# TEMA TASKMASTER
You are useless.
Markl!
GILMARY RI
#
It was sad.
They didn't expect us to be so smart.
Our Lady
- Thank you for this great moment. - I've always been very into this.
APPLAUSE
(...)
Hello, you here
Hello, so how are you?
- Everything is going well - Everything is going badly for me
But why is everything going wrong?
It was dignity that I lost She left, I stayed
If you find her, tell her I'm here.
If I find it I will tell you
Thanks.
VASCO: Ladies and gentlemen, welcome to the program.
in which a bunch of celebrities fight over my golden head,
the most unwanted award in the history of Portuguese television,
from apartments in Albufeira that were won in "One, Two, Three".
GILMÁRIO HUMS LAUGHTER
GILMÁRIO: - Excuse me. - Help me here, Gilmário.
- Welcome to... - "Taskmaster"!
APPLAUSE
GILMÁRIO: I almost sang it.
Next to me, a man who in this episode, as you will see,
He lost his dignity, but in return, he got the flu.
- Nuno Markl! - Grateful to have won something.
- It's always good to win. - I won something.
I won or in someone's words... HIGH VOICE I won!
Applaud the five who, one day, will be in the Wax Museum in Fátima.
Your applause for Pipoca Mais Doce, Ana Garcia Martins!
Your applause for Gilmário Vemba!
Don't stop applauding. Gabriela Barros!
That sweet love for Pedro Alves.
And much love to tonight's guest, Fernando Daniel!
Good night everyone. Kisses and hugs.
My dear Fernando, I've wanted you in this chair for so long.
- How are you? Are you okay? - I'm fine, but I'm worried.
VASCO: - With what? - With the sad figures I made.
- Now you're worried? - It only hit you now.
- I thought I could do it. - Did you have fun?
A lot, but I also felt really dumb.
- You're part of it. - Welcome to the club.
VASCO: - How is the family? - It's good. It's growing.
Growing up, isn't it? Best wishes to Fernando's family.
APPLAUSE
We start by seeing what treasures or what infamous junk
What did these lovely José Marias Pincéis bring?
And Marias Josés Brushes.
What they were asked to do was the best thing
to take to a room full of strangers.
The best thing to wash for a room full of strangers.
- Popcorn, what is that thing? - I brought something that would cheer anyone up.
Yeah... Can you show it?
- A shot dispenser. VASCO: - A shot dispenser.
- It's true. VASCO: - Did you already have this?
- I already had. I use it a lot. - At any party, you take this.
I always take work meetings.
With alcohol, people quickly become friends.
You take a shot and you feel better straight away. The shot comes out balanced.
Pour the liquid on top and distribute it evenly.
There isn't that atmosphere... "Your glass has more."
I think it's a winning idea. Don't you think?
APPLAUSE
PEDRO: - I like it. It's cool. GILMÁRIO:-Children screaming, yes.
MARKL: - They'll get there. - Let's talk to your parents.
Gilmário, did you follow the same reasoning or was it different?
I chose to observe the people who are closest to me.
They are my children. They usually go wherever I want.
Especially because they don't pay anything. They go where I tell them.
And they are usually always in places with unknown people.
What do they always have? Headphones. They always have headphones on.
Even at home they have headphones. It's there.
She'll find out the headphones are here.
VASCO: And if you don't win, you'll be left without them.
- That's life. - A round of applause for the headphones.
APPLAUSE
Gabriela, what did you think? Explain your idea to me.
What I bring today is what Pipoca was missing,
because she only brought one dispenser.
I bring the good stuff of alcohol. Those dispensers...
Those non-alcoholic shot dispensers are useless.
They are some empty colored glasses with cow's udders
pointing downwards.
Let me explain the logic.
It's to make people more friendly.
Where are you from? You have a few drinks and stuff.
But it can also have the opposite effect.
You're not enjoying the people you're meeting and drinking with
to the point of forgetting what happened the next day.
A round of applause for Gabriela Barros' whiskey.
APPLAUSE
GABRIELA: I didn't know it was whiskey. I don't drink whiskey.
- Pedro, what did you bring? - I'm very happy to hear that.
that everyone is aligned with the same thought as me,
what is the festive spirit when we are in a room with people
that we don't know from anywhere.
What is a party like this without a column? Is it true or not?
In a room full of people I don't know,
what I like most is hiding it behind a vase
and made her make noises, burps, people fart.
I can put on a nice song. PEDRO SINGS
Everyone sings, "Who left?"
"Who burped?" "Who's singing?" No one knows.
There's a cool scene. I like to make everyone uncomfortable.
The column is the best thing I can have in a room with strangers.
VASCO: Thank you, Pedro.
APPLAUSE
Fernando enters a room with strangers and takes what?
My first microphone. I keep it with great care.
It's broken and everything. It's been dropped many times.
MARKL: He has the air of someone who has been through wars.
ANA: What for? It's going to be crazy in the room.
FERNANDO: I can present myself through what I do, music.
You can play a game of Karaoke with your friends.
There are already speakers, there are already drinks. There are headphones for those who sing badly.
- Everyone gets five points. PEDRO: - And a shot dispenser.
- This is a collaborative effort. - If it is to make myself known,
Why not with the tool that got me here today?
Very good. The microphone is the object that Fernando would take.
A round of applause for Fernando and his microphone.
APPLAUSE
Let's give points. It's going to be difficult. Gilmário, one point.
One point? I'm the only one who doesn't want to invade anyone's life.
I'm in my corner. Everyone is unknown. I am too.
This is from the perspective of how I will "fit in".
VASCO: It was difficult for me. Gilmário takes a point.
I give two points to Pedro's column. I give three points to the microphone.
I think it's great that Fernando continues to want to win people over.
And as for the shots and the whiskey, Gabriela, she's quiet.
- In terms of dynamics... - The bottle goes to everyone.
The empty glasses... You spit in there. You don't do anything.
- Do you want five points? - Sure.
VASCO: You take four points and five points for Pipoca.
APPLAUSE
PEDRO: - You're very nice. - Talk less.
Today's first task is about contact balls.
Right and only now, thanks to this program,
is that I learned that those balls are called contact balls.
Thank you. This changed my life. VASCO: - Press the button.
# SOFT INSTRUMENTAL THEME
What's up, Ruben Rua?
We have a crystal ball to consult the gods beyond.
"Get that contact ball rolling as far as it can."
"Whoever keeps the ball rolling for the longest time wins."
"After you get the ball rolling..."
"You cannot touch it, nor do anything that affects its movement.
until it stops rolling."
"You have 20 minutes and one official attempt."
- I can make several attempts. MARKL: - You can do tests.
That's good. They give the individual the opportunity to test.
It's not like that. "Now do it." Brutally, it won't work.
People invented foreplay for a reason.
"Time begins now."
This doesn't give shocks, does it?
It's glass, isn't it? Is it?
It's not about having a brilliant idea behind the scenes and then doing it.
Should we do this brilliant idea now?
MARKL: You have 20 minutes to plan.
GABRIELA SIGHES APPLAUSE
Nuno, they had to get the ball rolling as much as possible.
Correct. They had an official attempt and as soon as they announced it,
could not touch the ball again or interfere with the movement.
Everything explained. Who are the first to roll?
Gabriela Barros and Pedro Alves with two schools of thought
when it comes to the "bolal" roll.
- Did you say "rolling 'bolal'"? - I said "rolling 'bolal'".
And I don't regret it.
One day, everything we say here will be part of grammar books.
And will we have these grammar books at home?
Good Lord. Of course not. Let's do this.
Does it have to be in here? Can it be outside? Yes, it can.
- Let's go to A2. MARKL: - Let's go.
Hopefully, we caused an accident.
I'll try to arrange a scene.
That's it. Throw this on a highway.
MARKL: Let's go.
PETER MOANS
There is a road, the one that goes from the saloon to the gate.
PEDRO ASSOBIA I like doing this crap.
There are some things along the way in production.
PEDRO MOANS This is really heavy.
If this works out as I'm planning it to...
Have you ever seen an aqueduct system with suspension and everything?
Go crazy. It was all so right.
- Is this still a test? Sure. - It is a test.
One, two and... Markl!
- It almost hit me in the testicles. GABRIELA: - How horrible.
- It's all right. - I saw the case was in bad shape. It's all right.
I used to be good at throwing things. Nowadays, I hold on to them.
I'm announcing the test to get this ball rolling
as long as possible.
Once it starts, I can't touch it.
- Is that official yet? - That's what we have. It has to be. Yes.
GABRIELA: Careful.
One, two...
GABRIELA: - Get out! MARKL: - Still is.
MARKL: Parou?
It was sad.
It was nothing.
Little ball! The victory is ours.
# COMEDY INSTRUMENTAL THEME
PETER SCREAMS
What now? I want it to roll inside. How do I do it?
