1 00:00:01,080 --> 00:00:05,080 # TASKMASTER THEME MAFALDA SCREAMS 2 00:00:05,320 --> 00:00:06,760 GABRIELA BURPS 3 00:00:08,080 --> 00:00:09,880 They do everything to benefit Gilmário. 4 00:00:10,320 --> 00:00:12,240 Am I not a genius? 5 00:00:12,480 --> 00:00:14,480 # TASKMASTER THEME 6 00:00:14,680 --> 00:00:16,120 My ex-husband! 7 00:00:16,320 --> 00:00:18,320 MAFALDA SHOUTS GILMÁRIO POPS HIS LIPS 8 00:00:18,560 --> 00:00:21,560 # TASKMASTER THEME 9 00:00:21,920 --> 00:00:23,280 It's because she's a woman. 10 00:00:23,520 --> 00:00:25,160 It's over! Class is dismissed! 11 00:00:25,600 --> 00:00:29,600 APPLAUSE 12 00:00:29,720 --> 00:00:32,720 (...) 13 00:00:34,960 --> 00:00:38,280 Good evening, ladies and gentlemen. 14 00:00:39,520 --> 00:00:42,880 Roll out the red carpet for the stars 15 00:00:43,080 --> 00:00:46,360 of this Golden Globes gala of Stupidity and Uselessness, 16 00:00:46,480 --> 00:00:48,840 which, in common with that legendary SIC event, 17 00:00:49,040 --> 00:00:52,160 only shares the award category. Just look at this category. 18 00:00:52,960 --> 00:00:55,880 A gold-plated version of my head. 19 00:00:56,080 --> 00:01:01,000 A head that in its original form is lined with gold inside. 20 00:01:01,280 --> 00:01:05,920 - It's all gold! - Not literally lined with gold. 21 00:01:06,040 --> 00:01:08,200 VASCO: - Why? - It would probably imply 22 00:01:08,320 --> 00:01:12,320 health problems and inability to present a TV program. 23 00:01:12,440 --> 00:01:15,480 It's metaphorical gold of intelligence, wisdom, 24 00:01:15,800 --> 00:01:17,560 and, above all, of great modesty. 25 00:01:17,680 --> 00:01:18,920 MARKL: - Of course. - Thank you for that. 26 00:01:19,280 --> 00:01:25,520 Welcome to another episode of "Taskmaster"! 27 00:01:25,720 --> 00:01:28,720 APPLAUSE 28 00:01:32,480 --> 00:01:34,520 Next to me, a man 29 00:01:34,640 --> 00:01:37,160 was just confiding in me that the reason he has dogs 30 00:01:37,360 --> 00:01:38,760 is because with the excessive amount of work, 31 00:01:38,880 --> 00:01:41,120 he doesn't always have time to feel a human tongue. 32 00:01:41,320 --> 00:01:44,360 And touching the tongue of other animals, 33 00:01:44,600 --> 00:01:46,680 sometimes, is the best there is. 34 00:01:46,960 --> 00:01:50,280 - Nuno Markl! - Thank you. 35 00:01:51,000 --> 00:01:56,480 PUBLIC: - Markl! Markl! - Sometimes, it's more practical. 36 00:01:57,200 --> 00:02:01,240 VASCO: That's right. And before my brown eyes, 37 00:02:01,640 --> 00:02:04,600 who are these five wonders of the modern world 38 00:02:04,880 --> 00:02:08,840 who are an accumulation of sympathy, intelligence, 39 00:02:08,960 --> 00:02:10,880 with a touch of vanilla, French oak, 40 00:02:11,080 --> 00:02:12,640 and, above all, WD40? 41 00:02:13,480 --> 00:02:17,920 People in this studio, applaud, please, Pipoca Mais Doce, 42 00:02:18,040 --> 00:02:19,960 Ana Garcia Martins. 43 00:02:20,280 --> 00:02:22,280 APPLAUSE 44 00:02:23,520 --> 00:02:26,080 Next to you, Gilmário Vemba. 45 00:02:26,320 --> 00:02:28,320 APPLAUSE 46 00:02:28,840 --> 00:02:34,320 AUDIENCE: - Gilmário! - That's it! 47 00:02:35,040 --> 00:02:38,880 VASCO: Already a winner of a season, Gabriela Barros! 48 00:02:39,280 --> 00:02:41,280 APPLAUSE 49 00:02:41,480 --> 00:02:45,080 AUDIENCE: Gabriela! 50 00:02:45,480 --> 00:02:48,120 Make some noise for the extraordinary Pedro Alves! 51 00:02:48,440 --> 00:02:50,440 APPLAUSE 52 00:02:50,640 --> 00:02:53,320 AUDIENCE: Pedro! 53 00:02:53,520 --> 00:02:56,880 And the guest tonight, Mafalda Creative! 54 00:02:57,240 --> 00:03:01,240 APPLAUSE 55 00:03:01,640 --> 00:03:05,080 - More! - Mafalda brought her fans. 56 00:03:05,360 --> 00:03:07,200 VASCO: - Good evening, Mafalda. - Good evening. 57 00:03:07,560 --> 00:03:10,680 It's true what I'm going to do. We talked on WhatsApp a while ago, 58 00:03:10,800 --> 00:03:12,800 when I found out you were coming and that you had accepted this invitation. 59 00:03:13,080 --> 00:03:15,600 I asked about the reaction at home. What you said struck me. 60 00:03:16,040 --> 00:03:18,840 My father is a big fan of the show and when I told him I was coming, 61 00:03:19,040 --> 00:03:21,320 the first thing he said to me was: "Always look under the table." 62 00:03:21,520 --> 00:03:24,400 "Spoiler", I never looked under the table. I don't even remember what I did. 63 00:03:24,800 --> 00:03:26,520 I don't know anything. It's the pressure, the time, 64 00:03:26,640 --> 00:03:29,440 Markl's useless face looking at us. He doesn't help us. 65 00:03:29,560 --> 00:03:31,560 In the beginning, I felt there was a friendship between us. 66 00:03:31,920 --> 00:03:33,360 I felt that something beautiful was being created, 67 00:03:33,480 --> 00:03:35,600 but then you didn't help me and I had to assert myself. 68 00:03:36,040 --> 00:03:37,800 - That's what's going to happen here. - Yes, sir. 69 00:03:38,000 --> 00:03:39,640 You also said that your father said: 70 00:03:39,880 --> 00:03:41,080 "I'm so proud of you." 71 00:03:41,520 --> 00:03:43,520 Finally. He never tells me that. 72 00:03:44,360 --> 00:03:47,080 So many years making videos dressed as a man 73 00:03:47,280 --> 00:03:48,800 and only now they value me. It's really sad. 74 00:03:50,160 --> 00:03:51,720 VASCO: - Welcome. - Thank you. 75 00:03:51,840 --> 00:03:54,400 Pedro, Gabriela, Gilmário, and Ana, let's start with this. 76 00:03:54,600 --> 00:03:57,360 The first points of each program are awarded 77 00:03:57,560 --> 00:03:59,760 according to the objects brought by these people 78 00:03:59,960 --> 00:04:03,120 and which aim to satisfy a certain desire of mine. 79 00:04:03,320 --> 00:04:04,920 Right, my dear Taskmaster. 80 00:04:05,040 --> 00:04:07,720 Always aware of the rules that you yourself created. 81 00:04:08,200 --> 00:04:11,360 What did I ask these five individuals this week? 82 00:04:11,760 --> 00:04:15,880 You asked them to bring something that doesn't get the respect it deserves. 83 00:04:16,079 --> 00:04:18,760 Ana, good evening. I'll start with you. 84 00:04:19,000 --> 00:04:21,720 What have you brought that doesn't have the respect it deserves? 