00:15:42,600 --> 00:15:44,840 I think every time we've done a team task, 307 00:15:44,880 --> 00:15:47,120 and I say this with so much love... Oh, thanks. 308 00:15:48,400 --> 00:15:51,080 ..but we've been doing, one, the actual task 309 00:15:51,120 --> 00:15:53,360 and then the second task of wrangling Phil. 310 00:15:54,800 --> 00:15:55,800 That is a joy. 311 00:15:55,840 --> 00:15:59,320 We've reached the end of the first part of our first heist. 312 00:15:59,360 --> 00:16:01,520 Another lesson for you youngsters out there, 313 00:16:01,560 --> 00:16:04,440 if you haven't got the things you like, steal them. 314 00:16:04,480 --> 00:16:06,200 See you in a bit. CHEERING AND APPLAUSE 315 00:16:14,160 --> 00:16:16,280 Hello, welcome back to Taskmaster. 316 00:16:16,320 --> 00:16:17,960 It's part two and our cast are planning 317 00:16:18,000 --> 00:16:21,400 and participating in heists at Taskmaster Museum. 318 00:16:21,440 --> 00:16:24,760 Fortunately for them, the security guard is this goon. 319 00:16:25,960 --> 00:16:30,040 Hello. Yes, they're trying to seal the statue of Archimedes 320 00:16:30,080 --> 00:16:32,720 and there's just one crime duo left to go. 321 00:16:32,760 --> 00:16:35,920 Chill out, Kray twins, it's time for Reece Fearsmith 322 00:16:35,960 --> 00:16:37,800 and Maisie Doesn't Give Adam. 323 00:16:39,760 --> 00:16:40,960 Important codes. 324 00:16:41,000 --> 00:16:43,040 We need to get that off him then. He needs a wee. 325 00:16:43,080 --> 00:16:45,760 He's gonna need a wee. He puts it down. He puts it down. 326 00:16:45,800 --> 00:16:46,840 He puts it down. Good. 327 00:16:46,880 --> 00:16:48,960 Right, shall I just go in now when he's in the loo? Go now. 328 00:16:52,160 --> 00:16:54,480 Can...? If you can hear me, I think he's coming out. 329 00:16:56,160 --> 00:16:59,240 Oh, Jesus, she's got it. Quickly, get in. 330 00:16:59,280 --> 00:17:02,880 He had this code. 3-0-1-0-2-2. 331 00:17:02,920 --> 00:17:06,200 Great. Well, now, it makes me think that it's not a key, it's... 332 00:17:06,240 --> 00:17:08,120 It's not a key. It's codes that are on that. 333 00:17:09,400 --> 00:17:10,760 Checking security cameras. 334 00:17:11,720 --> 00:17:13,920 Has he gone in the lab? Yeah, he'll be in the lab. 335 00:17:13,960 --> 00:17:16,680 Shall I go now? 3-0-1-0-2-2. 336 00:17:19,000 --> 00:17:21,640 Any trouble? Good. 337 00:17:23,000 --> 00:17:24,440 Oh, hang on a minute. 338 00:17:25,800 --> 00:17:28,400 There's someone out there...with an umbrella. 339 00:17:28,440 --> 00:17:29,640 Oh, God, Reece. 340 00:17:30,160 --> 00:17:31,360 SHE SQUAWKS 341 00:17:32,320 --> 00:17:33,920 Excuse me, I just saw someone. 342 00:17:35,080 --> 00:17:39,240 Oh, fuck. Reece, move, move, Reece. Oh, shit. Reece. 343 00:17:39,280 --> 00:17:41,080 Excuse me, sir. Hi. 344 00:17:41,120 --> 00:17:42,360 We're shut, I'm afraid. 345 00:17:42,400 --> 00:17:43,680 Oh, I'm sorry about that. I went wrong. 346 00:17:43,720 --> 00:17:45,320 Would you mind? I went round the wrong, erm... 347 00:17:45,360 --> 00:17:47,040 Back to the car park, please. Which way round is it, please? 348 00:17:47,080 --> 00:17:48,120 This way, sir. 349 00:17:51,080 --> 00:17:52,440 Jesus Christ. 350 00:17:52,480 --> 00:17:54,920 It's not a code it's a lock with the number four on it. 351 00:17:57,160 --> 00:17:58,520 Go and have a look now, shall I? 352 00:18:02,400 --> 00:18:06,320 Oh, hang on, there's someone on this camera. Right, off we go again. 353 00:18:09,200 --> 00:18:11,520 Oh, no, he's... He's seen her, he's spotted her. 354 00:18:15,080 --> 00:18:17,600 Hello. Yeah, I just saw you on the camera. You did. 355 00:18:17,640 --> 00:18:20,320 Excuse me, I didn't know which way round I'm meant to be going. I... 356 00:18:20,360 --> 00:18:21,880 I sent you back to the car park. Sorry. 357 00:18:21,920 --> 00:18:24,760 All right, what's your name? Erm, Lindsey. 358 00:18:25,720 --> 00:18:26,800 Staff room alarm check. 359 00:18:26,840 --> 00:18:28,880 Oh, fucking hell. Come on. 360 00:18:28,920 --> 00:18:30,560 He said he saw me on the camera. 361 00:18:30,600 --> 00:18:32,200 Do you know what we do? What? 362 00:18:32,240 --> 00:18:35,600 We run in and we just grab that whole box and run out with it. 363 00:18:35,640 --> 00:18:37,840 You reckon? When he's in the loo now? Yeah. 364 00:18:37,880 --> 00:18:38,880 Yeah. Ready. 365 00:18:38,920 --> 00:18:39,920 Don't step on the mat. Just yank it. 366 00:18:52,640 --> 00:18:53,640 Ah. 367 00:18:55,120 --> 00:19:00,000 Yes. We're in. Well, we've stolen it. 368 00:19:00,040 --> 00:19:02,200 We need to make it at least appear sophisticated. 369 00:19:02,240 --> 00:19:04,320 Shall we leave him a little note? Yeah. 370 00:19:04,360 --> 00:19:05,680 Thank you for the free gift. 371 00:19:09,760 --> 00:19:11,400 We're going, we're going, we're going. Drive, drive! 372 00:19:20,080 --> 00:19:23,000 Well, first things first, successful. 373 00:19:23,040 --> 00:19:25,680 Yeah. Sophisticated. Yeah. 374 00:19:25,720 --> 00:19:27,320 Tell me about the see-through umbrella disguise. 