Damn! Come here! Don't stop!
# COMEDY INSTRUMENTAL THEME
It was a strange atmosphere.
- The idea for the A5 or the A2... - Yes.
I can be on this all morning.
GABRIELA: I have no chance of winning this show.
# COMEDY INSTRUMENTAL THEME
I don't want it anymore. I'm tired.
GABRIELA: I came with the thirst to win over the other.
Now that I have my bust, I've calmed down.
He interfered.
APPLAUSE
- He looked like a prospector. - "Where's the gold?"
- He interfered. - He, interfered? Pedro? No!
Do you think that Pedro, when moving the bathtub with his hands
and the ball with the feet, is it interfering?
- Of course not. - As for me, no...
Tell me about the suspension aqueduct system.
I am trying to implement this idea in the future of aqueducts,
because, the water reaching people's taps,
with the feeling that it is suspended,
it is "better" water to drink.
It is suspended water.
APPLAUSE
VASCO: I like the idea of ​​the future of aqueducts.
As for Gabriela Barros, let's go to A2.
I was wrong. It's the A5 arriving at the viaduct of the thing.
That climb... I went into Amoreiras and "pah".
- It's going up to Amoreiras. - Since you mentioned "pah",
"pah" would be the noise if the ball had hit his shins.
I had a speed... I was surprised at myself.
It turned out to be good. I felt like my reflexes were amazing.
He had a very strong fencing reflex... - Tell me about the results.
Gabriela kept the ball rolling for 13 seconds.
VASCO: It happened. Thirteen.
It's time. I thought it was distance.
Pedro's problem is that he interfered with the movement of the ball
in every possible and imaginable way.
No, in the aqueduct part, I didn't touch the ball.
MARKL: He moved in the bathtub, touched the ball with his feet.
- There was too much interference. - An escalation of interference.
VASCO: - Who's next? - Ana Garcia Martins.
Someone who has put all his chips in
one of the great national figures of 'bolal' rolling.
You're still rolling 'bolal'. I have to ask.
Who is the figure in the 'bolal' scroll? - Me.
Poor Popcorn. Let's do this.
What makes a ball roll? I can't touch it,
but can you touch the ball? It doesn't say anything here.
It says I can't touch or do anything that affects its movement.
It doesn't say you can't touch it or do anything to it.
that affects its movement. You can stay here and make it roll.
MARKL: Do you want me to sit there and play ball?
And you stay here forever. I come to see you from time to time.
- I'll bring you food. MARKL: - Okay.
Do you understand what you have to do? You can never let her stop.
ANA MOANS Do you understand?
- Do I have to make that sound? - Do I prefer it with sound effects?
It gives more dynamics to the thing. Ready? - Let's go.
Faster! That's it! Sound effects are missing.
MOANS
It's going to fall. It's not going to. Very good. You're doing well.
ANA: I think you can do it more gracefully.
- You've known me for a long time. - That's it. Leave it alone. Goodbye.
This is where my career has come to, at this point.
ANA: I don't know if it was the idea to leave Markl in charge of my test.
Just roll a ball. How can this fail?
I'll see if everything's okay. Is everything okay?
- It's great. - Do you need help?
- I needed water. ANA: - Do you want a glass of water?
Get me a glass of water or a bottle.
ANA: - I'm going to have to give it to you. - Yes.
ANA: - I'm back. - Amazing.
ANA: - Now it's going to be difficult. - Yes, it will.
- The focus is on the ball. - Sure. It's a bad idea to drink water.
I can't do both at the same time.
I'd rather you die of thirst than stop doing that.
- Sure. - Do you want me to throw water on you?
- What if you give me a straw? - Okay. I'll look for it.
- It has to be a big straw. ANA: - Anything to keep you happy.
- Is there a straw yet? Amazing! - Green, yellow, pink, blue?
You can put them all in for greater suction.
It's going to be a mess. I don't think you're capable of it.
I'll do anything. Just let it be. Go.
Thank you for that.
I propose that an ellipse be made. After three hours...
- I think so. My arms hurt. - You gave up on my test.
ANA: At what point were you allowed to withdraw?
- I've been here for a long time. - I don't care.
You are useless.
Never in the history of television has anyone done this so well.
Useless!
APPLAUSE
VASCO: Useless... He took the test.
After seeing what my colleagues did, he was a genius.
I was the "genius". It was a good idea.
- From a physical point of view... - He fell silent.
The continuity of the roll... Is it not affected?
When Markl stops her on one side to send her to the other side?
PEDRO: - There is a stop. ANA: - It never stopped. It doesn't stop.
- Roll and stop. - Nothing like that. Roll and roll.
It seems I'm in the "Pros and Cons".
All that's missing is Fátima de Campos Ferreira.
The ball flowed. It didn't stop.
VASCO: - The subject is physics. PEDRO: - And what did he call you?
MARKL: - Useless. - I won't say anything else.
It wasn't in the envelope that couldn't be called useless.
VASCO: Tell me about results.
Pipoca's task, or mine, lasted five minutes and 34 seconds.
VASCO: Five minutes and 34.
APPLAUSE
- It didn't stop. VASCO: - Five and 34.
Who are the next to perform magic with contact balls?
Two people who took the step of thinking outside the box.
putting the ball inside things.
Fernando Daniel and Gilmário Vemba,
a collective that I like to call Gilnando Vemiel.
No, Fernário Danemba.
APPLAUSE
- I saw that the pool has some jets. - Yes.
If you find a way to have the ball in the same place,
but always being hit by jets of water,
is in constant motion. MARKL: - Okay.
They are from RTP or Herman.
I'm trying to think of the oldest people on television.
I get it. The jets are... I thought they were overhead.
It will fall.
- Do we have an air compressor? - I have no idea what it is.
I don't have enough knowledge about workshops.
- There's a workshop nearby. Let's try. - Can we go there?
GILMÁRIO RI Really?
Once the ball starts rolling, I can't touch it or do anything to it.
that changes the trajectory or something like that. Correct?
Let's suppose I'm giving air to the ball.
Try.
I can continue to give air to the ball even after it starts rolling,
because you were already doing that before, right?
Good question.
# INSTRUMENTAL SUSPENSE THEME
- Hello. Good afternoon. - Tell me.
I have a mission, which is to keep the ball rolling for as long as possible.
- Can you help me? - Yes, but I need to understand.
LAUGHTER
GILMARY RI
It does not give.
This is my attempt to get the ball rolling.
Attention, everyone. Let's make history.
Is it running?
FAN BEAT
GILMÁRIO: This could go on forever.
You just need to have money to pay for the electricity.
FERNANDO: I think this is my official attempt.
MARKL: - You're confident. - In the idea, I am. Not in the machine.
I'm not a professional with washing machines.
Vacuuming is my forte.
FAN BEAT
It says the time here. See? 45, 36, 52... One hour and 33.
Cleaning... Duvet.
I take this as my official attempt.
MARKL: - Whatever God wants. - It's about to start.
MARKL: - Go. - There she is.
- I'm a genius. - There you go.
MARKL: - Now it will be... - An hour and a half.
More thing, less thing.
GILMÁRIO: We have a ball rolling here,
on a lying fan.
It rolls to infinity. Roll, ball! Go!
- It's done. You have to whistle. - Of course. Good point.
MARKL WHISTLE I watch this program.
Thank you for teaching me.
APPLAUSE
MARKL: He's taking a bath.
Don't worry about the other tests. Just be yourself.
APPLAUSE
(...)
Gilmário, how many objects did you see before the fan?
until you said it had to be with the fan?
- I saw the record player. - You said it was Herman's.
I was trying to see who the oldest people on television were.
VASCO: - Julio Isidro. - Maybe, it's all Julio's.
That fan was already all peeled,
but it should still be spinning if they haven't turned it off.
At some point we had to shut down. GILMÁRIO:-After how many days?
We'll see.
As for the boy in the corner, a lot of people ask.
"What do you like most about Fernando?" There is one thing I love about him.
The humility he has. You can see it when he puts the ball in and says:
"I am a genius."
- Did it go well? - I think so.
It depends on how long the fan spins the ball.
One week. I think the "Taskmaster" has the budget to pay.
I was confident in this one. I think it was my best.
Markl has results from Fernando and Gilmário.
Fernando, the machine was programmed
for an hour and 33 minutes. And it worked for an hour and 33 minutes.
VASCO: Well, one thirty-three.
MARKL: Gilmário, the ball rolled for seven hours and 45 minutes.
- They turned it off. - Someone turned off the switchboard.
I don't agree with this time. They hung up. I didn't ask for it to be hung up.
- Do you know how much electricity costs? - Dearest.
Gilmário was the one who got the ball rolling the most, then Fernando,
then Pipoca, then Gabriela and then Pedro. And that ?
Vasco, Vasco...