85 00:04:22,040 --> 00:04:25,360 I brought an object that has fallen into disuse to my great sadness, 86 00:04:25,480 --> 00:04:28,040 because it did a lot for the Portuguese man, 87 00:04:28,720 --> 00:04:33,400 which is a waist bag, commonly known as a "fanny pack", 88 00:04:33,520 --> 00:04:35,440 commonly known as a "mariconera" (derogatory term for a fanny pack). 89 00:04:37,160 --> 00:04:41,600 And it honors the Portuguese man with his furry belly. 90 00:04:43,200 --> 00:04:46,400 It was a success in the 80s and has gone downhill since then. 91 00:04:46,520 --> 00:04:50,120 It's useful for a person to put a sandwich, their Mini, change. 92 00:04:50,240 --> 00:04:53,560 It's useful for a lot of things. I want the "mariconera" back. 93 00:04:53,680 --> 00:04:55,200 VASCO: - Do you wear "fanny packs"? - No. 94 00:04:56,480 --> 00:04:57,880 But you're waiting for other people to wear them. 95 00:04:58,000 --> 00:05:00,520 I'm waiting for someone to step forward so I can follow. 96 00:05:00,640 --> 00:05:03,520 GABRIELA: - But I wear them a lot. - Okay. 97 00:05:03,800 --> 00:05:06,880 Your guy is now going out with a "fanny pack." 98 00:05:07,120 --> 00:05:09,600 - I think it's great. I support it. Yes. VASCO: - You support the "fanny pack"? 99 00:05:09,920 --> 00:05:14,240 I'll go a little further away, to see the reactions. 100 00:05:14,440 --> 00:05:16,520 An applause for Ana's "fanny pack". 101 00:05:16,960 --> 00:05:18,960 APPLAUSE 102 00:05:19,920 --> 00:05:23,840 - Gilmário, what did you bring? - My dear Taskmaster... 103 00:05:24,040 --> 00:05:27,760 I brought something that resulted in an almost philosophical debate 104 00:05:27,960 --> 00:05:31,080 with someone of extreme intelligence, my 8-year-old son. 105 00:05:31,400 --> 00:05:34,480 He said "a rock". People don't respect rocks. 106 00:05:34,680 --> 00:05:37,520 I started thinking. That makes perfect sense. 107 00:05:38,640 --> 00:05:42,240 The rock has a symbolism that should be more respected. 108 00:05:42,760 --> 00:05:45,840 When we build something, we lay the first stone. 109 00:05:45,960 --> 00:05:49,280 It's always a great advance. It was that stone that eliminated Goliath. 110 00:05:49,760 --> 00:05:53,400 It's in the Bible. Sometimes a stone was once part of a house. 111 00:05:53,520 --> 00:05:55,200 It has a story to tell. 112 00:05:55,320 --> 00:05:57,880 To start a house, you need stones 113 00:05:58,000 --> 00:06:01,280 to make the base of the construction. I believed my son and said: 114 00:06:01,480 --> 00:06:05,360 "Son, you're right. The stone should be more valued." 115 00:06:05,640 --> 00:06:08,720 Whoever doesn't value it, try getting hit with one on the head and you'll know. 116 00:06:09,720 --> 00:06:11,720 MARKL: - I was moved. - Thank you. 117 00:06:11,960 --> 00:06:13,960 APPLAUSE 118 00:06:14,440 --> 00:06:16,120 Very emotional. 119 00:06:17,320 --> 00:06:19,720 - Gabriela, what did you bring? - I remembered you. 120 00:06:19,960 --> 00:06:23,640 It didn't cause an argument at home. But I think of you in my free time. 121 00:06:23,760 --> 00:06:25,120 My God. 122 00:06:25,240 --> 00:06:29,200 This guy could make more use of this. That's it. 123 00:06:31,000 --> 00:06:34,880 Didn't you just have a fifth child? That's it. I think... 124 00:06:35,320 --> 00:06:38,560 Young people who are at home, who are here in the front row, 125 00:06:38,680 --> 00:06:42,040 this is something we shouldn't let fall into disuse. 126 00:06:42,280 --> 00:06:46,040 It's not just about the children we're making week after week. 127 00:06:46,280 --> 00:06:49,280 APPLAUSE 128 00:06:49,560 --> 00:06:51,800 GILMÁRIO: Postpartum trauma. 129 00:06:52,880 --> 00:06:55,400 - Pedro, what did you bring? PEDRO: - I brought something 130 00:06:55,720 --> 00:06:58,880 that is valued less and less, 131 00:06:59,000 --> 00:07:01,720 especially by those who have a license and drive a car. 132 00:07:02,080 --> 00:07:05,200 Sometimes, we find ourselves in the middle of a dark road, 133 00:07:05,680 --> 00:07:08,400 windy and rainy, and we have a flat tire. 134 00:07:09,000 --> 00:07:13,560 And there's always a spare tire. It's what saves us at that moment. 135 00:07:13,680 --> 00:07:15,760 - Less and less... - What? 136 00:07:16,400 --> 00:07:19,280 PEDRO: ... people think about the spare tire. It exists. 137 00:07:19,560 --> 00:07:21,680 Nowadays, cars no longer have a spare tire. 138 00:07:22,080 --> 00:07:25,560 Nowadays, the spare tire is not part of the lives of people 139 00:07:25,680 --> 00:07:29,280 who drive a car and save someone in any dark place, 140 00:07:29,560 --> 00:07:31,360 with the right to have a werewolf appear. 141 00:07:31,480 --> 00:07:36,000 But the most important thing was when there was a spare tire, 142 00:07:36,200 --> 00:07:37,840 no one ever remembered it, 143 00:07:37,960 --> 00:07:40,160 because on the day they needed it, it was flat. 144 00:07:42,120 --> 00:07:46,400 - Just to say "I exist." That's it. - Thank you, Pedro. 145 00:07:46,600 --> 00:07:48,600 APPLAUSE 146 00:07:49,080 --> 00:07:51,160 Mafalda Creative, what have you brought? 147 00:07:51,440 --> 00:07:57,640 Today I brought a work of art that doesn't get the respect it deserves. 148 00:07:58,320 --> 00:08:01,640 This work of art was made by me in the fourth grade. 149 00:08:01,760 --> 00:08:04,320 Please, production, I did one of my best works 150 00:08:04,600 --> 00:08:08,280 in the Drawing class. Here's my face kind of... 151 00:08:08,480 --> 00:08:10,680 You get it. Impressionism. I'll read the caption. 152 00:08:10,880 --> 00:08:14,480 I made this "drawing" at 9:15 when I was crying. 153 00:08:15,560 --> 00:08:19,080 It says "Satisfactory" there. There's also a back. Production, show the back. 154 00:08:19,200 --> 00:08:22,040 This was two drawings in one. Me crying again. 155 00:08:22,160 --> 00:08:25,760 I made this drawing when I was crying more than ever. 156 00:08:26,400 --> 00:08:28,240 MARKL: But there's a smile here. 157 00:08:28,440 --> 00:08:31,120 I smiled, but I was still sad. In the fourth grade... 158 00:08:31,240 --> 00:08:33,880 It must have been the first time I was vulnerable in my life. 159 00:08:34,000 --> 00:08:36,360 A child expressing themselves so much. Does this deserve a Satisfactory? 