375 00:19:27,360 --> 00:19:29,280 LAUGHTER 376 00:19:29,320 --> 00:19:31,000 I'll tell you what happened, we didn't... 377 00:19:31,040 --> 00:19:33,480 Our walkie talkies didn't work. Walkie talkies, they didn't work. 378 00:19:33,520 --> 00:19:38,120 Which is why I had to resort to other modes of communication. 379 00:19:38,160 --> 00:19:39,160 What a warning. 380 00:19:39,200 --> 00:19:42,800 Well, it needed to attract Reece's attention, but... 381 00:19:42,840 --> 00:19:44,480 But... But blend in with the atmosphere. 382 00:19:45,880 --> 00:19:49,880 I know, in a sophisticated way. Shall we have a look at it? 383 00:19:49,920 --> 00:19:50,920 Oh, God. Reece. 384 00:19:51,280 --> 00:19:52,720 SHE SQUAWKS 385 00:19:54,760 --> 00:19:58,720 Sophistication. It's just like watching Ocean's Eleven. 386 00:19:59,640 --> 00:20:02,040 Incredible. Both successful. Yes. 387 00:20:02,080 --> 00:20:04,800 I think the team of three were more sophisticated. 388 00:20:04,840 --> 00:20:07,160 Five points to the team of three. OK. 389 00:20:07,200 --> 00:20:09,720 CHEERING AND APPLAUSE 390 00:20:09,760 --> 00:20:11,440 Feels like three is fair. 391 00:20:11,480 --> 00:20:14,000 I've written off what you have in your mind as fair. 392 00:20:14,040 --> 00:20:15,040 You did say... LAUGHTER 393 00:20:16,880 --> 00:20:18,120 Three points. 394 00:20:18,160 --> 00:20:21,280 Three points to the team of two. There we go. It feels fair. 395 00:20:22,360 --> 00:20:24,880 Both very entertaining. Scoreboard, please. 396 00:20:24,920 --> 00:20:27,320 Yes, well, Sanjeev, we know, has not won an episode yet 397 00:20:27,360 --> 00:20:30,320 but he's joint in the lead with Ania on ten points. 398 00:20:30,360 --> 00:20:32,320 CHEERING AND APPLAUSE 399 00:20:32,360 --> 00:20:34,480 This could be the one. This could be the one. 400 00:20:34,520 --> 00:20:37,960 On with another task, please. Oh, yes, please. 401 00:20:38,480 --> 00:20:41,400 And it's that time in the series when we get grim. 402 00:20:58,040 --> 00:20:59,200 AS HANNIBAL LECTER: Good evening, Alex. 403 00:21:00,080 --> 00:21:02,480 I know they would never have let me out of here while I'm alive. 404 00:21:03,360 --> 00:21:06,440 Quid pro quo, I tell you things, you tell me, you tell me things. 405 00:21:07,320 --> 00:21:08,920 AS HIMSELF: Hi. Chris Eubank? 406 00:21:09,720 --> 00:21:12,280 Sorry? Chris Eubank? Yeah, who was it supposed to be? 407 00:21:12,320 --> 00:21:14,480 It was Hannibal Lector. Oh, was it? Oh, lovely. Lovely. 408 00:21:15,320 --> 00:21:16,320 Chris Eubank. 409 00:21:17,200 --> 00:21:19,360 You look ready. Glad it looks that way. 410 00:21:19,400 --> 00:21:21,000 This is wet. Yeah, that's my fault. 411 00:21:21,040 --> 00:21:22,760 SHE CHUCKLES 412 00:21:24,080 --> 00:21:27,720 "Dribble a technicolour picture of your hero." 413 00:21:27,760 --> 00:21:30,280 "Your technicolour picture must only be made 414 00:21:30,320 --> 00:21:32,080 "from things that have travelled..." 415 00:21:32,120 --> 00:21:33,760 "Directly from your mouth." 416 00:21:33,800 --> 00:21:35,520 "To the tray through the air." 417 00:21:35,560 --> 00:21:38,000 "And cannot be tampered with post dribble." 418 00:21:38,040 --> 00:21:41,360 "Best technicolour dribble picture wins." 419 00:21:41,400 --> 00:21:44,840 "You have 15 minutes. Your time starts now." 420 00:21:46,680 --> 00:21:47,920 Are there colours available somewhere? 421 00:21:47,960 --> 00:21:49,720 You may leave the room. OK. 422 00:21:51,560 --> 00:21:53,600 I may not be coming back. Right. 423 00:21:53,640 --> 00:21:54,640 Just so you know. 424 00:21:59,960 --> 00:22:01,320 You looking forward to it, Chris Eubank? 425 00:22:05,880 --> 00:22:07,400 Can you do a Chris Eubank, just for the record? 426 00:22:07,440 --> 00:22:08,560 AS CHRIS EUBANK: Yes, of course I can. 427 00:22:13,640 --> 00:22:14,720 Let's crack on. 428 00:22:14,760 --> 00:22:17,040 OK. First to demonstrate their committal 429 00:22:17,080 --> 00:22:20,480 to spittle are Ania, Sanjeev and Reece Shearspit. 430 00:22:22,520 --> 00:22:24,880 So, we've got some items here. There's not many different colours. 431 00:22:24,920 --> 00:22:27,720 It's hard to find colours. Anyway, do you want... 432 00:22:27,760 --> 00:22:30,080 Shall I tell you afterwards who it is? Up to you. 433 00:22:30,120 --> 00:22:31,480 I have some supplies. 434 00:22:32,280 --> 00:22:34,080 Yes, it must be technicolour, so this is good. 435 00:22:34,120 --> 00:22:35,440 An artist prepares. 436 00:22:38,480 --> 00:22:39,680 Sorry, I forgot what the rules were. 437 00:22:41,640 --> 00:22:42,640 Excellent. 438 00:22:46,200 --> 00:22:48,000 I'm gonna draw... Dribble. 439 00:22:48,040 --> 00:22:50,000 Dribble... SHE CHUCKLES 440 00:22:50,040 --> 00:22:51,720 ..William Shakespeare. 441 00:22:53,520 --> 00:22:55,400 Getting that in there then. What's the liquid? 