Scoundrel... Scoundrel.
I am not in a position to move forward with these certainties.
The washing machine had the ball for one hour and 33 minutes.
However...
It is with great regret that I declare that, at minute 21,
because there must be water scenes happening, the ball stopped.
Nothing.
APPLAUSE
VASCO: It's normal. Now everything is as it should be.
Gilmário with five points, Pipoca came in second.
Then, Fernando Daniel with three points,
Gabriela with two and Pedro with one. Is that it?
- That's it, yes. - I won. I can't believe it.
VASCO: - What's going on? - I won.
LAUGHTER
This team is very picky. They notice things.
VASCO: What happened now and who did it happen to?
Maybe a certain person has a point...
GABRIELA
... about certain characteristics of another person.
VASCO: - What characteristics? - Uselessness.
VASCO: - What's going on? - My intentions were good.
They made me do this.
- I came in second anyway? - Calm down. Anything can happen.
- They're going to the bar now. Take it easy. MARKL: - We have a replay.
Let's watch the replay.
Faster! That's it!
GABRIELA: - Of course. That's it. VASCO: - What do you mean?
MARKL: I believe there are laws of physics at work.
PEDRO RI
But I think we are not enough to support this thesis.
VASCO: - Let's talk honestly. - Let's go.
Taskmaster went to speak with one of the greatest physicists in the country.
We spoke with Carlos Fiolhais.
Carlos was having lunch. We talked to Carlos Fiolhais
and we showed these images so that the physicist, Carlos Fiolhais,
said of his justice. Carlos, what do you have to say?
- No! VASCO: - Speak, Ana.
What he's saying is that the ball isn't spinning on its own.
I know that, Markl is there. You didn't say...
That's not what he's saying.
He says, "Which means the ball doesn't move by itself."
- You're only going to the first part. GILMÁRIO: - When you invert...
- The speed is zero. - The speed is zero.
An object with zero velocity is at rest.
ANA: It's not stopped.
- This is physics. It's not possible. - It's your desire to take points.
And favor the favorites.
We have Ana dropping from four to two points.
That's right. One point for Pedro. Two points for Pipoca.
Three points for Gabriela, four points for Fernando.
And five points for Gilmário.
VASCO: Send the points to the table.
MARKL: A seven-all tie between Pipoca, Fernando and Gabriela.
Gilmário with six and Pedro with three. VASCO: - A round of applause for everyone.
APPLAUSE
VASCO: - What do we have next? - We have one more task
which makes me wonder if I'm as useless as some say.
Or if, instead, I'm super gorgeous and valuable.
- Super cute? - Wait until you see my style.
# SOFT INSTRUMENTAL THEME
ANA CANTAROLA
ANA: How beautiful!
It's now, Fernando.
- Look at "Pink" Markl. - They're going to screw up your life.
ANA: It really suits you. It's a color that really pulls you in.
- It matches well. - I like your sneakers.
- You're really hot. - I look like ice cream at the same time.
"Keep the Markl dry. Beat the drier Markl."
"You cannot touch Markl during the entire task."
"We can't step on the carpet when the shower is on.
The shower will be turned on for two minutes in two minutes."
We have two minutes to protect Markl.
APPLAUSE
"It keeps Markl dry."
Sometimes I think you are ungrateful. I was kind enough to say to these people:
- "Keep my friend dry." - Thank you for that. You're a saint.
VASCO: - I know I am. MARKL: - That was it.
They couldn't touch me directly during the entire task.
And at the end of the first two minutes,
they couldn't step on the red wheel,
because at the end of the two minutes, the shower would turn on and the water would fall.
I can't wait to evaluate the agility and drying capacity
of these dear people who worked so hard
to protect you from that evil fury of the waters.
That's it. We started with Gabriela and Pedro and it was...
MARK ABOVE
How was it? MARKL SOPRA
- Weak. MARKL: - It was intense.
Look for anything that is a large tarp.
- I'll look for the other one. - There isn't...
- The boat. PEDRO: - How wide is it?
- Who's holding the boat? Us? - Markl's head.
GABRIELA: Soon.
There he goes again with the pipes. - The Aqueducts. It's the Aqueducts.
GABRIELA: - I'm just... - Find a wide scene.
GABRIELA: - Look here! PEDRO: - Show me.
- Isn't it bigger? - No. It's not.
- How long? MARKL: - One minute.
- Crap! - Stay like that.
Get another bucket.
GABRIELA: Hold on. Let it go. Is this your idea?
Then we have to take this out, otherwise the bucket will fill up.
You'll have to help me. It's going to be five kilos at the end.
According to my physics and chemistry calculations, it is equivalent to ten kilos.
- How much time do we have? - Wait. I'll put it on the other side
They're going to turn this crap on. GABRIELA SCREAMS
Idiot.
PEDRO: Gabi !
# RHYTHMIC INSTRUMENTAL THEME
#
PEDRO: - You can't touch Markl. GABRIELA: - I can't play?
Come help me! This is really heavy!
GABRIELA: I can't touch you, Markl?
CENSORED WORD
Wait. I'll turn the bucket over.
GABRIELA: Does the red carpet count as the red carpet?
I'm not touching the red carpet.
GABRIELA: I'm not touching the red carpet!
- Take it off! - Poor thing.
PEDRO: - Move, Gabi! - It's done.
Put any there...
- This weighs a lot. - How do you measure it?
PEDRO: - Is the water okay? - It's great.
- We are being your friends. - Yes.
CENSORED WORD Another bucket!
- Stupid! - Here you go.
PEDRO: Can't you find a scene that can be used as support?
- This weighs a lot. Gabi! - I'm tiny.
I don't have the strength to hold this. - I'm tiny.
This technique is terrible.
GABRIELA
MARKL: - For me, it would be over. GABRIELA: - I feel like laughing.
GABRIELA: I can't! I'm so little.
PEDRO: Sorry, but we tried to do our best.
Of course. I am grateful to you.
- I really like that this... - It protected me a lot.
- Thank you, Gabriela and Pedro. - Sorry.
- We really like you. - Good job.
- I'm so small. Sorry. - Oh, come on.
# COMEDY INSTRUMENTAL THEME
#
APPLAUSE
(...)
VASCO: I'm too small. I can't reach there.
- Two minutes to decide... - I had no strategy at all.
- I went after the... - The Aqueducts?
GABRIELA: - From the lord of the aqueduct. - From the engineer.
Any proof is enough to build an aqueduct.
It would be possible to solve everything.
They could have asked Carlos Fiolhais for help.
LAUGHTER
(...) APPLAUSE
It would have been useful for the water to stop every now and then.
- But it didn't work. - That the water would be null.
Results ?
The entire surface of my suit was soaked.
- How do you measure that? - The soaked underwear. Everything.
And the shoes made... Shock, shock...
I propose we look at the second team.
Gilmário, Popcorn and Fernando,
a collective that I like to call Fernocário.
LAUGHTER
We have two minutes to think about how the shower doesn't hit Markl.
- "Keep Markl dry." - And we just turn it off...
If you keep the umbrella, you stay dry.
GILMÁRIO: - We can't. - I don't think it will stay dry.
- What if you do it like this with the hose? ANA: - That's what I was going to do.
FERNANDO: - It's very simple. ANA: - It's basic.
FERNANDO: - Really? - We cut the hose.
- And unscrewing it? - That's a lot of work.
ANA: - I find this basic. - Sometimes, it's like that.
Hold on there.
- Isn't it coming from there? - Have you cut it yet?
That's it.
LAUGHTER
GILMÁRIO: It's very easy. It's like that horror movie...
- Now we just have to wait. GILMÁRIO: - Kill the monster right away.
Her face...
GILMÁRIO: - That's exactly it. - I thought he was going to undress.
Complete proof, right?
"Keep the Markl dry. Beat the drier Markl.
You cannot touch Markl during the entire task."
FERNANDO: - We didn't play. - It couldn't be drier.
Thank you for that.
They didn't expect us to be so smart.
VASCO: - It's modest, isn't it? - I don't know if we were smart.
FERNANDO: This may not be the main Markl.
- Isn't there a doll here? - You're exaggerating.
ANA: - That it's flooded. FERNANDO: - Really?
Who am I?
Aren't you intrigued by him wearing pink?
- There is no other Markl. - The veteran speaking.
Sure? This is very simple.
ANA: - Is it okay? Can we go? - Thank you.
GILMÁRIO: It's here! You are looking for Markl.
Am I the only one who finds it strange that it's easy?
ANA: I'm in your boat too. I'm finding this weird.
- You didn't complete the test. - I don't have a whistle.
- I was afraid it would spoil. - Then just say it.
MARKLE IMITATE SEVEN
- Thank you, Markl. MARKL: - Thank you too.
- They were amazing. - I don't think so...