160 00:08:36,559 --> 00:08:41,360 MARKL: - It's shocking. - Do you think it deserved a better grade? 161 00:08:41,559 --> 00:08:44,120 MAFALDA: - At least a B+. ANA: - It was because of the "drawing". 162 00:08:44,240 --> 00:08:46,640 You had 15 minutes and you kept writing badly. 163 00:08:47,200 --> 00:08:50,760 It wasn't a Portuguese test. It was a drawing evaluation. 164 00:08:50,880 --> 00:08:54,440 - Look, how cute. - An applause for Mafalda. 165 00:08:54,840 --> 00:08:58,840 APPLAUSE 166 00:09:01,080 --> 00:09:05,320 Let's give scores. I'm going to give... 167 00:09:05,560 --> 00:09:07,520 GABRIELA: Think he's going to have a sixth child. 168 00:09:08,880 --> 00:09:11,120 Mafalda, your trauma continues. You get one point. 169 00:09:11,560 --> 00:09:16,200 - It was really good! MARKL: - He's going to leave here sad. 170 00:09:16,680 --> 00:09:20,480 - Gabriela... - No! Don't say it! 171 00:09:20,760 --> 00:09:22,520 Don't lose Control. You get two. 172 00:09:24,560 --> 00:09:26,520 VASCO: - Did you see what I did? MARKL: - It was amazing. 173 00:09:27,720 --> 00:09:29,360 Maybe, you're being a bit Durex. 174 00:09:29,800 --> 00:09:32,800 LAUGHTER APPLAUSE 175 00:09:35,440 --> 00:09:40,440 - A little Harmony between you. - We've exhausted the brands. 176 00:09:42,320 --> 00:09:44,560 Gilmário gets three points with his stone. 177 00:09:44,840 --> 00:09:47,640 - The tire gets four. - Not bad. 178 00:09:47,760 --> 00:09:51,480 Because the "fanny pack" has to return, five points for Ana. 179 00:09:51,680 --> 00:09:53,680 APPLAUSE 180 00:09:53,800 --> 00:09:55,880 VASCO: One, two, three, four, five. 181 00:09:58,440 --> 00:10:02,960 Having said that, I wish to be entertained, my dear Markl, 182 00:10:04,040 --> 00:10:06,960 with a team challenge to start things off. 183 00:10:07,080 --> 00:10:08,440 A teamwork exercise 184 00:10:08,640 --> 00:10:11,640 where we can see these people suffer in the wet. 185 00:10:11,760 --> 00:10:15,400 Right. I don't know about you, but I think sometimes we look 186 00:10:16,040 --> 00:10:18,480 at our group here almost like gentle birds, 187 00:10:18,840 --> 00:10:21,120 gentle baby birds, 188 00:10:22,000 --> 00:10:24,120 and as much affection as we feel for them, 189 00:10:24,440 --> 00:10:28,760 we also want to see them fly. VASCO: - Fly, I ask? 190 00:10:29,200 --> 00:10:31,840 When I say fly, I mean run, jump. 191 00:10:32,800 --> 00:10:34,760 - To where? - Out the gate. 192 00:10:36,480 --> 00:10:40,480 # SOFT INSTRUMENTAL THEME 193 00:10:43,200 --> 00:10:45,040 GILMÁRIO: Here I go, here I go 194 00:10:46,120 --> 00:10:47,400 Hello. 195 00:10:47,720 --> 00:10:49,640 GILMÁRIO: Should I jump here or do I have to go all the way around? 196 00:10:49,920 --> 00:10:52,720 Save yourself. Go the most... Right way. 197 00:10:53,400 --> 00:10:55,360 - Do you want me to read now? MARKL: - Not yet. 198 00:10:55,480 --> 00:10:56,760 - I'll just stay here then. - Just stay there. 199 00:10:57,120 --> 00:10:59,760 Do you think there will be a lot of physical energy expenditure? 200 00:11:00,160 --> 00:11:02,160 Are you telling me to save my energy? 201 00:11:02,880 --> 00:11:04,360 MARKL: Viva. 202 00:11:04,600 --> 00:11:10,200 MARKL: - It seems like someone is missing. - Two people. There are two stages. 203 00:11:10,480 --> 00:11:12,480 - How are you, friend? MAFALDA: - I'm fine. 204 00:11:14,840 --> 00:11:16,400 Here comes your teammate. 205 00:11:18,040 --> 00:11:23,920 Gilmário: Gabriela, where are you? You're going to pass where you shouldn't. 206 00:11:24,280 --> 00:11:27,800 She should lose points. I don't know what there is to gain. 207 00:11:28,000 --> 00:11:30,040 MARKL: You can position yourself on top of that platform. 208 00:11:30,440 --> 00:11:32,400 - And read. - And read the task. 209 00:11:32,640 --> 00:11:36,160 PEDRO: Read the boss's letter. See what he's telling us to do. 210 00:11:37,600 --> 00:11:42,440 Attention. "Leave through the farm gate, 211 00:11:42,800 --> 00:11:46,920 triggering the alarm the fewest number of times possible." 212 00:11:47,400 --> 00:11:49,040 The farm gate is that big green one. 213 00:11:49,240 --> 00:11:51,000 When you do the course, you'll realize which is the gate. 214 00:11:51,320 --> 00:11:52,560 GABRIELA, GILMÁRIO: Okay. 215 00:11:52,680 --> 00:11:56,520 "Every time the alarm goes off, you have to restart the task. 216 00:11:58,600 --> 00:12:00,960 You can only step on the stones." 217 00:12:02,240 --> 00:12:07,120 MARKL: - Which are papers. - "Stones" that define the course." 218 00:12:07,560 --> 00:12:09,520 Every time the alarm goes off, we have to start over. 219 00:12:09,760 --> 00:12:11,400 "The time starts now." 220 00:12:11,880 --> 00:12:15,880 APPLAUSE 221 00:12:17,120 --> 00:12:19,720 Let's get to one of the things I like most about this program. 222 00:12:19,840 --> 00:12:22,680 It's that kind of task where we only reveal the rules 223 00:12:23,160 --> 00:12:26,040 and explain everything here in the studio, 224 00:12:26,480 --> 00:12:28,960 after they've exhausted themselves on my farm 225 00:12:29,160 --> 00:12:32,160 trying to figure out how on earth to play this. 226 00:12:32,360 --> 00:12:36,480 What can be revealed? Whenever the siren sounded, 227 00:12:36,600 --> 00:12:38,480 they had to return to the starting point. 228 00:12:39,280 --> 00:12:44,240 The question was what made the siren sound. It's simple. 229 00:12:44,360 --> 00:12:48,120 The siren sounded whenever they were more than five seconds in silence 230 00:12:49,160 --> 00:12:52,800 and whenever they said words starting with the letter P. 231 00:12:53,320 --> 00:12:56,720 - Seriously? VASCO: - How didn't you figure it out? 232 00:12:57,480 --> 00:13:00,960 The first team to try, in an extremely confused manner, 233 00:13:01,200 --> 00:13:03,720 to figure out why on earth the siren was going off 234 00:13:04,160 --> 00:13:07,080 is made up of Pedro, Ana and Mafalda, 235 00:13:07,200 --> 00:13:10,320 a collective that I, with some reluctance, 236 00:13:10,720 --> 00:13:13,080 call Pedanalda. 237 00:13:15,840 --> 00:13:18,440 Let's go there. Let's see what happens. 238 00:13:18,840 --> 00:13:22,840 # RHYTHMIC INSTRUMENTAL THEME 239 00:13:23,400 --> 00:13:25,320 ALARM SOUNDS ANA: So? 240 00:13:26,640 --> 00:13:29,760 - What did I do? - It's backwards. It's counting. 