442 00:22:55,440 --> 00:22:57,280 It's coffee. OK. 443 00:23:00,360 --> 00:23:02,080 CROWD GROAN 444 00:23:15,200 --> 00:23:17,200 CROWD GROAN 445 00:23:18,560 --> 00:23:21,400 I have a question. Erm, I need to go to the loo, 446 00:23:21,440 --> 00:23:24,840 does that come out of my time? Or do you pause it? 447 00:23:25,440 --> 00:23:26,880 It comes out of your time, Sanjeev. 448 00:23:27,640 --> 00:23:29,240 It's not right, it's not right. 449 00:23:37,560 --> 00:23:38,680 Welcome back. Thank you very much. 450 00:23:38,720 --> 00:23:39,720 Seven minutes now. 451 00:23:41,560 --> 00:23:43,040 CROWD GROAN 452 00:23:47,360 --> 00:23:49,240 CROWD GROAN 453 00:23:52,480 --> 00:23:54,120 Very accurate. Thank you. 454 00:23:54,640 --> 00:23:55,880 Sometimes, you've gotta be bold. 455 00:24:03,480 --> 00:24:05,520 CROWD GROAN 456 00:24:16,520 --> 00:24:17,520 Oh. 457 00:24:25,120 --> 00:24:28,160 It's him in his old age. Writing his last play. 458 00:24:32,840 --> 00:24:34,520 CROWD GROAN 459 00:24:38,680 --> 00:24:39,920 You know when you can sometimes... 460 00:24:41,440 --> 00:24:45,200 You don't know when to stop. I think I'm gonna stop. Yeah. 461 00:24:45,240 --> 00:24:47,080 That's it. That's it. 462 00:24:47,120 --> 00:24:50,480 Done. CHEERING AND APPLAUSE 463 00:24:50,520 --> 00:24:53,960 What I initially wrote down was that Ania was quite, 464 00:24:54,000 --> 00:24:56,880 sort of, traditionally lady like in the way that she dribbled 465 00:24:56,920 --> 00:25:01,320 the picture until suddenly you turned into the exorcist. 466 00:25:02,920 --> 00:25:04,680 You achieved a 30 second dribble, a constant... 467 00:25:04,720 --> 00:25:07,360 Constant, half-minute stream. Really? Whoa! 468 00:25:07,400 --> 00:25:09,240 I'm not sure that's something to be proud of. 469 00:25:09,880 --> 00:25:11,920 I thought Sanjeev was, erm, nicely controlled. 470 00:25:11,960 --> 00:25:14,600 He was in the toilet for most of the task. Mm. 471 00:25:14,640 --> 00:25:16,800 I mean, honestly, though, Reece, you... 472 00:25:16,840 --> 00:25:20,000 For most of it, you looked like someone in Watford high street on 473 00:25:20,040 --> 00:25:22,280 a Saturday night... LAUGHTER 474 00:25:22,320 --> 00:25:23,320 ..honking up. 475 00:25:23,360 --> 00:25:26,640 I expected you to go, "Get my brother. Get my brother." 476 00:25:26,680 --> 00:25:28,680 HE RETCHES 477 00:25:28,720 --> 00:25:31,200 I think it's because of what the colour was. 478 00:25:31,240 --> 00:25:33,280 Yeah, the colours. The choice of colour did not help 479 00:25:33,320 --> 00:25:34,840 the, erm, overall image. OK. 480 00:25:34,880 --> 00:25:37,160 Let's start with Shakespeare. Let's. 481 00:25:37,200 --> 00:25:38,200 Everyone's hero, really. 482 00:25:38,240 --> 00:25:40,800 This is Ania's take on William Shakespeare. 483 00:25:41,360 --> 00:25:43,760 LAUGHTER 484 00:25:43,800 --> 00:25:44,800 Is that it? 485 00:25:46,400 --> 00:25:49,000 So, let's focus on the ruff. Yeah, the ruff is everything. 486 00:25:49,040 --> 00:25:51,400 The ruff is there. I did actually make a note, 487 00:25:51,440 --> 00:25:53,160 I was surprised by how much 488 00:25:53,200 --> 00:25:55,120 the squirty cream looked like a ruff when it was going on. 489 00:25:55,160 --> 00:25:57,520 It's good, isn't it? And then... So, that's his pen, 490 00:25:57,560 --> 00:26:00,280 his quill. The... The... The red at the bottom. Mm. 491 00:26:00,320 --> 00:26:02,160 I mean, honest to God, it's rubbish. 492 00:26:03,440 --> 00:26:06,880 And then the orange is like back, cos it was in mediaeval times, 493 00:26:06,920 --> 00:26:08,880 that's like the, erm... What... Air looked like that. 494 00:26:08,920 --> 00:26:10,600 LAUGHTER 495 00:26:10,640 --> 00:26:12,200 Pollution, cos they didn't have air conditioning. 496 00:26:12,240 --> 00:26:14,640 Cos of the smog. Cos of the smog. Mm. 497 00:26:14,680 --> 00:26:16,520 Oh, yeah. Oh, no, it is good. 498 00:26:18,960 --> 00:26:20,280 Sorry, sorry, this... 499 00:26:20,320 --> 00:26:22,080 Erm, because this is bugging me slightly... Yes. 500 00:26:22,120 --> 00:26:25,480 Right, the... He was in the late 1600s. Yeah. 501 00:26:25,520 --> 00:26:28,360 He was pre-smog. They didn't have factories. 502 00:26:28,400 --> 00:26:29,880 LAUGHTER AND APPLAUSE 503 00:26:29,920 --> 00:26:31,640 Don't clap that. 504 00:26:31,680 --> 00:26:33,000 Ooh. It's a good point. 505 00:26:33,040 --> 00:26:34,240 Someone doesn't know about 506 00:26:34,280 --> 00:26:37,400 the industrial revolution. Who's next? 507 00:26:37,440 --> 00:26:40,360 Well, see if you can work out who Sanjeev's hero is. 508 00:26:40,960 --> 00:26:43,360 LAUGHTER You're back in the game. 509 00:26:43,400 --> 00:26:47,080 Yeah. Well, I mean, obviously, I'm not gonna be able to guess it. 510 00:26:47,120 --> 00:26:49,160 You'll kick yourself. It's Gene Wilder. 511 00:26:49,200 --> 00:26:51,680 LAUGHTER 512 00:26:55,600 --> 00:26:58,120 It's the smile, the smile gives it away. The smile, the nose. 513 00:26:58,160 --> 00:26:59,400 I can see it now. Oh, God. 514 00:26:59,440 --> 00:27:01,560 Once you start looking at it, you see Gene Wilder. 