ANA: - It's dripping. - I was just checking if it was water.
GILMÁRIO BLOWS It's quiet.
It doesn't count anymore. It was two minutes.
It's done. Drier than that...
GILMÁRIO: Nobody believes the test is over.
- Nuno, say something. - Good afternoon.
GILMÁRIO: - It's over, isn't it? - For me, yes.
FERNANDO: I don't believe it. I think we failed miserably.
ANA: I think so too.
If it goes well, it was a team race.
If it goes wrong, it's Gilmário's fault.
GILMÁRIO: The immigrant is always to blame.
APPLAUSE
Her face, like...
- What were you looking for? - From a Markl voodoo. I don't know.
PEDRO: This program does that to people. They look crazy.
Fernando is not convinced. He is waiting for a "twist".
VASCO: Let's see if there's a "twist".
It didn't occur to us because we don't like to spoil material.
That was the easiest thing. But it's okay.
GILMÁRIO: I'm not going to mention things destroyed by Pedro and Gabriela.
- I let people watch the program. PEDRO: - I don't like to spoil anything.
I'll ask the production team to post two images.
GABRIELA
VASCO: I want to compare Markl.
LAUGHTER APPLAUSE
VASCO: The dry Markl and the dry Markl.
LAUGHTER APPLAUSE
- I still have doubts. - About what?
I have doubts.
Pipoca, Gilmário and Fernando will receive four points.
And I'll give one point to Gabriela and Pedro. Congratulations to all five.
- Why didn't we have five? VASCO: - They tried hard.
GILMÁRIO: Now we can sleep peacefully.
VASCO: You can sleep soundly. Markl, add up the points.
MARKL: Tied at the front, Ana and Fernando with 11 points.
Then, Gilmário with ten, Gabriela with eight and Pedro with four.
VASCO: A round of applause for our five.
PEDRO: I'm in my comfortable position, in the end. I'm fine.
We've had enough agility for now.
- I'm hungry for creativity. - And you're going to have creativity.
What will you still be able to do in this program?
with a creature that has already been through almost everything?
- You again? - No, the second creature
who has already been through almost everything, after me.
# SOFT INSTRUMENTAL THEME
#
GILMARY HUMS
Hello. I'm excited today. Are you happy?
The cutest thing! Patito!
- Hello, guys. What's it like? - It's a duckling.
Be gentle with me.
"Do something amazing with this little duck."
"The most surprising one wins."
"You have ten minutes to prepare your amazing thing."
"Then ten minutes to execute it. Time starts... now."
That's all I wanted.
"The most surprising one wins." What am I going to do?
I'm not going to throw a duck over a duck's nest. This won't surprise anyone.
What can't a duck do?
He's very cute. I didn't want to do anything bad to him.
How desperate.
GABRIELA SCREAMS
It's with this duckling. It's not with another duckling.
I can make this duck grow.
I don't feel like it.
- Can you get me some balloons? - Toothpicks, marker...
I could eat the duck. I could cut it.
I was excited. It's already passed.
APPLAUSE
GABRIELA: I don't remember what I did.
VASCO: "Do the most surprising thing with the duckling."
Who is the first person to make the most of the duckling?
The artist known as the Most Amazing Popcorn.
GILMÁRIO: Wow.
My God. What is this? This duck is injured.
What happened to him? My God. Help!
Dr. Sandra Donald, specialist in duck traumatology.
- What happened to this duck? - It's all bloody.
- What did you do to the duck? Did you see? - Nothing. It wasn't me. I didn't see.
Suddenly I heard groaning. I came running. It was a bloody duck.
- Do ducks moan? (QUACKS) - Yes.
This duck is not well. It is showing the last "duck" signs.
Is it possible to save him?
Let's try mouth-to-nozzle resuscitation.
He's not reacting. Everyone move away!
"Clear"! It didn't work. Again. Everyone move away!
It's not working. This duck needs to be evacuated.
- Decree protocol. Decree law. - My God, here it comes.
Faster! The duck is in pain.
Come on, duck! Everything will be fine.
- Great job, Doctor. - We're with you.
MARKL: - There he goes. - There he goes.
Go to Santa Maria dos Patos. It's the best unit in this country.
to treat polytraumatized ducks, which is the case here.
- Good job. - I apologize. Yes?
I just received information that the duck died on the way.
- Sorry. No, he fell asleep. - He fell asleep. There is hope.
- There is hope. - Thank you.
Whenever there's a duck in trouble, it's on me.
Amazing work. Thank you, Doctor.
APPLAUSE
Who is this Dr. Sandra Donald? How nice you are.
He is a specialist in polytraumatized ducks.
He soon realized that the duck was showing weak "patal" signs.
There were many years at the Boston Pathological University.
You studied. How stupid. Sandra studied in Boston.
Sandra studied in Boston. The duck is fine.
She started a family. I'm godmother to one of the ducks.
- There were no after-effects? - No, it's as good as new.
- It was impeccable. MARKL: - He was saved in time.
VASCO: A round of applause for Pipoca and Dr. Sandra Donald.
May it appear more often.
Who is the next person to transform a rubber duck?
in the center of the world? - Gilmário Vemba.
In an installation that brought to mind an old trauma.
Misha the bear's farewell at the 1980 Olympics in Moscow.
- Don't go, Misha! - Misha!
Are there balloons here? Look. Does this have helium?
GILMARY MOANS
Does this make...
HIGH-HIGH VOICE Nothing. Let's try to make the duck fly.
I wasn't supposed to talk like a duck, but I'm an Angolan duck.
LAUGHTER
The duck is hanging itself.
GILMARY MOANS
Wait.
Okay. Let's go.
WINCHES
HIGH-HIGH VOICE All ducklings know how to swim well
Head up high Tail in the air
I forgot one thing. I wanted to be sure with the arrow in the duck.
Maybe this is something spectacular. Nothing sharp.
HIGH-HIGH VOICE Ready. We're ready.
(...) There goes duck!
# INSTRUMENTAL SUSPENSE THEME
#
GILMÁRIO SHOUTS
Got it! You won't need that duck anymore, will you?
First Portuguese satellite.
Guys, if you see this duck around, take pictures. Then send them to me.
Even I was surprised. This duck is going to make history.
APPLAUSE
Call me a sucker, but I can't see any sweet-looking creatures
disappear into the stratosphere. I'm always thrilled.
- Misha! - Misha, duck! Duckling!
Did you get addicted to helium or was it just me?
I'm addicted. I have bottles at home.
- In the morning, in the evening. - In the morning, in the evening...
To scold my children...
HIGH-HIGH VOICE I already said I don't want this here.
- It was fun. VASCO: - It was fun.
And you were surprised by the balloons carrying the duck.
I thought it would go up a little and then land.
Then I got worried. "Don't make the news
a balloon accident and a duck that collided with a plane."
I was worried for a week, but nothing has happened yet.
We started well. I'm already positively surprised.
But now who will impress me?
It's time for fables with Gabriela Christian Andersen.
VASCO: - I have no idea what you did. - I'm surprised.
- I have no idea what I did. VASCO: - Let's see.
First of all, I wanted to make it clear that I only had ten minutes.
In no way does this represent my level of intelligence or...
- Creativity. - Yes.
- Let's go. I wrote a story. - Let's do it.
"Once upon a time there was an unfriendly duck.
"I would even say unfriendly.
"Although empathetic.
"The duck that didn't know if it was a tick
"lived inside a shoe.
"Once, he tied trying to make a 'gang'.
"I had a pathology. I had a tremendous 'patitis'.
"One day he woke up and was in a state of 'pathotonia'.
"But I'm going to get out of this shoe
and do a tap dance."
LAUGHTER
He looks like Fred Astaire.
LAUGHTER
Incredible.
MARKL: That's an art. I wish I knew how to do it.
APPLAUSE
- Didn't you remember? - It was brilliant.
I don't want to face anyone. I'll leave with shame
who has been with me since the beginning of this race.
- And I'm leaving. Okay? - Okay.
- But I liked it. - Thank you.
- A tribute to classic cinema. - You are very cool.
- Thank you. GABRIELA: - You're welcome.
It was a good time. It enriched my day. I enjoyed it.
APPLAUSE
That was why. That was why I didn't remember.
That's why you didn't remember. So what?
I tried to forget. There are less inspiring afternoons.
But did you like it?
MARKL: - I tried to give support. VASCO: - I noticed that.
I thought it was incredible. Don't you think so, Vasco? This test is incredible.
Didn't it surprise you on every level?
Who's next?
What arrives now is magnificent.
Fernando Daniel, wants to sing,
want to save citizens of a certain age,
of turbulent waters.
Before you press the button, do you want to make a preamble?
- Can you take it off? MARKL: - Too late.
- Now I want to see. - How embarrassing.
Welcome to this serenade dedicated to you.
Thanks.