241 00:13:30,480 --> 00:13:32,000 - Slowly. - We have to go slower. 242 00:13:32,120 --> 00:13:35,160 - Let's try lowering ourselves. - Don't touch the yellow ones. 243 00:13:35,280 --> 00:13:37,440 ANA: I touched this yellow one and it didn't trigger anything. 244 00:13:37,680 --> 00:13:39,920 - What if we go low? MAFALDA: - One, two, three. 245 00:13:40,720 --> 00:13:44,640 MAFALDA: Half-ducked. Come on. I'm going to fall. 246 00:13:45,440 --> 00:13:47,240 - Are you wobbly? - It's done. 247 00:13:47,440 --> 00:13:48,920 - Can we go up now? - We did it. 248 00:13:49,560 --> 00:13:52,120 ALARM SOUNDS - "Wait". - Again. 249 00:13:52,360 --> 00:13:54,000 Let's go. 250 00:13:55,880 --> 00:13:57,560 - Really? - Hold on. Where is it? 251 00:13:58,040 --> 00:14:01,200 ALARM SOUNDS MAFALDA: It's these pigeons. 252 00:14:01,400 --> 00:14:02,960 One, two, three. 253 00:14:05,240 --> 00:14:07,120 ANA: When it's time to jump... ALARM SOUNDS 254 00:14:08,960 --> 00:14:11,280 Maybe we're doing something wrong. 255 00:14:11,800 --> 00:14:13,560 “Exit through the farm gate, 256 00:14:13,920 --> 00:14:16,280 “triggering the alarm the fewest number of times possible. 257 00:14:16,480 --> 00:14:18,160 “Every time it rings, you have to restart the task. 258 00:14:18,400 --> 00:14:22,200 “You can only step on the stones.” - “Stones”. 259 00:14:22,400 --> 00:14:24,440 Why are there stones of different colors? 260 00:14:25,760 --> 00:14:29,720 - Should we try jumping the color? - Whenever we see a color, we jump. 261 00:14:29,840 --> 00:14:31,120 - We jump to the next one. - Okay. 262 00:14:35,080 --> 00:14:38,120 - That's it! Let's go! PEDRO: - It's going to ring again. 263 00:14:41,360 --> 00:14:44,480 MAFALDA: I'm going to break my foot. ALARM SOUNDS 264 00:14:45,240 --> 00:14:48,240 CENSORED WORD Mafalda! 265 00:14:48,960 --> 00:14:52,000 - It wasn't me. Let's start again. - Neither was it us. 266 00:14:52,440 --> 00:14:56,200 I don't know if they have a defibrillator. I'm already feeling an arrhythmia. 267 00:14:56,600 --> 00:15:00,200 - Let's try it. - Skip the colors. 268 00:15:02,760 --> 00:15:07,480 PEDRO: Didn't touch it. "Wait" there. ALARM SOUNDS 269 00:15:08,200 --> 00:15:10,880 The clit is here. 270 00:15:11,280 --> 00:15:13,480 MAFALDA: - I went low and... - "The clit is here." 271 00:15:14,120 --> 00:15:17,280 - It must be something so basic. MARKL: - You guys are giving too much of yourselves. 272 00:15:17,600 --> 00:15:20,480 - Maybe it's not supposed to give so much. - Are we supposed to crawl? I'll go. 273 00:15:20,880 --> 00:15:23,160 - What if it's one at a time? - Do you want to try? 274 00:15:23,280 --> 00:15:27,360 - Go, without fear. - We trust you. Go! 275 00:15:28,920 --> 00:15:31,600 "Wait" there. ALARM SOUNDS 276 00:15:31,720 --> 00:15:33,840 - Son of a... - What is this? 277 00:15:34,480 --> 00:15:37,840 MAFALDA: Look. He's really good. 278 00:15:39,400 --> 00:15:42,200 Very similar. ALARM SOUNDS 279 00:15:42,320 --> 00:15:44,080 - Is it here now? - It's on that one. 280 00:15:44,640 --> 00:15:48,640 # RHYTHMIC INSTRUMENTAL THEME 281 00:15:49,000 --> 00:15:53,840 MAFALDA: Ana, go! Save us! Run! 282 00:15:54,680 --> 00:15:57,040 It's because she's a woman. ALARM SOUNDS 283 00:15:57,640 --> 00:16:01,720 MAFALDA: - It was there! Let's go, Pedro. - Should I step on it, or not? 284 00:16:02,000 --> 00:16:03,360 ALARM SOUNDS 285 00:16:03,560 --> 00:16:05,800 - What did I do? - What happened now? 286 00:16:05,920 --> 00:16:08,320 I didn't touch any color, neither did you. Pedro, did you touch the blue? 287 00:16:08,680 --> 00:16:10,440 - I touched it. - Shut up, Pedro. 288 00:16:11,720 --> 00:16:13,440 PEDRO: Maybe it's a color that only reacts to me. 289 00:16:13,800 --> 00:16:15,680 Don't touch any of them. I'm not touching any. 290 00:16:15,800 --> 00:16:20,640 Ana, touch the yellow. Let's continue. 291 00:16:20,880 --> 00:16:22,360 Pedro, skip that one. ALARM SOUNDS 292 00:16:23,320 --> 00:16:26,600 What did I do? Now nobody touched any colors. 293 00:16:28,160 --> 00:16:30,720 MAFALDA: - Look. - Didn't touch it now. 294 00:16:30,920 --> 00:16:33,440 - This is random. - I'm starting to think so. 295 00:16:34,720 --> 00:16:37,000 I'm not going through here. ALARM SOUNDS 296 00:16:37,120 --> 00:16:39,720 PEDRO: - How much time do we have? MARKL: - It's until it works. 297 00:16:39,840 --> 00:16:41,400 - Until it works? MARKL: - Yes. 298 00:16:41,520 --> 00:16:43,880 Don't you feel it here? My ass is going to look really good. 299 00:16:44,000 --> 00:16:46,880 - I'm already here with an Anita. - Go for it. 300 00:16:47,200 --> 00:16:48,760 Can you please stop playing around? 301 00:16:48,880 --> 00:16:50,800 - We apologize. - "I'm working." 302 00:16:51,120 --> 00:16:53,200 I'm going to pull up my hair to see if I get more Wi-Fi. 303 00:16:53,320 --> 00:16:56,360 When it rings, we stop and see what's happening. 304 00:16:56,480 --> 00:16:58,400 - Do you want to do that? You look pretty. - Let's go. 305 00:16:58,600 --> 00:17:00,240 - One, two, three. - I have more signal like this. 306 00:17:00,840 --> 00:17:04,280 PEDRO LAUGHS Do you think it was the hair? 307 00:17:04,520 --> 00:17:08,520 # RHYTHMIC INSTRUMENTAL THEME 308 00:17:09,280 --> 00:17:10,599 GILMÁRIO: Speak! 309 00:17:10,920 --> 00:17:12,920 ALARM SOUNDS WORD CENSORED 310 00:17:13,040 --> 00:17:14,319 What happened? 311 00:17:14,520 --> 00:17:17,119 - Let's do a scene. MAFALDA: - Do you want to hold hands? 312 00:17:17,319 --> 00:17:22,440 - We start with the same foot. ANA: - Right, left. 313 00:17:22,640 --> 00:17:28,000 Right, left. 314 00:17:28,119 --> 00:17:30,120 SHOUTS OF JOY 315 00:17:32,120 --> 00:17:36,400 Here, Markl! You see? After an hour and a half, we did it. 316 00:17:36,600 --> 00:17:37,880 - It was the hair. - It was very difficult. 317 00:17:38,600 --> 00:17:41,000 PEDRO: If the bagpipes ran out of batteries, I don't want to know. 318 00:17:41,120 --> 00:17:43,240 - I was rooting for you. PEDRO: - You were? 319 00:17:43,560 --> 00:17:47,560 APPLAUSE 320 00:17:48,440 --> 00:17:52,760 I want to know what you thought you did right 321 00:17:53,280 --> 00:17:55,880 so that the test was finished? Do you have any idea? 322 00:17:56,080 --> 00:17:58,320 - Was it right, left? - I thought it was for talking. 