515 00:27:01,600 --> 00:27:02,640 There's Wonka. 516 00:27:03,640 --> 00:27:06,320 And he's got that trademark factory smog around the edge. 517 00:27:07,880 --> 00:27:11,080 Who's next? Well, we have a recognised artist here. 518 00:27:11,120 --> 00:27:13,040 Reece Shearsmith has done this person. 519 00:27:13,080 --> 00:27:14,200 Can you work out who this is? Here we go. 520 00:27:14,240 --> 00:27:16,760 Wow. Oh. 521 00:27:16,800 --> 00:27:19,160 That's great. Who's the old actor, 522 00:27:19,200 --> 00:27:22,600 erm, Reece keeps mentioning? Boris Karloff. 523 00:27:22,640 --> 00:27:24,200 You're in the ball park. You're in the right world. 524 00:27:24,240 --> 00:27:26,160 Is it Dracula? It is Dracula. 525 00:27:26,200 --> 00:27:27,640 Yes, it's Dracula. Cool. 526 00:27:28,440 --> 00:27:30,520 It's Dracula. 527 00:27:30,560 --> 00:27:33,000 You were right, you only did need those two colours. 528 00:27:33,040 --> 00:27:34,240 Bat in the corner. Yeah. 529 00:27:34,280 --> 00:27:36,400 Yeah, the widow's peak. The moon, as well, is up there. 530 00:27:36,440 --> 00:27:39,760 The dark, foreboding atmosphere. Oh, the eyes, the eyes. 531 00:27:39,800 --> 00:27:41,800 The eyes. The red, burning eyes. 532 00:27:41,840 --> 00:27:43,120 They're so haunting. 533 00:27:43,160 --> 00:27:44,760 OK, it's time to pause 534 00:27:44,800 --> 00:27:46,400 and reflect on the horrors we've just seen. 535 00:27:46,440 --> 00:27:47,960 Make granddad a cup of tea. 536 00:27:48,000 --> 00:27:50,360 And wake him up, we've got dribbling covered. 537 00:27:59,000 --> 00:28:03,200 Hello. Welcome to the start of part three. 538 00:28:03,240 --> 00:28:07,040 I'm afraid there's a drool-based art task which still needs completing. 539 00:28:07,080 --> 00:28:10,200 Yes, it's a horrible thing and I really, really enjoy it. 540 00:28:10,240 --> 00:28:13,000 We have double dribbles to end with, it's Maisie and Phil. 541 00:28:14,040 --> 00:28:15,840 Wonderful, right, well, you'll be surprised 542 00:28:15,880 --> 00:28:17,320 to know I'm not gonna leave this room. 543 00:28:17,360 --> 00:28:20,680 I'm gonna do it all from everything we've got right here. 544 00:28:20,720 --> 00:28:22,160 Only joking, that would be genuinely insane. 545 00:28:29,120 --> 00:28:30,200 Right. 546 00:28:39,280 --> 00:28:40,840 How do we feel about crayons? 547 00:28:41,360 --> 00:28:42,600 Oh. We're off. 548 00:28:46,920 --> 00:28:49,080 There he is. Ol' Blue Eyes himself. 549 00:28:52,800 --> 00:28:54,400 Drier than you think, chalk. 550 00:29:06,080 --> 00:29:07,080 Oh, wow. 551 00:29:08,680 --> 00:29:09,680 Oh. 552 00:29:09,720 --> 00:29:11,560 And it can't be tampered with once it's fallen. 553 00:29:21,760 --> 00:29:23,920 Oh, you...tit. 554 00:29:23,960 --> 00:29:25,240 Well, you've got two minutes now. 555 00:29:27,560 --> 00:29:28,560 Fill in the gaps. 556 00:29:28,600 --> 00:29:30,960 Recognisable? Yeah. Spitting image. 557 00:29:31,000 --> 00:29:32,600 That's good. Literally. 558 00:29:32,640 --> 00:29:34,120 SHE LAUGHS 559 00:29:34,160 --> 00:29:35,520 Spitting. Spitting image. 560 00:29:35,560 --> 00:29:36,840 Yeah, I'll write that down. Write that down. 561 00:29:40,000 --> 00:29:41,200 Now, that is pretty good. 562 00:29:45,360 --> 00:29:46,360 WHISTLE BLOWS 563 00:29:46,400 --> 00:29:47,400 You're welcome. 564 00:29:48,800 --> 00:29:50,760 Thank you. Thanks for your time. 565 00:29:50,800 --> 00:29:52,080 See you, Phil. I feel sick. 566 00:29:58,080 --> 00:30:00,160 Well, I quote Phil, "I'm gonna stay in the lab 567 00:30:00,200 --> 00:30:01,360 "and just chew up the task. 568 00:30:01,400 --> 00:30:03,760 "I'm only joking, that would be genuinely insane." 569 00:30:05,240 --> 00:30:07,400 Were you all told you could leave the room? No. 570 00:30:07,440 --> 00:30:09,840 I did leave off my own accord, if I'm honest. 571 00:30:11,040 --> 00:30:12,400 Sanjeev had to go to the loo. 572 00:30:12,440 --> 00:30:15,200 Yeah, and that... And that time wasn't taken off, 573 00:30:15,240 --> 00:30:17,400 I'm still kind of shocked at that. 574 00:30:17,440 --> 00:30:20,280 It means if I'd had a heart attack, at some point, when 575 00:30:20,320 --> 00:30:23,280 the paramedics were working on me, you would've said, "Time's up." 576 00:30:25,240 --> 00:30:26,360 I'd be... 577 00:30:30,560 --> 00:30:33,280 So, yes, Maisie, we, I guess, presumed people would think, 578 00:30:33,320 --> 00:30:34,520 "Well, I have to leave the room, 579 00:30:34,560 --> 00:30:35,840 "because there was nothing in the room." 580 00:30:35,880 --> 00:30:37,960 Well, cos I looked around at what I had available 581 00:30:38,000 --> 00:30:39,640 and thought, "Well, it must be the envelope." 582 00:30:40,520 --> 00:30:42,360 Did you eat the word technicolour first, do you think? 583 00:30:42,400 --> 00:30:43,760 Oh, shut up, Phil. 584 00:30:48,880 --> 00:30:50,760 Have a look at what this lady's done with her mouth. 