My name is Fernando Daniel and this is...
MARKL:Who is it? FERNANDO GRASNA
And let's sing a lullaby.
- Let's do it. - Let's go!
FERNANDO CANTA All ducklings know how to swim well
They know how to swim well
VASCO: You're such a good guy. You're such a good guy.
Head down Tail in the air
IMITATES A DUCK SINGING
(...)
(...) APPLAUSE
(...)
APPLAUSE
Thank you for this great moment. Thank you. A hug.
Good...
LAUGHTER
No.
PEDRO: - No, he says. - I think I'll go away again.
FERNANDO TRAUTEIA THE THEME "MISSION IMPOSSIBLE"
I have this one here.
LAUGHTER
I don't know where I'm going. That exit was spectacular.
Hold on. Maybe if I... If I make this turn here.
Maybe if you go sideways...
No, no, no. This won't work. I'm going to fall.
FERNANDO: - Do you want me to help? - No!
How do I get out now?
- Hold on to my hand. - Do you think so? I don't know if you will...
- Put one foot out... - But I don't know... Be careful!
- Thank you, Fernando. - I hope you enjoyed it.
I really enjoyed it. This rescue, too.
Otherwise, I would stay here all night.
APPLAUSE
GABRIELA: You should have done the entire test standing up.
FERNANDO: What a sad little character.
This is the strangest television I have ever seen in my life.
It sounds like a dream you tell your therapist about.
"Doctor, I dreamed that Markl was in a boat
and Fernando Daniel appears dressed as an obese canary."
That saves him.
The quacking was the duck singing, it was a duet.
It's supposed to be.
All that's left is to see Pedro Alves' test and his respective duckling.
With an entrance on the scene where we didn't skimp on special effects.
Let's do it.
- Hello. - How about it, can I enter?
- Yes. PEDRO: - Don't you remember?
- I remember, of course. - Who was it? It was the Professor...
It was Professor Astromar. Who was a werewolf.
- Can I penetrate? - Let's do it. I'm curious.
- What do you want? - See something spectacular
to wrap the duckling. - The duck.
- Have you already forgotten? - Yes. The duck, I'm worried.
I had a serious ten-minute conversation with him outside.
- Did the atmosphere get tense? - It got quite tense.
- It got snippy. - Right.
And he said to the duck in all the letters in a convincing way
How can I tell you... Surprise us.
He is well.
I saw in his eyes that he was capable of doing anything.
to surprise us. Even because he was scared.
I saw three or four tail feathers fall out.
This is terrible when it happens. With fear comes the penalty.
The feather gets dandruff and then falls out.
SIGHS OF ASTONISHMENT
PEDRO: Could the little duck be doing something surprising?
# RHYTHMIC INSTRUMENTAL THEME
# LAUGHTER
#
I think it's one of the best moments of television ever.
PEDRO: - Look at him making pawns. MARKL: - Naughty duck.
There he goes.
MARKL: - There he goes. - He's flashing his lights.
MARKL: Magnificent. It's great. Thank you.
APPLAUSE
(...)
He didn't expect the duck to get into his car, his sports car.
I had a guna talk with the duck.
It was that serious conversation. I said: "Do anything..."
And he went to steal a car, I don't know where
and showed up with that attitude. I don't know what he drank.
He got there, he looked like a different duck.
It reminded me of a famous movie, "Pato and The Furious".
Enough creativity. Congratulations to all five of you.
Some are more to be congratulated than others.
And so, let's start awarding points from one to five.
I'll give Gabriela Barros a point.
Did you see the silence? No one was expecting it.
- It got freezing in here. - I'm going to give Gabriela a stitch.
I made a poem. I made a poem.
VASCO: Yes, one point for Gabriela.
I'll give two points to Fernando.
Gilmário, you get three points. Pedro's duck gets four.
But I really liked the whole narrative.
and the surprise of Dr. Sandra Donald.
A round of applause for Pipoca. She gets five points.
APPLAUSE
And so, Markl, sends the points to the screen.
Because with all these surprises, what is our situation?
MARKL: Popcorn ahead with 16.
Followed by Fernando Daniel and Gilmário, both with 13.
Then, Gabriela with nine and Pedro with eight.
VASCO: Make some noise for these magnificent five, please.
APPLAUSE
We are fine with creativity, we really like to see good things,
but now I want one of those old "Taskmaster" tests,
throws scenes down. Just like that to relax.
- Will you give me that or not? - Do you serve cans?
If you serve me cans? You know how to make me happy.
# SOFT INSTRUMENTAL THEME
- Hello, my cyanide candy. - I like this one.
I adore !
- This is your thing, isn't it? GILMÁRIO: - It's my thing.
Jesus... Ropes and sausage cans and everything.
For me, it was already kicks and I don't know what.
- But it's not that simple. - Calm down.
What is going to happen here?
"Knocks down exactly 100 cans."
"You have to throw the five balls..."
"And pull a rope safely and vehemently."
What is this word? Wasn't there a simpler one?
"Vemmente". How do you say it?
- Vehement. - Vehement. What do you mean...
"You have to stay on the mark and you can't move the mark."
"Whoever gets closest to knocking down 100 cans wins.
"Time begins now."
- How many cans are there? MARKL: - I didn't count.
Let's see. One, two, three, four...
23, 24, 25, 26, 27...
About 40.
40, 80...
I have to knock down two and a half. More or less.
- So, come on, let's play? - Let's go!
Let's go!
We had a nice collection of cans there.
- What did they have to do? - They had to knock down 100 cans.
At their disposal to carry out that task
had five balls, some useful, others just insulting,
and they had to pull one of those ropes.
A rope that might or might not help
in the demolition of that brave wall of cans.
Splendid. Everything explained. Let's start by seeing who?
For the ladies, Ana Garcia Martins and Gabriela Barros.
- I'll try the ball first. - Which one?
- Does it always have to be the same? - No. You can use all the balls.
- But I only pull one rope out of the three. - Yes.
I am going to try.
Sometimes things come a little off course from you.
Are you going to protect yourself? So, go. 1, 2 and...
It went well. It was good.
I'm going for the red one that has to be pulled
in a confident and vehement manner.
I'm trying to stretch as much as possible.
They went down... One, two, three, four,
five, six, seven, eight.
CENSORED SPEECH
GABRIELA: - Look, it wasn't bad. - I'm afraid of getting hit with that.
Just in case, I'll watch behind the cannon.
The lack of faith.
PEDRO: Very good.
It was epic, because it was one I really wanted to throw on the ground.
- It was that one. - It was that one specifically.
I will try very hard to pull the rope.
He is well.
CENSORED SPEECH LAUGHTER
GABRIELA: - I knew it. - You chose wisely.
- What ? MARKL: - The rope.
Clearly, you chose the wrong one.
- Don't I have to pull them all? - No. I just had to choose one.
IMITATE CHILD: No.
Everything you need to know is in the envelope.
IMITATE CHILD: No.
The good part is that shooting them all ended it, right?
Yes, that is true.
- "And pull a rope." - You pulled, it's pulled.
- That's very different to say... MARKL:- Five balls, one rope.
Don't irritate me, let me finish my argument!
It is very different to say: "You can only pull one rope."
You have five balls to throw and you pull a string,
in a sure and vehement manner. - It remains a rope.
Very good. We continue to have a high success rate.
Pedro goes to school. There are five apples in the backpack.
And several strings. And the teacher says...
"Peter, you have to eat all five apples.
"And while you're at it, show me a rope that's in your backpack."
- And he shows one. - And he shows one, but...
Wait. No.
This is it. This is the one that will do...
ANA SINGS Our Lady give me your hand
I don't want to play this game anymore.
You have several balls. A lot can happen.
But I don't feel like playing that anymore.
# RHYTHMIC INSTRUMENTAL THEME
I feel like I'm at a fair...
CENSORED SPEECH
Let's count? MARKL WHISTLE
This is it. This is it. This is it!
LAUGHTER
Okay, I pulled the strings I wanted. I won!
I'm around a solid 67.
MARKL: - Happy? - Do you think I'm happy?
No.
- Thanks. MARKL: - See you later.
APPLAUSE
Pedro went to school and took five apples.
- Because I remembered... VASCO: - Choose a rope.
It's here, it's a rope.
I remembered the failure of my argument,
but I continue to affirm what I said during the test.
It's not, "you can only pull one rope." It didn't say that.
It said, "Use the balls and pull a rope."
Isn't that what you just said?
- No, because you don't say... VASCO: - You just said...
- I get confused. - During the duration of this test
and nothing more, don't come to me with things,
you can only pull one and only one,
and never again any more. I didn't say that.
It said: "Use the balls and now pull a rope."
- And in a little while... - Gabriela's test letter.
- Pipoca, things went well. - No, they didn't.
It was quite humiliating.