323 00:17:58,520 --> 00:18:02,040 I thought the batteries ran out in the sensors that made the bagpipes play. 324 00:18:02,800 --> 00:18:05,680 If Pedro spoke correct Portuguese and said "wait" 325 00:18:07,320 --> 00:18:10,720 instead of "péra", about 40 times. 326 00:18:10,960 --> 00:18:15,680 - Sorry. VASCO: - It's wonderful. 327 00:18:16,360 --> 00:18:19,080 - In the end, we'll compare times. - Let's do it. 328 00:18:19,200 --> 00:18:23,240 For now, there's a second team coming into action. 329 00:18:23,440 --> 00:18:24,920 GILMÁRIO: That was fast. 330 00:18:25,040 --> 00:18:28,600 Being two, it's likely that a smaller team 331 00:18:28,800 --> 00:18:31,440 has more articulated communication 332 00:18:31,640 --> 00:18:33,360 and the evidence was more coordinated. 333 00:18:33,560 --> 00:18:36,480 So articulated and coordinated that, at some point, I felt 334 00:18:36,680 --> 00:18:39,240 they weren't sure they were part of the same team. 335 00:18:41,360 --> 00:18:43,840 Other than that, let's see. 336 00:18:44,560 --> 00:18:48,240 - Do I have something to do with her? - No. 337 00:18:48,360 --> 00:18:51,720 - It's a coincidence that we're here. MARKL: - You both have to go. 338 00:18:52,200 --> 00:18:53,840 GILMÁRIO: - So? GABRIELA: - "Hold on"! 339 00:18:54,040 --> 00:18:56,040 ALARM SOUNDS 340 00:18:56,360 --> 00:18:58,120 VASCO: First word. 341 00:18:58,320 --> 00:19:00,240 - You have to understand I'm brief. - Okay, but quickly! 342 00:19:00,440 --> 00:19:03,560 GILMÁRIO: Come on, Gabriela! Go, quickly! 343 00:19:04,400 --> 00:19:06,520 "Hold on"! ALARM SOUNDS 344 00:19:07,160 --> 00:19:10,200 - Come on! - There's a logic to it, I think. 345 00:19:10,760 --> 00:19:14,680 Wait. Let's try to go together always. 346 00:19:15,240 --> 00:19:18,600 - At the same time. - The yellows and the blues... 347 00:19:18,920 --> 00:19:21,720 GILMÁRIO: You think so? Fine. We only step on the white ones. 348 00:19:23,760 --> 00:19:26,880 Jump! ALARM SOUNDS 349 00:19:27,440 --> 00:19:29,280 You stepped with both feet. You can't. 350 00:19:29,520 --> 00:19:31,000 - That's not it. - It is. 351 00:19:31,240 --> 00:19:33,440 Your legs are my entire size. 352 00:19:36,000 --> 00:19:37,720 I'm not going to pass you. Let's always go together. 353 00:19:38,120 --> 00:19:40,920 - I'll try to count... - Just listen for two seconds. 354 00:19:41,120 --> 00:19:43,160 I can't jump from one white to the other. 355 00:19:43,280 --> 00:19:46,360 - My leg is too short. - Damn. 356 00:19:46,960 --> 00:19:50,840 - I can't jump a whole one. - I think this is the logic. 357 00:19:51,640 --> 00:19:54,400 MARKL: - I wonder if this is regular? GABRIELA: - I think that's cheating. 358 00:19:54,600 --> 00:19:56,920 Is it good here already? Or here? 359 00:19:57,720 --> 00:20:01,960 MARKL: He's adjusting the leg span for each of you. 360 00:20:02,160 --> 00:20:04,440 You won't be able to do that later on. 361 00:20:04,680 --> 00:20:07,200 GILMÁRIO: It's just so we understand the logic behind it. 362 00:20:09,520 --> 00:20:12,000 GILMÁRIO SHOUTS So far, so good. 363 00:20:13,560 --> 00:20:16,240 GILMÁRIO: - "Wait". ALARM SOUNDS 364 00:20:17,880 --> 00:20:21,320 "Péra". I stepped on the ground here. Let's do it again. 365 00:20:21,520 --> 00:20:24,440 - That's not the logic. - I think that is the logic. 366 00:20:24,640 --> 00:20:28,400 We have to step on the yellow ones and the blue ones at the same time. 367 00:20:28,760 --> 00:20:32,120 - Do you want to try? - I do. You have a blue one before me. 368 00:20:32,320 --> 00:20:36,320 # RHYTHMIC INSTRUMENTAL THEME 369 00:20:37,480 --> 00:20:39,600 You have a yellow one! ALARM SOUNDS 370 00:20:40,720 --> 00:20:43,120 It's the yellow one. I had to get to the yellow one. 371 00:20:43,840 --> 00:20:46,520 - It can't be, otherwise it would beep here. - I don't think it's this. 372 00:20:46,720 --> 00:20:49,280 Let me put it there before Vasco says it's irregular. 373 00:20:50,400 --> 00:20:51,960 - Shall we try to do this logic? - Yes. 374 00:20:54,920 --> 00:20:58,320 But if that's the case, It's not this logic. 375 00:20:58,800 --> 00:21:01,040 It can't be. ALARM SOUNDS 376 00:21:02,040 --> 00:21:03,400 My stye! 377 00:21:05,160 --> 00:21:07,840 Logic... Let's try not to step on the blue. 378 00:21:08,440 --> 00:21:12,440 # RHYTHMIC INSTRUMENTAL THEME 379 00:21:13,400 --> 00:21:15,400 ALARM SOUNDS 380 00:21:15,600 --> 00:21:18,040 GILMÁRIO LAUGHS Did you step on the blue? 381 00:21:18,440 --> 00:21:20,400 - No, I didn't step on it. - Then you fell. 382 00:21:22,560 --> 00:21:25,120 It's not stepping on the blue. Right? ALARM SOUNDS 383 00:21:26,160 --> 00:21:28,080 Let's try to do this at the same time. 384 00:21:28,280 --> 00:21:33,000 One, two... Four, five. 385 00:21:33,440 --> 00:21:36,200 Nine, ten. I think that's it. 386 00:21:38,360 --> 00:21:40,120 Seventeen, eighteen. 387 00:21:40,480 --> 00:21:44,480 HUMMING 388 00:21:44,600 --> 00:21:51,600 (...) 389 00:21:53,440 --> 00:21:55,280 Concentrate. Don't fall. 390 00:21:55,480 --> 00:21:58,480 HUMMING 391 00:21:58,800 --> 00:22:01,800 SHOUTS OF JOY 392 00:22:03,360 --> 00:22:07,600 It was "team building"! It was teamwork! 393 00:22:09,640 --> 00:22:11,360 Sometimes, competitiveness gets in the way. 394 00:22:11,480 --> 00:22:14,680 - It was your fault. - But you're the one who passed it to me. 395 00:22:15,680 --> 00:22:18,080 Let's pray that the others don't have the same humility. 396 00:22:18,360 --> 00:22:19,800 MARKL: - Of course. - And intelligence. 397 00:22:20,040 --> 00:22:24,040 GILMÁRIO CANTAROLA 398 00:22:24,640 --> 00:22:28,640 APPLAUSE 399 00:22:29,600 --> 00:22:33,600 HUMMING 400 00:22:34,920 --> 00:22:38,360 I don't know if they said "taran" or "paran". 401 00:22:38,560 --> 00:22:41,400 MARKL: - They said "taran". - Now I only walk like this. 402 00:22:41,520 --> 00:22:43,240 You thought the trick was teamwork. 403 00:22:43,360 --> 00:22:44,960 - They had to go at the same time. GILMÁRIO: - Exactly. 