585 00:30:50,800 --> 00:30:52,840 This is... LAUGHTER 586 00:30:52,880 --> 00:30:55,320 This is her technicolour picture of her hero. 587 00:30:56,480 --> 00:30:58,120 Look at the tie-slash... Yeah, there's a tie. 588 00:30:58,160 --> 00:30:59,320 Slash-microphone. 589 00:30:59,360 --> 00:31:03,040 It's not as bad as I was expecting, to be fair. It is very much a face. 590 00:31:03,080 --> 00:31:04,560 And I've met Rod Stewart 591 00:31:04,600 --> 00:31:08,040 and he looks almost exactly the same as that. It's Rod Stewart. 592 00:31:08,080 --> 00:31:09,360 It's all right. CHEERING AND APPLAUSE 593 00:31:12,400 --> 00:31:14,760 So, I haven't seen the picture yet. Hm. 594 00:31:14,800 --> 00:31:18,880 From the angle we've seen it at, it looks like madness. 595 00:31:18,920 --> 00:31:21,080 It's quite accurate. OK. 596 00:31:21,160 --> 00:31:23,360 There it is. LAUGHTER 597 00:31:23,400 --> 00:31:25,280 I remember it as a lot better than that. 598 00:31:25,920 --> 00:31:28,080 It's like Scanners when the head blows up. 599 00:31:29,560 --> 00:31:31,240 Is it Elvis? No. 600 00:31:31,280 --> 00:31:34,160 No, that's his gorgeous red hair. Hucknall. 601 00:31:34,200 --> 00:31:36,320 Erm, you know. Hucknall, it is. It is Mick Hucknall. 602 00:31:36,360 --> 00:31:37,480 It's Mick Hucknall. 603 00:31:38,920 --> 00:31:39,920 Is it?! 604 00:31:42,920 --> 00:31:44,480 Let's put all five up there. 605 00:31:44,520 --> 00:31:47,520 What a line up that would be for Taskmaster series 21 though, eh? 606 00:31:49,840 --> 00:31:51,240 Some of them have only got two colours, 607 00:31:51,280 --> 00:31:54,480 but I won't penalise that, because the main thing is 608 00:31:54,520 --> 00:31:58,080 the likeness and, on this occasion, I'm going to give Ania one point. 609 00:31:58,120 --> 00:31:59,160 MAISIE SCOFFS Aw. 610 00:31:59,960 --> 00:32:00,960 I'm so sorry. 611 00:32:02,040 --> 00:32:03,160 I like the character, 612 00:32:03,200 --> 00:32:05,360 but he doesn't look like Gene Wilder. I'm gonna give, 613 00:32:05,400 --> 00:32:07,240 erm, two points to Sanjeev. OK. 614 00:32:07,280 --> 00:32:10,160 Against all odds, I'm giving Rod Stewart three points. 615 00:32:10,200 --> 00:32:12,520 Even more against the odds, I'm giving Mick Hucknall, 616 00:32:12,560 --> 00:32:15,760 cos there's an element of animation to it, four points. 617 00:32:15,800 --> 00:32:18,600 And, clearly, even though there are only two colours, 618 00:32:18,640 --> 00:32:21,480 Dracula is the superior painting, five points to Reece. 619 00:32:21,520 --> 00:32:24,640 Five points to Reece Shearsmith. CHEERING AND APPLAUSE 620 00:32:24,680 --> 00:32:26,560 That's cool all right. Shall we have another task? 621 00:32:26,600 --> 00:32:28,840 We shall and, just like Greg in his teaching days, 622 00:32:28,880 --> 00:32:30,960 this one involves me getting hammered at work. 623 00:32:48,240 --> 00:32:51,880 Oh, nice head tattoo. Thank you, Ania, in you go. 624 00:32:52,640 --> 00:32:55,200 Do I look about for the task maybe? Yes, if you want, sure. 625 00:32:56,800 --> 00:32:57,840 Nice. 626 00:32:57,880 --> 00:32:59,440 Is it in a thing? 627 00:33:00,320 --> 00:33:01,560 Hm, no. 628 00:33:01,600 --> 00:33:03,120 What is the task and where is it? 629 00:33:06,360 --> 00:33:09,920 Someone's rustling. Oh. Thank you. 630 00:33:11,920 --> 00:33:13,960 Oh. HE CHUCKLES 631 00:33:14,000 --> 00:33:16,280 Oh, it's there, God. Oh, hello. 632 00:33:16,320 --> 00:33:18,680 Oh. Do you like pantomimes? 633 00:33:18,720 --> 00:33:23,120 Why? Erm... Oh, yes, I do. Oh, yes, I do. 634 00:33:23,160 --> 00:33:25,320 Oh, no, you don't. Oh, yes, I do. 635 00:33:25,360 --> 00:33:26,960 Do you? Yes. 636 00:33:27,920 --> 00:33:30,960 This is like a really low-budget kids' show. Not low budget. 637 00:33:31,000 --> 00:33:32,960 No, this is like a really high-budget kids' show. 638 00:33:33,480 --> 00:33:37,520 Sometimes, it's behind you. It's behind you. That's the... 639 00:33:43,000 --> 00:33:47,240 "Get exactly 63 points by bopping Alex on the head." 640 00:33:47,280 --> 00:33:50,520 "You must shout a different type of food on each bop 641 00:33:50,560 --> 00:33:52,080 "to register the bop." 642 00:33:52,120 --> 00:33:54,400 "If you bop anyone other than Alex, 643 00:33:54,440 --> 00:33:57,680 "five bops will be deducted from your total score." 644 00:33:57,720 --> 00:33:58,920 "You must stay in the hutch." 645 00:33:58,960 --> 00:34:00,840 "And the fastest wins." 646 00:34:00,880 --> 00:34:03,320 "Your time starts on the whistle." 647 00:34:03,360 --> 00:34:05,320 Is one bop one point? 648 00:34:05,360 --> 00:34:09,320 63 points are on my head. There'll be other heads. 649 00:34:09,360 --> 00:34:10,920 So, if you get me once, that'll do it. 650 00:34:10,960 --> 00:34:12,600 Oh. Seems easy then. 651 00:34:17,120 --> 00:34:19,840 Well, looks like we're off, it's pretty straightforward, 652 00:34:19,880 --> 00:34:21,640 bop this, erm... This clown on the head. 653 00:34:21,680 --> 00:34:24,280 Yeah, bit of fun. Bit of fun. Let's go. 654 00:34:24,320 --> 00:34:26,120 Let's go, let's see a marauding Maisie, 655 00:34:26,160 --> 00:34:27,600 a savage Sanjeev 656 00:34:27,640 --> 00:34:30,680 and a rampaging Reece bop till they drop. 657 00:34:30,720 --> 00:34:32,600 OK, so, I've gotta try and bop your head 658 00:34:32,640 --> 00:34:33,840 and say food stuffs? 