Tests with balls have already been noticed that...
I'm even afraid to say it went well,
because suddenly Carlos Fiolhais comes in saying...
"No, according to the laws of Physics the big ball was null
and therefore it doesn't count at all."
BASQUE: - Results. - Five cans for Gabriela.
- It was 95 minutes away from the target. - Good, great.
VASCO: Sometimes it works.
Ana said she had knocked over 67 cans,
you knocked down 68.
- Because the ball only shot one. - 32 cans.
VASCO: The ball of ragu.
- Let's go to your test, gentlemen. - Two of you...
VASCO: - One is left out. - Yes.
Showing that perhaps this task...
There was more to this task than met the eye.
- I can only pull one rope. - But you can throw the balls.
Then.
If I pull a rope, will everything fall?
It'll have to be the yellow one. Sorry.
LAUGHTER
MARKL: It was good.
If I send...
- I just have to throw 99 on the ground. - That's it.
Let's try.
WHISTLE
LAUGHTER
- Excellent. - Excellent.
I've always been very good at this.
If the test was "don't drop a single ball", it would have been...
Now everything is going to fall apart. You'll see.
You're kidding.
This dinner is stunted, a ball.
LAUGHTER
MARKL: It is now.
LAUGHTER
It wasn't bad compared to the others.
Do they have lead inside?
It will be with the little ones.
Three more, six.
- Did you see where she hit? MARKL: - It was on the table.
- Right on the table. MARKL: - It made a dent.
I place all my hopes on this ball.
LAUGHTER
Are you laughing?
There are moments of absence of spectacularity
that become spectacular.
Choose wisely which rope you will pull.
The yellow one.
- It was sad. - The account that God made.
That's right. MARKL WHISTLES
I'll tell you something.
The big ball is atrophied. It is filled with hydrogen or helium.
One of those scenes that makes the ball bounce a lot more than normal.
- I have one of those balls... - Is this one bouncier?
So, isn't it?
It should have been the red one.
Six cans?
MARKL: That seemed like the most difficult, complex thing ever.
Pedro, explain the theory there.
We just put hydrogen in to screw you over
inside the Pilates ball.
Yes, I have one of those balls, my wife uses it,
and I like to watch her do the inverted bridge. It's cool to see.
- And her ball doesn't pinch as much. - Just a very personal note.
When Pedro's wife does the inverted bridge
he's going to get an aqueduct... MARKL: - Exactly.
Take advantage of the inverted bridge... "Don't move, Nocas."
PEDRO: "I'm going to put an inverted bridge there."
I usually have good aim, I didn't notice.
What happened to you happened to Fernando,
which is you playing the ball that had nitrogen,
and the ball hit and went past... - It was intentional. I read a hundred with an S.
- Bravo! - In my defense, I read a hundred with an S.
Markl, was it bad or not?
- It was. VASCO: - It was?
MARKL: Fernando knocked over four cans.
VASCO: See? Much better.
It was 96 minutes away from what was intended.
And Pedro knocked over seven cans.
He was 93 cans away from the final goal.
We just need to see Gilmário Vemba's test.
Yes, sir. It remains to be seen how it happened.
with this array of cans, balls and ropes.
A collective that I like to call Labordas.
The important thing is to hit 100 cans. Or whoever comes closest.
Let's see, in terms of rope...
- It was vehement. MARKL: - It was.
In terms of the ball...
# SOFT INSTRUMENTAL THEME
MARKL: - Not bad. - Yeah, but it's not 80 yet.
LAUGHTER
MARKL: You can't pull one more rope.
- I can't anymore? - It's just one of the strings.
I'm glad you let me know.
I'm afraid to throw this and miss.
Just in case, I'll put myself back here.
# RHYTHMIC INSTRUMENTAL THEME
#
# LAUGHTER
Wow.
- This one... -This one, if sent well, looks like a bullet.
If you take out a can, that would be great.
#
LAUGHTER
MARKL: How is that possible?
# NOSTALGIC INSTRUMENTAL THEME
MARKL: She's right there next to you.
Wow!
MARKL: It felt like a bullet had been fired into your leg.
#
- Well... - I can try to pull...
Suddenly, it can turn into fishing.
If I use the same rope... Nothing says against it.
It's still the same rope.
LAUGHTER
- Our Lord God has punished you. - Wait!
# RHYTHMIC INSTRUMENTAL THEME
#
GILMÁRIO: The whole bench isn't coming.
#
People are going to be jealous of me now.
#
I think there are 100. You can whistle, Markl.
MARKL APPLY
MARKL: There he goes with his wire.
APPLAUSE
- Did you hurt yourself? - I really did.
VASCO: - Was it a golf ball? - It was a golf ball.
And it came with all the...
Those videos you see on YouTube and say it's not possible
until it happened to you. That came...
I have one shin... It's just for walking.
Do you have any black ones? Let me see.
LAUGHTER APPLAUSE
(...)
VASCO: - Let's look at the results? - Gilmário knocked over 111 cans.
- It was 11 minutes away from what was intended. - Yes!
With the rope, the shoe?
- With shoes included and everything? - He pulled the rope.
He pulled the string and never changed the string.
He threw the rope, but always pulled the same one.
And if you break, go over 100, there is no penalty either.
- Nobody talked about it. MARKL:- It's the distance you stay at.
- Backwards or forwards. - Very cool.
VASCO: - It was the closest to 100. - Calm down. You stay ahead.
I'm not even going to claim things that I thought were incorrect,
because he got hurt. MARKL: - You felt sorry for him.
- In terms of points, how is it? MARKL: - Let's do this.
One point for Fernando. Two for Gabriela.
Three, for Pedro. Four, for Pipoca.
- And five, for Gilmário. VASCO: - Very good.
Send those dots to the giant screen.
PEDRO: I'm still last.
MARKL: Ana is in front with 20, followed by Gilmário with 18.
Fernando is 14 there in the middle.
And tied with 11 Gabriela and Pedro.
VASCO: Very good.
APPLAUSE
Markl, what dish are you going to serve us now?
that we are vertiginously approaching dessert?
The key word here is vertiginously.
# SOFT INSTRUMENTAL THEME
- And here we are. - Hello, hottie.
- So many envelopes. - It's true.
This looks like a mail "Markl". No ? Sorry.
Does this have an order to start or can I go...
MARKL: You have one there closer than the others.
"Complete these tasks as quickly as possible."
"Each task must be completed in less time than the previous one."
I have to start with the one I think will take me the longest.
- I can take a long time on the first one. MARKL: - There is a time limit.
Bastard! "You have 20 minutes."
"If you fail, you have to start all over again."
- "Time begins now." MARKL: - There it is.
I'm going to sweat. I'm going to sweat, for sure.
APPLAUSE
So then, we had a to-do list
and it was wise for these people to choose well
the order in which they wanted to do them.
No more, because each task had to be completed.
in less time than the previous one.
And this called for careful time management, some reflection
to choose the most time-consuming tasks to start with
so that they can then have more time to do the following ones.
And the tasks were to cover more than half of the spaghetti with beads.
Roll the dice and get one twice in a row.
Complete the puzzle. And inflate and pop a balloon.
My competitors had the necessary consideration
to realize that some tasks were in fact...
Would it be better to start with this one rather than that one?
So, no, Vasco? So, no?
Let's start with the Sweetest Popcorn, Ana Garcia Martins.
"Cover more than half of the spaghetti with beads."
How sweet, Ana Garcia Martins.
Are you opting for that slow delicacy to manage time?
Perhaps.
It looks amazing to me. Can I call it a day?
Wait! Let me wait a little longer.
- Okay. - Wait!
ANA SINGS Call the music
MARKL: - It seems to me that it is. - It's done. It's more than half done...
You have to do it in less than 3 minutes and 23 seconds.
"Throw the dice and get one twice in a row."
- One. - Does it have to be now?
- Otherwise I have to repeat everything? MARKL: - Exactly.
That's not rolling the dice.
In 32 seconds. You have to do it in less than 32 seconds now.
In less than 32 seconds? "Complete the puzzle."
ANNA BUFA
MARKL: You're putting the puzzle together backwards.
With the back facing the front.
ANA: Okay.
Seriously?
MARKL: - Two seconds left. - It's over.
Time's up. We'll have to go back to the beginning.
I have to start over, yeah.
MARKL: Do you think there's more than half of the spaghetti in there?
- I think. Want to tell? MARKL: - No.
This part is relaxing.
- I consider my test complete. - Two minutes and 57.
"Inflate a balloon and then pop it."
I have asthma, I can't push myself too hard. I have to do it slowly.
ANA ABOVE
SQUEAK BALLOON It is losing air.
# SOFT INSTRUMENTAL THEME
BALLOON BURSTS
Very good. Two minutes and 20. You have to do less next time.
Two minutes and 20. So, let's go.