404 00:22:45,080 --> 00:22:48,400 I thought we had to work as a team. 405 00:22:48,520 --> 00:22:50,760 Me with her, her with me. We go together to the end. 406 00:22:51,600 --> 00:22:53,800 - That's it. - Yes. 407 00:22:53,920 --> 00:22:55,640 At first, I thought it was every man for himself. 408 00:22:56,240 --> 00:22:59,440 - "But is she with me?" - We're together. 409 00:23:00,080 --> 00:23:03,160 The teams completed the challenge with more or less sirens. 410 00:23:03,280 --> 00:23:06,680 At stake is the number of sirens they heard. 411 00:23:07,080 --> 00:23:12,600 The team of Pedro, Ana and Mafalda triggered the siren 14 times. 412 00:23:14,760 --> 00:23:19,920 And the team of Gilmário and Gabriela triggered the alarm eight times. 413 00:23:20,040 --> 00:23:21,600 Yes! 414 00:23:22,960 --> 00:23:28,160 Let's divide these five points, 415 00:23:28,280 --> 00:23:30,320 giving three to the team that performed better 416 00:23:30,560 --> 00:23:32,400 and two to the team that didn't perform so well. 417 00:23:32,520 --> 00:23:35,560 Exactly. Gilmário, three points. Gabriela, three points. 418 00:23:36,000 --> 00:23:38,080 And two points for Ana, Mafalda and Pedro. 419 00:23:38,200 --> 00:23:40,960 - You could say it repeatedly. VASCO: - No, it's fine as it is. 420 00:23:42,160 --> 00:23:43,840 PEDRO: It's not bad. 421 00:23:44,800 --> 00:23:46,480 Let's see how the classification is. 422 00:23:46,720 --> 00:23:48,240 Markl, how are things going? 423 00:23:49,000 --> 00:23:51,040 MARKL: Ana is in the lead with seven points. 424 00:23:51,160 --> 00:23:54,120 Then, tied with six, Gilmário and Pedro. 425 00:23:54,520 --> 00:23:57,960 Gabriela has five. And at the bottom of the table, Mafalda. 426 00:23:58,320 --> 00:24:00,240 MAFALDA: - I am a disgrace. VASCO: - We're just getting started. 427 00:24:00,600 --> 00:24:02,600 APPLAUSE 428 00:24:03,160 --> 00:24:06,440 I fancy something fresh. Something fresh and full of vitamins. 429 00:24:06,640 --> 00:24:11,000 May I interest you in a piece of fruit rich in Vitamin C? 430 00:24:11,480 --> 00:24:14,200 PEDRO: - Christ. - Lemon. 431 00:24:14,800 --> 00:24:20,720 Maybe. While you're at it, I'll have a really fresh and sweet piece of fruit. 432 00:24:21,080 --> 00:24:22,920 Sweet? Damn. 433 00:24:24,360 --> 00:24:28,880 # SOFT INSTRUMENTAL THEME 434 00:24:32,600 --> 00:24:35,400 Hello, more or less beautiful people. 435 00:24:37,520 --> 00:24:39,720 Hello. 436 00:24:42,240 --> 00:24:44,560 Good morning. Hello. 437 00:24:44,960 --> 00:24:49,320 Welcome to my new recipe. 438 00:24:50,480 --> 00:24:54,480 # SUSPENSE INSTRUMENTAL THEME 439 00:24:55,960 --> 00:24:59,280 Is this to be read? Good morning, good afternoon, or good evening. 440 00:24:59,640 --> 00:25:01,160 "Always looking at the camera, 441 00:25:02,280 --> 00:25:07,120 eat a lemon without changing your facial expression." 442 00:25:10,800 --> 00:25:15,280 "The winner is the one who eats the lemon with the best expression in the shortest time." 443 00:25:15,640 --> 00:25:20,680 "You have one minute to choose your facial expression." 444 00:25:23,120 --> 00:25:27,480 Lemon is that acidity that gets stuck back here, 445 00:25:27,600 --> 00:25:30,920 in the jaws, and makes us want to die. 446 00:25:31,280 --> 00:25:35,520 I choose an expression and eat a lemon, maintaining that expression. 447 00:25:36,080 --> 00:25:37,440 How should a lemon be? 448 00:25:38,880 --> 00:25:40,440 Is that it? 449 00:25:41,480 --> 00:25:45,480 # COMIC INSTRUMENTAL THEME 450 00:25:45,600 --> 00:25:50,600 # 451 00:25:51,080 --> 00:25:52,800 I have to be... 452 00:25:53,600 --> 00:25:57,600 APPLAUSE 453 00:25:57,800 --> 00:26:00,080 VASCO: Great choices of expressions. 454 00:26:00,200 --> 00:26:02,960 I feel like we've reached a point 455 00:26:03,320 --> 00:26:07,720 where there's no need for sophistication or refinement anymore. 456 00:26:08,360 --> 00:26:10,800 - Just get straight to the point. MARKL: - "Eat lemon!" 457 00:26:10,920 --> 00:26:12,640 Even for the women. "Eat lemon, man!" 458 00:26:14,720 --> 00:26:16,760 Despite everything, there's still a certain thirst for refinement. 459 00:26:16,880 --> 00:26:18,800 In fact, they had to do more than just eat lemon. 460 00:26:19,120 --> 00:26:22,840 They had to choose an expression and keep it unchanged 461 00:26:23,120 --> 00:26:27,560 while citrus fruits penetrated the oral cavities, 462 00:26:27,760 --> 00:26:29,880 spreading acidity across the taste buds 463 00:26:30,000 --> 00:26:31,760 and going down their throats. 464 00:26:32,400 --> 00:26:38,680 Show me the ones who are going to start doing this disastrously. 465 00:26:39,000 --> 00:26:41,280 Alright. Let's get to it. The disasters. 466 00:26:43,040 --> 00:26:45,000 I'll get a knife. May I? 467 00:26:47,800 --> 00:26:51,800 # UPBEAT INSTRUMENTAL THEME 468 00:26:51,920 --> 00:26:54,920 # 469 00:26:55,600 --> 00:26:57,600 GABRIELA GEME 470 00:26:57,840 --> 00:27:04,840 # 471 00:27:04,960 --> 00:27:09,960 # 472 00:27:10,200 --> 00:27:14,120 This is terrible for wrinkles. A whole lemon? 473 00:27:14,400 --> 00:27:17,400 LAUGHTER 474 00:27:18,160 --> 00:27:20,160 GABRIELA GEME 475 00:27:21,680 --> 00:27:23,680 MAFALDA TOSSE 476 00:27:23,800 --> 00:27:25,560 Do I have to eat the peel too? 477 00:27:25,840 --> 00:27:29,840 # RHYTHMIC INSTRUMENTAL THEME 478 00:27:32,000 --> 00:27:33,960 Am I approved? Do I have to eat everything? 479 00:27:35,880 --> 00:27:37,560 Is it the whole lemon or not? 480 00:27:37,880 --> 00:27:41,920 I don't have to eat the lemon. I have to eat... 481 00:27:42,120 --> 00:27:46,000 "The one who eats the lemon wins..." Eating the lemon. It's vague. 482 00:27:47,680 --> 00:27:48,880 MAFALDA GEME 483 00:27:49,120 --> 00:27:56,120 # RHYTHMIC INSTRUMENTAL THEME 484 00:27:56,240 --> 00:27:59,240 # 485 00:27:59,600 --> 00:28:01,600 PEDRO GEME 486 00:28:03,240 --> 00:28:05,240 GABRIELA ARROTA 487 00:28:05,360 --> 00:28:07,000 Sorry. 488 00:28:07,560 --> 00:28:09,560 APPLAUSE 489 00:28:12,920 --> 00:28:14,480 Is it good? 490 00:28:18,400 --> 00:28:20,200 It tastes so bad. 491 00:28:21,040 --> 00:28:23,040 PEDRO TAKES A DEEP BREATH 492 00:28:23,680 --> 00:28:27,680 # SOFT INSTRUMENTAL THEME 493 00:28:27,880 --> 00:28:30,520 What do we think? That I'm going to vomit any minute now. 494 00:28:33,720 --> 00:28:34,800 Can I leave? 