659 00:34:35,040 --> 00:34:36,880 Oh, no what are these. 660 00:34:36,920 --> 00:34:37,920 Oh, I see. 661 00:34:40,400 --> 00:34:42,080 Five points, that one. OK. 662 00:34:44,040 --> 00:34:45,040 One. 663 00:34:45,360 --> 00:34:46,720 Oh, right OK. 664 00:34:49,320 --> 00:34:51,280 That's Greg. Mm, so, you've got minus ten. 665 00:34:51,320 --> 00:34:52,480 What? 666 00:34:52,600 --> 00:34:53,600 Oh. 667 00:34:53,640 --> 00:34:54,800 Oh, ten points. 668 00:34:56,840 --> 00:34:58,600 Still minus ten. But I got him. 669 00:34:59,440 --> 00:35:01,360 Minus ten. But I got him. 670 00:35:01,400 --> 00:35:03,920 I can't register the bop. Minus ten. 671 00:35:04,720 --> 00:35:07,360 Now, listen, I can't register any of these bops. Why? 672 00:35:07,400 --> 00:35:09,240 All the information's on the... On the task. 673 00:35:11,560 --> 00:35:12,560 Fuck. 674 00:35:14,400 --> 00:35:15,400 Right. 675 00:35:20,560 --> 00:35:21,560 Lovely. 676 00:35:22,160 --> 00:35:23,160 Erm... 677 00:35:25,800 --> 00:35:27,680 Need a food. A... 678 00:35:28,360 --> 00:35:30,040 A... A... 679 00:35:30,080 --> 00:35:31,080 A... 680 00:35:36,200 --> 00:35:38,160 This is gonna take bloody forever. 681 00:35:38,200 --> 00:35:39,440 Yeah, you're on 21 points. 682 00:35:40,720 --> 00:35:41,720 Erm... 683 00:35:44,320 --> 00:35:45,600 You're using the guitar now. 684 00:35:48,480 --> 00:35:49,840 Oh, there's something by your waist. 685 00:35:49,880 --> 00:35:51,600 What? Urgh. 686 00:35:53,560 --> 00:35:55,000 That was a rather creepy one. 687 00:35:55,960 --> 00:35:58,840 Oh. Didn't I bop that, that was a bop. 688 00:35:58,880 --> 00:36:01,320 Yeah, but you didn't say a food, unfortunately. Argh! 689 00:36:02,200 --> 00:36:03,600 This is just annoying now. 690 00:36:13,000 --> 00:36:14,360 Well, what's happened to his head? 691 00:36:14,920 --> 00:36:16,640 Oh. Erm... 692 00:36:21,600 --> 00:36:22,600 Oh. Ah. 693 00:36:24,400 --> 00:36:27,440 Yes, you got me, so, now, you're on plus 72. 694 00:36:27,480 --> 00:36:30,360 Yeah, you've gone over now. Ah. I see. 695 00:36:32,640 --> 00:36:33,640 Ah. 696 00:36:36,440 --> 00:36:38,960 69. You've got too many now. Now, you need to hit a few Gregs. 697 00:36:39,520 --> 00:36:40,600 Erm... 698 00:36:49,040 --> 00:36:50,040 Right. 699 00:36:52,360 --> 00:36:53,400 Right. Right. 700 00:36:53,440 --> 00:36:54,720 We're now on 59. 701 00:36:57,040 --> 00:36:58,120 OK, you're on 62 now. 702 00:36:58,160 --> 00:36:59,840 So, you just need one of me that's worth one. 703 00:37:05,840 --> 00:37:06,880 WHISTLE BLOWS I've stopped the clock. 704 00:37:07,480 --> 00:37:08,480 Erm... 705 00:37:09,760 --> 00:37:10,760 I've stopped the clock. 706 00:37:13,160 --> 00:37:15,600 Got it. Whoo. I've stopped the clock. 707 00:37:15,640 --> 00:37:16,800 Thank you. 708 00:37:16,840 --> 00:37:18,360 Oh, God. 709 00:37:23,520 --> 00:37:25,400 Maisie, have you ever worked at a supermarket? 710 00:37:26,760 --> 00:37:29,320 I wrote down that run, broccoli, carrot, 711 00:37:29,360 --> 00:37:32,720 butternut squash, Big Mac, Chicken Supreme Wrap. 712 00:37:32,760 --> 00:37:35,400 Chicken Supreme Wrap. It's really hard. 713 00:37:35,440 --> 00:37:38,120 It's... This task was so infuriating. 714 00:37:38,160 --> 00:37:40,680 Reece was far more specialist. You were like a deli. Yeah. 715 00:37:40,720 --> 00:37:42,400 There were only three things 716 00:37:42,440 --> 00:37:45,400 and they were shouted with such passion. 717 00:37:45,680 --> 00:37:46,760 AS REECE: Fishes! 718 00:37:48,480 --> 00:37:50,000 Fishes, pistachio, aubergine. 719 00:37:50,040 --> 00:37:52,920 Yes, I mean the others were just as classy. Sugar-snap peas. 720 00:37:52,960 --> 00:37:54,360 Whoa! 721 00:37:55,360 --> 00:37:57,120 Fascinating little runs from you. 722 00:37:57,160 --> 00:38:00,040 Lovely little concentrated runs. Not much action. 723 00:38:00,080 --> 00:38:01,840 Then, all of a sudden, "Beef, pork, chicken." 724 00:38:03,440 --> 00:38:05,720 And then there was that lovely curry run at the end. 725 00:38:07,160 --> 00:38:08,400 Absolutely poetry. 726 00:38:08,440 --> 00:38:10,520 Erm, I mean runs and curry do go together. 727 00:38:12,320 --> 00:38:13,840 That's good. He's good! 728 00:38:14,840 --> 00:38:17,560 All right then, we're nearly there. In the final part of the show, 729 00:38:17,600 --> 00:38:19,600 someone will triumph and then travel home 730 00:38:19,640 --> 00:38:22,360 on a toilet courtesy of Ania Magliano. 731 00:38:28,800 --> 00:38:30,320 CHEERING AND APPLAUSE 732 00:38:30,360 --> 00:38:34,720 Thank you! Welcome back to part four of Taskmaster. Yes, hello. 733 00:38:34,760 --> 00:38:37,840 And a special shout out to any funeral directors watching today. 