- How much time do we have? - We're approaching one minute and 20.
I'm very undecided between these two.
What goes where. This is getting tight.
And this... Like this?
Two minutes and seven seconds.
# RHYTHMIC INSTRUMENTAL THEME
ANA: - And two. - 29 seconds. Incredible!
Stop it, you psychopath.
Psychopath.
You play with your friends and when you roll the dice
You throw it like that and nobody says, "That's cheating." Right?
You play like this. Everyone in this room plays like this.
Our Pocahontas from Alcochete is so involved.
VASCO: Do you want to talk about intervention?
I'll even defend you. This is rare.
I'll defend her. You don't play dice with a die like that either.
I didn't even know how to handle something like that.
GABRIELA: It was a shitty defense. Do you want to put a beeper on?
- You claimed to play... - You throw, you throw...
You don't throw like that. I threw, it got two. - That was in the first test.
- On Monday, it wasn't like that. - Vasco is leaning today...
- The second one was better thrown. - Vasco is off target today.
- Me? - He's leaning over there.
- It's all right. - After Carlos Fiolhais,
How dare you... - Let's see the results.
It took 15 minutes and four seconds.
VASCO: 15 minutes and four.
- Within the time limit. MARKL: - Within the time limit.
- And who comes there now? - Now comes Gilmário Vemba,
trying to hold on, like a cowboy,
on top of the hysterical mechanical ox that is time.
"Complete or puzzle."
This looks like a duck. I never know how to put this together.
Wait a minute!
No.
I'm almost having a breakdown.
Parts you recognize.
- It's starting to look like more. - Yes. There's more duck.
Look !
This here... Look at the duck's tail.
- Look here. Good! - Ready. Four minutes and 24.
The next one you have to do in less than 4:24.
"Inflate the balloon and then pop it."
GILMÁRIO BLOWS BALLOON AND IT BURSTS
MARKL: - Gilmário, it's already done. - Was it just a balloon?
The problem is that you have to do the next one in less than 11 seconds.
"Cover more than half of the spaghetti with beads."
- Has it been 11 seconds? MARKL: - Yes, it has.
- You have to go back to the beginning. - I'll start with the spaghetti.
# RHYTHMIC INSTRUMENTAL THEME
#
Cover more than half of the spaghetti with beads.
- Now, let's go to the puzzle. - Okay.
You have to do it in less than three minutes and 17.
"Calmex". I think it's too fast.
- Do you have any doubts? GILMÁRIO: - I have doubts.
If I finish it now, if I leave it longer.
- Which one is missing? - My God!
- It's difficult, isn't it? - It is.
MARKL: Two minutes and 31 for you to do the next one.
One.
Wow !
- Attention! One twice in a row. - That's impossible, Markl.
MARKL: You have reached the end of time. You have to go back to the beginning.
# SOFT INSTRUMENTAL THEME
MARKL: Yes.
If I don't succeed and time runs out, I won't be able to take the test.
Yes. Very good.
You're all set.
- Two. Two. I shot. - Let's do it.
- Three minutes and 39. - Three minutes and 39.
You're not going to screw my life up again, duck.
One minute and 14.
- How long? MARKL: - 11 seconds.
GILMÁRIO BLOWS BALLOON AND IT BURSTS
- Six seconds. - Fire!
It's finished.
APPLAUSE
- That data really irritated me. - It really irritated me.
And it led to moments of great indignity.
- Annoyed. - The data is impossible.
That data does not exist.
Tell me about time.
Gilmário did 17 minutes and 43 seconds.
VASCO: 17.43.
Who was then subjected to this steep cliff
of chaos and time?
Here is Gabriela Barros, trying to stay on her feet on this descent.
- Start now. - Yes.
"Complete or puzzle."
It's a duck. Good! Songs.
That's wrong. It's a duck that can't be finished.
MARKL: No way?
It's a duck that might be worth finishing off, Markl.
There you go, rascal. There, I get it.
Take it, damn it!
One minute and 59 to do the next task.
Less than a minute and 59.
"Inflate a balloon and then pop it."
RICE
- Is that an already inflated balloon? - Yes.
Fill it up. It doesn't say how much air.
MARKL: I don't think it exploded.
Take !
Now, you have to do the next one in less than 46 seconds.
SCREAM
"Cover more than half of the spaghetti with beads."
A spaghetti.
It covers more than half, is that what it says there?
MARKL: Everything you need to know is in the envelope.
- 20 seconds to go... - It's done. No!
MARKL: - Six seconds. - No. That's it!
It broke. It was an accident. Is it more than half gone?
- Okay. - You have 45 seconds...
You have less than 45 seconds to solve the next task.
"Throw the dice and get one twice in a row."
CENSORED SPEECH
MARKL: 30 seconds.
GABRIELA: - What happened? MARKL: - You overcame time.
Come on, let's go! 1, 2, 3!
No, you'll have to start all over again. Puzzle...
- You're kidding. MARKL: - That's the idea of ​​the game.
'Let's tell it. There it is.
# RHYTHMIC INSTRUMENTAL THEME
BOTH: One.
This counts as casting, right? It does.
BOTH: One.
#
Sure.
You have to do the next one in less than one minute and eight seconds.
#
I'm still going to put one more in. I don't want to risk it.
It's more than half.
MARKL: You have to do the next one in under 46 seconds.
GABRIELA ABOVE
I am unable.
BALLOON BURST It was.
MARKL: You have to do the puzzle in less than 21 seconds.
I won! MARKL WHISTLE
Ready.
ANA: It was already half assembled.
APPLAUSE
- Can I just say one thing? VASCO: - Of course.
I want to apologize for all the nonsense.
I'm not like that in life.
It's this program that really moves me.
- You're competitive. - I am. I have blood in my eyes.
Do you have any idea how long the final task will take,
that you managed, the four of you, each time with less time,
How long did you manage in total?
- Of the whole race? VASCO: - Your final time?
- No. - Pipoca turned 15.
Gilmário turned 17. You turned...
Bue.
Gabriela did nine and a half minutes.
VASCO: Nine and a half minutes.
APPLAUSE
- Rolling the dice decently. - The puzzle was already built.
- One piece was missing. - To be cast...
- There was a piece missing. - Throw. Throw something.
- The puzzle was done. - Cast a fishing rod.
The puzzle was all done. There was just one piece missing.
- How do you roll a dice at home? ANA: - There was a missing piece in the puzzle.
VASCO: Let's continue our sinister plan
to drive famous and reputable people to the most decadent madness.
- Who do we have now? - A renowned musical artist
that there was no need to submit to these things,
but I'm glad you submitted. Fernando Daniel.
"Throw the dice and get one twice in a row."
I have to take a long time.
# SOFT INSTRUMENTAL THEME
One.
You have to do the next one in less than 25 seconds.
"Inflate a balloon and then pop it."
FERNANDO BLOWS BALLOON AND IT BURSTS
24 seconds. Can you do the next one in less than 24 seconds?
I think I'm doing pretty well.
"Does it cover more than half of the spaghetti with beads?"
Put beads in here? Well...
- Ten seconds. VASCO: - What are you doing?
FERNANDO: - More than half. - What is this, Fernando?
You did 25 seconds.
FERNANDO: - Back to the beginning. - Yes.
"Complete or puzzle."
This should be on the floor. I love doing puzzles with my daughter.
MARKL: Why are you doing it with the back facing up?
FERNANDO: I think I started well.
- This one has to be here. - Yes.
- It's not yet. - It's not yet.
One minute and 55. You have to do less than that.
# SOFT INSTRUMENTAL THEME
MARKL: - Yes. - You can do it.
- How much? - One minute and nine.
- What's next? - This one.
I don't know if this will go well.
MARKL: You have nine seconds.
One minute and ten. You've already exceeded. You'll have to go back to the beginning.
That's it. Ready.
- How long will it take? - One minute and 21.
It was one minute and 23.
Wow.
- It's already passed, hasn't it? - And it's passed now.
- I have to start over. - Okay.
Try.
I won't be able to do it anymore.
- How much do you have? - 18 seconds.
This was from here. This was here.
You have to go back to the beginning.
FERNANDO ABOVE
Now I just feel like blowing things up.
Time's up.
MARKL WHISTLES FERNANDO SHOUTS
FERNANDO: I'm so dumb.
MARKL: Damn...
Portugal could have lost Fernando Daniel.
VASCO: Explain to me the logic of spaghetti.
It had to cover half of the spaghetti, right?
Half spaghetti is half spaghetti.
And then I filled it with beads.
It was half covered and half was outside.
They are complaining with their mouths full. They were geniuses.
- I didn't even finish. VASCO: - It's true.
One thing I have to point out, you didn't say a single bad word.
FERNANDO: Besides being a genius...
You didn't say a bad word. Always smiling. Polite.
Congratulations.