495 00:28:36,720 --> 00:28:38,840 For me, it's done. 496 00:28:40,800 --> 00:28:43,200 Goodbye. That's it, finished. 497 00:28:46,480 --> 00:28:50,480 APPLAUSE 498 00:28:52,400 --> 00:28:54,560 I don't know if you noticed, but Pedro didn't even open his mouth. 499 00:28:56,000 --> 00:28:58,120 There's a rule in Portugal when you eat, you don't talk. 500 00:28:58,240 --> 00:28:59,880 It's a sign that the food is really good. 501 00:29:00,160 --> 00:29:02,160 LAUGHTER 502 00:29:02,560 --> 00:29:06,920 The experience was terrible. I spent the next day burping lemon. 503 00:29:07,120 --> 00:29:13,040 - You didn't have to eat the peel. - They said to eat the whole lemon. 504 00:29:13,960 --> 00:29:17,240 - As far as I know... GABRIELA: - You don't eat the peel. 505 00:29:17,360 --> 00:29:20,360 The peel is part of the lemon. The vitamin is in the peel. 506 00:29:21,440 --> 00:29:24,040 MARKL: - A classic. - It's true. 507 00:29:24,240 --> 00:29:26,360 Mafalda, we're back to the opening theme 508 00:29:26,600 --> 00:29:28,000 of my conversation with you. 509 00:29:28,280 --> 00:29:32,960 - Your father's pride... Isn't it? MAFALDA: - I am the disgrace of the family. 510 00:29:33,360 --> 00:29:34,800 I'm going to be mocked for the rest of my life. 511 00:29:35,040 --> 00:29:36,200 I also felt like Pedro. 512 00:29:36,400 --> 00:29:40,200 I spent three days smelling of lemon. Everything smells like lemon. 513 00:29:40,440 --> 00:29:44,120 It stayed in my stomach and I always felt like I was going to throw up. 514 00:29:44,240 --> 00:29:46,600 - It's really bad. PEDRO: - There was one night 515 00:29:46,720 --> 00:29:48,160 that I woke up because of the smell of lemon. 516 00:29:48,280 --> 00:29:50,160 I thought I was being seasoned to go in the oven. 517 00:29:50,360 --> 00:29:52,360 LAUGHTER 518 00:29:52,480 --> 00:29:55,720 PEDRO: - It was a nightmare. VASCO: - Leave me alone! 519 00:29:57,160 --> 00:30:00,440 - Gabriela, there was a burp. - There was. 520 00:30:00,720 --> 00:30:03,840 At least, it was a pleasant lemon. 521 00:30:05,440 --> 00:30:08,960 MARKL: - A lemon is a lemon. - What kind of concept is that? 522 00:30:09,280 --> 00:30:13,080 It was awful, but they pay me well to be here. 523 00:30:14,520 --> 00:30:18,440 Who's next in this orgy of acidity, my dear Nuno? 524 00:30:18,920 --> 00:30:21,600 The person formerly known as Pipoca Mais Doce... 525 00:30:22,000 --> 00:30:23,800 Clearly, that was before. 526 00:30:24,760 --> 00:30:27,320 Do I always have to be like this! Help! 527 00:30:27,960 --> 00:30:31,960 # RHYTHMIC INSTRUMENTAL THEME 528 00:30:32,080 --> 00:30:34,080 # 529 00:30:34,320 --> 00:30:37,000 It doesn't say how long. I need an outlet. 530 00:30:37,240 --> 00:30:39,240 ANA GEME 531 00:30:40,720 --> 00:30:43,720 The peel has a lot of protein. The peel is very good. 532 00:30:44,840 --> 00:30:48,400 Lemon peel. Doesn't mention not being able to mix things. 533 00:30:48,760 --> 00:30:51,720 - More water. - With the peel? 534 00:30:53,520 --> 00:30:56,680 Hello! I'm back! Just a little more water. 535 00:31:00,760 --> 00:31:03,640 Give it to him! Let's get out of here! How do you stop this? 536 00:31:05,960 --> 00:31:07,560 This glass is small, but... 537 00:31:10,440 --> 00:31:12,840 Do you think I don't know what I'm doing here? 538 00:31:13,520 --> 00:31:15,640 Suck on this, piggies! 539 00:31:17,320 --> 00:31:19,520 Maybe I really don't know, that this is flour. 540 00:31:19,640 --> 00:31:21,640 CENSORED WORD LAUGHTER 541 00:31:22,200 --> 00:31:23,920 ANA: - I've been tricked! It's flour! MARKL: - It seemed like a good idea. 542 00:31:25,920 --> 00:31:28,080 Let's pretend that never happened. 543 00:31:28,280 --> 00:31:30,520 Now we're talking, we have sugar. 544 00:31:33,240 --> 00:31:36,800 It has segments. Technically, this is eating. 545 00:31:38,000 --> 00:31:40,600 Now it's going to be good. I said I'd be making this face. 546 00:31:40,800 --> 00:31:43,840 How do you drink it? I even wanted to do it like this. Look. 547 00:31:45,480 --> 00:31:47,200 Change of plans. 548 00:31:48,840 --> 00:31:50,440 Here it goes. 549 00:31:51,840 --> 00:31:54,080 With that camera. Sideways. 550 00:31:54,360 --> 00:31:58,360 # RHYTHMIC INSTRUMENTAL THEME 551 00:31:58,480 --> 00:32:05,480 # 552 00:32:05,600 --> 00:32:10,600 # 553 00:32:10,840 --> 00:32:12,160 This never ends. 554 00:32:13,440 --> 00:32:17,000 The clothes... So expensive. This can't be good for the liver. 555 00:32:17,480 --> 00:32:21,680 Can I? I don't know. CENSORED WORD 556 00:32:23,280 --> 00:32:24,920 Just to take the edge off. 557 00:32:25,480 --> 00:32:29,480 # RHYTHMIC INSTRUMENTAL THEME 558 00:32:31,600 --> 00:32:33,400 If only I were so well at home... 559 00:32:34,720 --> 00:32:36,760 With the kids, just watching. 560 00:32:42,160 --> 00:32:43,520 Done. 561 00:32:44,840 --> 00:32:47,720 Next time, I'll experiment with flour. 562 00:32:47,840 --> 00:32:50,200 It might be better. 563 00:32:51,720 --> 00:32:54,280 I'm just going to vomit over there. Goodbye, everyone. 564 00:32:55,280 --> 00:32:56,880 ANA GEME DISGUSTED 565 00:32:57,120 --> 00:33:01,120 APPLAUSE 566 00:33:01,720 --> 00:33:04,880 VASCO: - Yes, sir. - I feel unwell again. 567 00:33:05,000 --> 00:33:09,800 GABRIELA: - Why with the peel? GILMÁRIO: - It's vitamins. 568 00:33:10,040 --> 00:33:14,200 It's like eating a lemon. That's all, Gabriela. 569 00:33:14,480 --> 00:33:16,920 Eating is one thing. Drinking is another. 570 00:33:17,560 --> 00:33:19,760 - However... - It had pulp. 571 00:33:19,880 --> 00:33:22,120 It wasn't all liquid. You guys are dumb. 572 00:33:22,320 --> 00:33:24,520 GILMÁRIO: - It's not eating. VASCO: - Ana, tell me something. 573 00:33:24,720 --> 00:33:26,560 Can you distinguish flour from sugar yet? 574 00:33:26,680 --> 00:33:28,600 I don't want to talk about it. 575 00:33:29,800 --> 00:33:31,800 Gilmário Vemba is still missing. 576 00:33:32,120 --> 00:33:36,800 How did Gilmário fare with the ingestion of our citrus? 577 00:33:37,680 --> 00:33:41,400 I remember that in one of the biographical comedy shows, 578 00:33:41,760 --> 00:33:44,040 Gilmário Gemba... 579 00:33:45,240 --> 00:33:47,200 VASCO: You're mistaken. He's Vilmário Gemba. 