734 00:38:37,880 --> 00:38:39,920 Thank you. LAUGHTER 735 00:38:39,960 --> 00:38:41,320 Before the break they were trying to 736 00:38:41,360 --> 00:38:44,240 get exactly 63 points by bopping Alex on the head. 737 00:38:44,280 --> 00:38:47,280 Let's see Ania and Phil and mallets and me. 738 00:38:47,320 --> 00:38:49,400 And... I don't know what... I don't... 739 00:38:49,440 --> 00:38:51,200 I don't wanna just bop you on the head. 740 00:38:51,240 --> 00:38:55,200 What? Oh, I think that is you. Bop. Erm... Erm... Erm... 741 00:38:55,440 --> 00:38:56,440 No, that's too slow. 742 00:39:01,920 --> 00:39:02,920 Lovely. 743 00:39:04,440 --> 00:39:05,440 No, you missed that. 744 00:39:08,280 --> 00:39:11,400 I mean, if you get my head, that'll give you a lot of points. 745 00:39:11,440 --> 00:39:13,760 That's not your head, you're tricking me. That's Greg's head. 746 00:39:13,800 --> 00:39:15,040 That's correct. 747 00:39:15,680 --> 00:39:17,120 Oh. Maca... 748 00:39:18,840 --> 00:39:21,400 Why am I struggling? Wait a minute, there's another way? 749 00:39:21,440 --> 00:39:22,440 Dunno. 750 00:39:24,560 --> 00:39:27,520 Oh, look, yes, yes. Right. 751 00:39:29,720 --> 00:39:30,720 Oh. 752 00:39:32,600 --> 00:39:33,600 Lovely. 753 00:39:36,000 --> 00:39:37,000 Never had it. 754 00:39:41,840 --> 00:39:43,080 Well, you've knocked the head off that now. 755 00:39:43,120 --> 00:39:44,240 I've got it. 756 00:39:44,280 --> 00:39:46,760 You're on 62, you need one more point. One more. 757 00:39:46,800 --> 00:39:48,600 So, you're now on 58 points. OK. 758 00:39:51,600 --> 00:39:52,600 63. 759 00:39:55,200 --> 00:39:56,720 And that's your time over. Yes. 760 00:39:59,240 --> 00:40:00,400 Oh, there's a camera in this. 761 00:40:00,440 --> 00:40:01,440 Mwah. 762 00:40:08,600 --> 00:40:11,400 I mean, was there either of those shopping baskets 763 00:40:11,440 --> 00:40:12,840 that's more middle class than the other? 764 00:40:14,000 --> 00:40:18,120 Frangipane tart. Is that your go-to? 765 00:40:18,160 --> 00:40:19,360 Don't know what that is. 766 00:40:20,760 --> 00:40:24,920 Egg, potatoes. Loved it. Although, oh, man, 767 00:40:24,960 --> 00:40:27,280 the thing that got me is your first guess. 768 00:40:27,320 --> 00:40:28,360 There's, I'm sure, now, 769 00:40:28,400 --> 00:40:30,400 a fairly offensive character called Porky Pig, 770 00:40:30,440 --> 00:40:32,840 do you remember Porky Pig? Oh, erm, yeah. 771 00:40:32,880 --> 00:40:34,520 And he had a bit of a speech impediment... Yeah. 772 00:40:34,560 --> 00:40:35,560 ..and you did that at the beginning. 773 00:40:35,600 --> 00:40:37,160 You went, "Huh-beh-huh-beh-huh-beh, kumquat." 774 00:40:38,320 --> 00:40:40,920 Which was most incredible. 775 00:40:40,960 --> 00:40:42,960 I've never had to say it under pressure before. 776 00:40:43,000 --> 00:40:44,600 Well, shall I do the timings? 777 00:40:44,640 --> 00:40:46,200 Huh-beh, do the timings. 778 00:40:46,240 --> 00:40:49,080 Erm, the quickest, in 2:29, was Ania. 779 00:40:49,120 --> 00:40:51,040 Well done, that's five points to Ania. 780 00:40:51,080 --> 00:40:52,600 CHEERING AND APPLAUSE Lovely. 781 00:40:52,640 --> 00:40:56,640 Yeah. Then we go Phil, 4:44, Sanjeev, 5:51, 782 00:40:56,680 --> 00:40:59,280 Maisie, 6:39 and, far slower than everyone else, 783 00:40:59,320 --> 00:41:02,200 Reece, one point, 8:45. 784 00:41:04,720 --> 00:41:05,960 Let's have a look at some scores. 785 00:41:06,000 --> 00:41:08,120 Yes, well, in the series, it's still tight, 786 00:41:08,160 --> 00:41:10,400 11 points separating all five of them. 787 00:41:10,440 --> 00:41:11,680 Ooh. I know. 788 00:41:11,720 --> 00:41:13,320 Like anyone could win the series? 789 00:41:13,360 --> 00:41:14,760 Anyone could win the series. 790 00:41:14,800 --> 00:41:17,880 In this particular episode, tight, Sanjeev, you're on 15, 791 00:41:17,920 --> 00:41:20,080 but Ania and Phil are in the lead with 16. 792 00:41:20,120 --> 00:41:21,320 ANIA AND PHIL: Oh. 793 00:41:24,640 --> 00:41:27,000 OK, everyone, will you please head to the stage for 794 00:41:27,040 --> 00:41:28,440 the final task of the show. 795 00:41:28,480 --> 00:41:30,480 CHEERING AND APPLAUSE 796 00:41:35,680 --> 00:41:38,240 Oh. Oh, I didn't see that. 797 00:41:40,480 --> 00:41:42,160 Who will be reading the task? 798 00:41:42,200 --> 00:41:43,640 That one, Maisie Adam. 799 00:41:44,920 --> 00:41:47,320 "Avoid the Taskmaster's big ball. 800 00:41:48,560 --> 00:41:53,520 "You must stand on the circle, but you must not step on any gold. 801 00:41:53,560 --> 00:41:54,760 "You must be facing 802 00:41:54,800 --> 00:41:58,680 "and staring at the Taskmaster sign at all times 803 00:41:58,720 --> 00:42:01,840 "and after the Taskmaster releases his big ball, 804 00:42:01,880 --> 00:42:05,920 "you may each take one step. The first person touched by 805 00:42:05,960 --> 00:42:10,520 "the Taskmaster's big ball each round is eliminated. 