You won't get many points, but congratulations.
Now, only Pedro is missing, because Fernando didn't finish.
MARKL: - Yes. - Now, Pedro.
Pedro Alves, trying to stay on the right side of sanity,
between spaghetti and balloons and scenes and whatever the hell.
"Inflate a balloon and then pop it."
PEDRO ABOVE
BALLOON BURST One.
- Okay... It's just a balloon. - You're kidding.
Now, you have to do the next task in less than 24 seconds.
"Cover more than half of the spaghetti with beads."
It's covered. It's up to here. It's an inverted cover.
Don't come at me with thongs.
If you have your feet in a puddle of water, you are covered in inverted.
- Exactly. - You have to be under 23.
"Throw the dice and get one twice in a row."
# RHYTHMIC INSTRUMENTAL THEME
I'm going to roll the dice.
One. Two. I rolled the dice. MARKL WHISTLES
That's why you were defending.
You have to start everything from scratch.
You have to start the tests from the beginning.
- I'm going to pop the balloon again. MARKL: - Okay.
PEDRO ABOVE
BALLOON POPS PEDRO SCREAMS
39 seconds. You have to do the next one in less.
Try.
Stop!
- It is. How long? - 32 seconds.
The next one has to be in less time.
PEDRO: I'm going to give up the upside-down spaghetti.
MARKL: Time is almost up. 30 seconds.
- 31. - It's. Gone.
It's gone again. It's more than half gone.
That one is missing, isn't it? I haven't opened it yet.
"Complete or puzzle."
That thirty-one. This is a corner.
It fits, damn it! It's not from here.
- 20 seconds. - Wait.
32. You'll have to go back to the beginning.
MARKL: Are we all going crazy here?
- We are. Calm down. - What's your plan now?
- This is it, first. - So, let's do this.
A duck! Here's a duck's beak. I've seen it. Wait a minute.
There's one thing missing here for the duck's coast.
The duck's tail.
This is it.
You have to do the next one in less than a minute and 51.
I'm going to make a skewer of beads on spaghetti.
MARKL: We are beginning to approach the end at a dizzying pace.
- Can I? - You can. More than half...
You have to do the next task in less than 1:31.
Blow up a balloon.
PEDRO ABOVE
BALLOON BURSTS
You have to do the next one in less than 39 seconds.
5, 4, 3, 2, 1...
- Are you proud? - Very proud.
My God.
You're already there, no, no...
- I know. Call the physicist. - I don't want to know about the data.
I want to know the inverted cover theory.
This doesn't even need much explaining. This is a question of intelligence.
If you tried to do it the other way around it wouldn't work, you would fall.
LAUGHTER
Markl, tell me about times in relation to Pedro.
- Pedro did it in 15 minutes and 59. VASCO: - 15 minutes and 59.
- Is it okay or is it bad? - I don't know, I'm already lost.
VASCO: Do you want to know if he's okay or if he's bad? Listen to Markl.
One point for Fernando Daniel.
Two points for Gilmário. Three points for Pedro.
Four points for Pipoca. And five points for Gabriela.
VASCO: - That's why... - You're not arguing now?
No, that's right.
VASCO: Markl, how are things?
MARKL: 24 points for Pipoca. 20 for Gilmário.
16, for Gabriela. Fernando with 15. And Pedro with 14.
VASCO: Very good. A round of applause for all five.
APPLAUSE
Everything is open. We have two possible winners.
Either Pipoca or Gilmário. Good luck to both of you!
Let's go to the last test always done here live from our studio.
Get those nice butts up and get on stage.
A round of applause, please, for the magnificent five of "Taskmaster".
To the stage!
APPLAUSE
What a strange moment.
I have a mission here, but first there are envelopes that need to be read.
In fact, before that, let's proceed with a team pick.
And you're going to flip a coin
to know who will be the first person to choose.
Very well. The teams will be chosen from the two people
who can win today's "Taskmaster". Pipoca and Gilmário.
And I have a coin here. Let's flip a coin.
The classic coin toss to see who gets to choose first.
Popcorn, do you want the 20 of 20 cents or do you want the other side?
- I want 20. - You want 20. Let's go...
Let's flip a coin. And it was number 20.
Popcorn, you can start choosing your team.
MARKL: You'll be left with the team of three.
I want Gabi.
- Now, it's Gilmário's turn to choose. - I'll go with Pedro.
VASCO: You choose Pedro. Very good.
- Poor thing. - I'm the one in goal.
- Fernando Daniel goes to the goal. - That's me at school.
We have a team that is Pipoca, Gabriela and Fernando Daniel.
And another team that will be Gilmário Vemba and Pedro Alves.
Good luck. Shall we go to the envelopes?
- You can organize yourselves. - Let's do it. Good luck.
ANA: 'Let's go, team! Group together!
This is your message. They can give it to the guest to read.
GILMÁRIO: Does each one have their own message?
- And this is yours. FERNANDO: - Can we open it now?
MARKL: Fernando Daniel, you can read it.
- Can I? Out loud? - Yes.
MARKL: Gilmário, you can't open it yet.
"Grab the marshmallow with your tongs.
"When the Taskmaster says play
"You have ten seconds to grab the marshmallow.
"Whenever your clamp is directly on the table
"you have to try to grab the marshmallow.
If you can successfully grab the marshmallow you win."
I just thought of the other thing.
No! It's not that I'm just thinking about it.
- I'll say play... - One of us has the tweezers...
I'm going to say play and whoever has the tweezers
You have ten seconds to catch the marshmallow.
Now, that side of the barricade is missing.
Gilmário... Or Pedro. One of you read it, please.
"Put the marshmallow away when Taskmaster says throw.
"You have ten seconds to push the marshmallow away with your hand.
"Your hands cannot be on the table
"before the other's pincers play...
"Before the other player's tweezers are on the table.
"If your hand is on the table before the other player's gripper
you are disqualified from the round. If you move the marshmallow away you win."
There is one last clarification that needs to be made...
There are six rounds
so that there is the same opportunity for plays for both teams.
And the winner of each round receives one point.
That said, I'm going to put myself in the middle to get a better view...
VASCO: - You'll be the referee, right? - Sure.
Who will be the first people to play?
- The leaders... - Very good.
Lucky for you, I don't like popcorn.
When Vasco says play, you will have ten seconds.
One to grab the marshmallow, the other to push the marshmallow away.
VASCO: Pedro, you can only attack if Pipoca's pincers
is on the table.
Until then, you have to wait.
Pipoca, to my "play", counts the seconds in his head
and attack whenever you want.
Play!
Shit!
CENSORED SPEECH
Shall we explain it one more time?
MARKL: One point. Next!
Wait !
The rules...
VASCO: This is like the American gladiators. Gabriela, ready?
- Ready. VASCO: - Gilmário, ready?
- Ready. VASCO: - Players...
GABRIELA SCREAMS
VASCO: Play!
# RHYTHMIC INSTRUMENTAL THEME
LAUGHTER APPLAUSE
One point for Gilmário's team.
ANA: - It's very difficult. - It's not easy.
One to one. It's a draw.
VASCO: Players... Fernando, are you ready?
- Yes. - Pedro, ready?
PEDRO: - Yes. VASCO: - Play.
LAUGHTER APPLAUSE
MARKL: Wow! This is what is called simulation.
LAUGHTER APPLAUSE
Let's go to round four.
VASCO: Popcorn, ready? Gilmário, ready?
- I am. VASCO: - Players, play.
# RHYTHMIC INSTRUMENTAL THEME
APPLAUSE
MARKL: Amazing.
- It's 3 to 1. MARKL: - It's 3 to 1.
And if Gabriela can win the marshmallow now...
- I'm getting nervous. - Relax, man.
SPEAK ENGLISH: I'm not relaxed. I don't like her.
MARKL: - Let's do this. Vasco? VASCO: - Players?
Play!
- Gabriela! MARKLE: - Gabriela.
APPLAUSE
It's this team's triumph.
That's five points for Fernando Daniel.
Five points for Gabriela Barros. And five points for Pipoca.
What does it mean that Ana Garcia Martins
wins tonight's "Taskmaster".
APPLAUSE
Before we go, what did we learn today?
This is the question to which I now give the answer.
You may think you're a genius, but you're just an ordinary man.
when you realize that an hour and 33 was actually a minute and 21.
Time passes quickly.
After Christ is the third millennium.
This ball is messed up, they must have put hydrogen in it.
To help a friend, all you need is a stick and a bucket.
To help a duck with "patitis" he calls Sandra Donald.
And here a music star can look like an obese canary.
And Markl a Pink Panther who took a dip in the Oceanarium.
Thank you. It was the "Taskmaster"!
# TEMA TASKMASTER
TODOS: Shot, shot, shot !
#
RTP Adaptation and Subtitling - Adapted Contents