806 00:42:10,560 --> 00:42:12,720 "Last player standing wins." 807 00:42:12,760 --> 00:42:15,280 So, after he releases his ball, we're allowed one step. 808 00:42:15,320 --> 00:42:18,320 Yeah, one step...each round. I will... 809 00:42:18,360 --> 00:42:21,000 Can we get undressed? MAISIE LAUGHS 810 00:42:21,040 --> 00:42:22,520 A little, a little bit. 811 00:42:22,560 --> 00:42:23,840 Erm, why do you want to get undressed? 812 00:42:23,880 --> 00:42:26,400 So that there's less, like, stuff to be touched. 813 00:42:26,440 --> 00:42:30,480 Oh, you think this is a game of millimetres, do you? 814 00:42:31,680 --> 00:42:33,240 Sure. Alex. 815 00:42:33,960 --> 00:42:37,640 Please, take the contestants to the ball zone. 816 00:42:38,080 --> 00:42:40,080 This way, please. CHEERING AND APPLAUSE 817 00:42:47,320 --> 00:42:50,000 You can take any spot, you must be facing that way. 818 00:42:50,040 --> 00:42:51,680 Where's he swinging it from? 819 00:42:51,720 --> 00:42:52,960 Swinging it from here. Well, yeah. 820 00:42:53,000 --> 00:42:54,200 Wanna be over here then, don't you? 821 00:42:54,240 --> 00:42:56,560 But you must be facing that Taskmaster sign. 822 00:42:56,600 --> 00:42:58,240 OK clothes off. 823 00:42:58,280 --> 00:43:00,480 LAUGHTER 824 00:43:02,400 --> 00:43:04,240 CHEERING AND WHOOPING 825 00:43:06,280 --> 00:43:08,440 Yeah, can we face it like this? 826 00:43:08,480 --> 00:43:10,080 That's side on, that's side on. 827 00:43:11,320 --> 00:43:13,680 You can't... You can't take your eyes off the Taskmaster sign. 828 00:43:13,720 --> 00:43:14,960 Well, that's fine then. 829 00:43:21,120 --> 00:43:22,480 Here we go. Good luck. 830 00:43:24,320 --> 00:43:26,280 GREG ROARS 831 00:43:37,360 --> 00:43:39,880 Oh, this seems cruel. Ania standing. 832 00:44:04,000 --> 00:44:07,080 Phil, please, go and sit in the elimination zone. Phil, everyone. 833 00:44:07,120 --> 00:44:09,880 I mean, that was heroic. 834 00:44:09,920 --> 00:44:12,800 So, Phil is eliminated. OK, right. 835 00:44:14,040 --> 00:44:16,520 Remember, you're looking at the Taskmaster sign, please. 836 00:44:16,560 --> 00:44:19,480 Yeah, you can dodge and weave, but you must be standing up. 837 00:44:19,520 --> 00:44:21,040 Good luck, everyone, round two. 838 00:44:21,080 --> 00:44:22,640 Ready? REECE AND ANIA: Yeah. 839 00:44:22,680 --> 00:44:24,840 GREG ROARS 840 00:44:25,960 --> 00:44:27,640 Oh, there's a step from Ania. 841 00:44:27,680 --> 00:44:29,400 Oh, lovely. Oh. 842 00:44:29,880 --> 00:44:32,360 Oh. Oh, lovely. Oh. 843 00:44:34,880 --> 00:44:36,240 Reece Shearsmith has gone. 844 00:44:40,200 --> 00:44:43,720 Reece is eliminated. Hand me back the golden ball. 845 00:44:44,520 --> 00:44:46,240 OK. Yeah, yeah, yeah, yeah. 846 00:44:47,320 --> 00:44:50,160 I am about to release the ball. Oh, my word. 847 00:44:51,640 --> 00:44:55,800 Behold my ungodly strength. HE ROARS 848 00:44:58,880 --> 00:45:02,080 One step. OK, that's a step from everyone except for Maisie. Lovely. 849 00:45:02,120 --> 00:45:03,120 Lovely. 850 00:45:06,720 --> 00:45:10,840 Sanjeev is out...and pleased. Bring me back my ball. 851 00:45:13,240 --> 00:45:14,800 It's horrible, isn't it? This is it. 852 00:45:19,520 --> 00:45:20,640 Ready. 853 00:45:20,680 --> 00:45:24,520 The strength is unholy. HE ROARS 854 00:45:26,040 --> 00:45:28,120 Oh, what an angle. One step. 855 00:45:28,160 --> 00:45:30,280 Oh, lovely. Maisie still has hers. 856 00:45:30,320 --> 00:45:31,320 Eh! 857 00:45:31,360 --> 00:45:33,360 CROWD ROAR Oh, it's another step. 858 00:45:34,000 --> 00:45:35,640 We've lost Ania. We've lost Ania. 859 00:45:35,680 --> 00:45:39,720 Maisie is the winner. CHEERING AND APPLAUSE 860 00:45:42,960 --> 00:45:45,760 Let's all go down and we'll work out the final scores. 861 00:45:49,880 --> 00:45:51,280 Oh, that was electric. 862 00:45:51,320 --> 00:45:55,760 Oh. Obviously, we saw the finalists were Ania and Maisie, 863 00:45:55,800 --> 00:45:57,680 but the five points went to Maisie in the end. 864 00:45:59,920 --> 00:46:01,200 For standing still. 865 00:46:02,320 --> 00:46:04,880 Well, it means that, with 20 points today, 866 00:46:04,920 --> 00:46:08,680 our winner is at that end of the seats. It's Ania Magliano. 867 00:46:08,720 --> 00:46:10,840 Whoa! CHEERING AND APPLAUSE 868 00:46:11,720 --> 00:46:12,720 Ania wins. 869 00:46:12,800 --> 00:46:16,400 Please, go up to relish in your things to ride, or rip. 870 00:46:16,440 --> 00:46:18,880 CHEERING AND APPLAUSE 871 00:46:21,080 --> 00:46:23,720 So, what have we learnt today? 872 00:46:23,760 --> 00:46:27,720 Well, this is a stressful world, guys. It's full of technology, 873 00:46:27,760 --> 00:46:31,240 industry and noise. It's important to get away from it all, 874 00:46:31,280 --> 00:46:34,400 head to the glorious, English countryside, 875 00:46:34,440 --> 00:46:40,720 be at one with nature and just let the wildlife speak to you. 876 00:46:40,760 --> 00:46:42,160 RECORDING OF MAISIE'S SQUAWK 877 00:46:42,200 --> 00:46:43,880 LAUGHTER 878 00:46:47,760 --> 00:46:52,400 But, now, let's applaud our winner on the loo, it's Ania Magliano. 879 00:46:52,440 --> 00:46:54,680 CHEERING AND APPLAUSE 880 00:47:17,880 --> 00:47:20,560 Subtitles by Red Bee Media