580 00:33:47,760 --> 00:33:50,640 What did Vilmário Gemba confess to you? 581 00:33:51,000 --> 00:33:55,040 Vilmário Gemba confessed that, in his childhood, he guzzled petroleum. 582 00:33:55,960 --> 00:33:59,000 I would say that this individual is prepared for anything. 583 00:33:59,200 --> 00:34:01,440 - After the petroleum... - I'm a big fan of Vilmário. 584 00:34:01,640 --> 00:34:03,200 Vilmário Gemba... 585 00:34:05,400 --> 00:34:09,400 # INSTRUMENTAL SUSPENSE THEME 586 00:34:14,639 --> 00:34:16,440 They should have napkins. 587 00:34:16,800 --> 00:34:23,800 # 588 00:34:23,920 --> 00:34:26,920 # 589 00:34:27,560 --> 00:34:29,920 GABRIELA: - I'm anxious. - Eat lemon. 590 00:34:30,239 --> 00:34:31,560 And it's with the peel. 591 00:34:32,480 --> 00:34:38,120 It worsens the level of horror of this flavor... 592 00:34:42,639 --> 00:34:43,880 ...lemon. 593 00:34:45,040 --> 00:34:47,679 But do I have to finish the lemon? Am I supposed to finish the lemon? 594 00:34:49,159 --> 00:34:55,520 Seriously? All three lemons or one? Or one lemon? 595 00:34:56,199 --> 00:34:58,880 Thank God. Sometimes, the Lord is on our side. 596 00:35:02,680 --> 00:35:06,160 I have a feeling that the lemon is getting more horrible. 597 00:35:07,360 --> 00:35:11,080 With every bite, it seems like the lemon is getting irritated. 598 00:35:12,080 --> 00:35:16,320 Don't you think I'm going to have a heartburn problem? 599 00:35:17,560 --> 00:35:19,080 Are there doctors on the team? 600 00:35:21,240 --> 00:35:23,880 So they can see if I won't have problems afterwards. 601 00:35:24,400 --> 00:35:29,880 I don't know, some facial thrombosis. I'm making a tremendous effort 602 00:35:32,080 --> 00:35:35,960 to maintain this calm, while everything on my face hurts. 603 00:35:37,200 --> 00:35:39,760 Everything burns. Everything is horrible. 604 00:35:45,200 --> 00:35:47,080 And the damn lemon never ends. 605 00:35:50,280 --> 00:35:52,840 Let it be recorded on the cameras... 606 00:35:56,920 --> 00:36:00,320 ...that I ate a whole lemon, with the peel. 607 00:36:07,720 --> 00:36:10,720 GILMÁRIO POPS MOUTH 608 00:36:11,840 --> 00:36:12,920 Okay. 609 00:36:14,520 --> 00:36:15,840 Wonderful. 610 00:36:16,160 --> 00:36:17,920 Damn! 611 00:36:20,640 --> 00:36:22,200 What a horrible day. 612 00:36:24,240 --> 00:36:27,680 My mouth is burning, seriously. 613 00:36:28,440 --> 00:36:30,360 I'm going to wash my mouth. 614 00:36:35,560 --> 00:36:39,560 GILMÁRIO MOANS 615 00:36:39,880 --> 00:36:43,880 APPLAUSE 616 00:36:45,280 --> 00:36:47,080 For some strange reason, this felt like advertising. 617 00:36:47,200 --> 00:36:48,720 It felt like one of those ads where you hear: 618 00:36:48,840 --> 00:36:50,400 "For the man who always knows what he wants." 619 00:36:51,240 --> 00:36:52,920 VASCO: - It was sensual. - It was "sexy". 620 00:36:53,200 --> 00:36:57,240 You made a sensual face. The choice of expression was sensual. 621 00:36:57,480 --> 00:37:01,080 And you didn't move an inch while eating for three minutes. 622 00:37:01,440 --> 00:37:05,960 I know how to suffer. I'm an individual who has suffered a lot in life. 623 00:37:06,080 --> 00:37:07,680 There's some practice involved. 624 00:37:08,120 --> 00:37:09,360 It was three minutes that felt like three hours. 625 00:37:09,800 --> 00:37:13,360 Three hours for you who were watching. For me, it was two weeks. 626 00:37:14,960 --> 00:37:19,880 Nuno had the task of counting the number of altered expressions. 627 00:37:20,000 --> 00:37:23,080 and to account for the time spent eating the lemon. 628 00:37:23,600 --> 00:37:26,480 The amount of lemon consumed, what was left or not. 629 00:37:26,720 --> 00:37:29,920 We're going to give points, taking into account the calculations you made. 630 00:37:30,360 --> 00:37:35,600 - With one point, Mafalda. - I tried. 631 00:37:35,960 --> 00:37:38,000 - So, Mafalda? - I'm being robbed. 632 00:37:38,280 --> 00:37:40,280 With two points, the speedy Pedro. 633 00:37:42,360 --> 00:37:44,000 Thank you. 634 00:37:44,360 --> 00:37:46,480 With three points, the expressive Gabriela. 635 00:37:46,920 --> 00:37:50,920 VASCO: - Very good. - Are you going to take four points? 636 00:37:51,640 --> 00:37:53,760 - With four points... VASCO: - Let me tell you something. 637 00:37:53,960 --> 00:37:58,320 Regarding Pipoca, she managed to leave a bit of clump. 638 00:37:58,520 --> 00:38:04,360 She not only drank, but chewed and by chewing, I consider that she eats. 639 00:38:04,800 --> 00:38:07,760 - Swell. VASCO: - Four points. 640 00:38:08,800 --> 00:38:11,040 MARKL: Five points for Gilmário. - Thank you. 641 00:38:11,240 --> 00:38:13,240 APPLAUSE 642 00:38:13,760 --> 00:38:16,600 VASCO: - In a sensual way. - In a super sensual way. 643 00:38:18,440 --> 00:38:22,640 Send the points to the table. Let's do the math. How are things? 644 00:38:25,120 --> 00:38:28,160 MARKL: Tied with 11 points, Gilmário and Ana. 645 00:38:28,360 --> 00:38:30,920 Tied with eight, Gabriela and Pedro. 646 00:38:31,320 --> 00:38:35,160 And still with small, but honorable four points, Mafalda. 647 00:38:35,520 --> 00:38:38,520 APPLAUSE 648 00:38:39,160 --> 00:38:43,160 This week, I've added to the tasks something that could be defined 649 00:38:43,360 --> 00:38:45,880 as something scientifically impossible. 650 00:38:46,400 --> 00:38:48,560 But since when has that been an obstacle 651 00:38:48,760 --> 00:38:50,680 to whatever happens in this program? 652 00:38:50,800 --> 00:38:54,000 It's true, but even for the level to which we've accustomed 653 00:38:54,600 --> 00:38:56,600 the dear people who watch this program, 654 00:38:56,800 --> 00:39:01,040 I feel that, this time, we've gone a step further. 655 00:39:01,160 --> 00:39:03,360 VASCO: - But it's a good step. - It's a good step. 656 00:39:03,800 --> 00:39:05,600 - What is it now? PEDRO: - What is it now? 657 00:39:05,840 --> 00:39:09,840 # SOFT INSTRUMENTAL THEME 658 00:39:09,960 --> 00:39:16,960 # 659 00:39:17,720 --> 00:39:20,160 That way That I know you like 660 00:39:20,520 --> 00:39:23,440 Will this set have any function this season? 661 00:39:23,680 --> 00:39:26,240 - Mr. Nuno! - It's pleasant, isn't it? 662 00:39:26,560 --> 00:39:29,280 - This set is very rich. - Very rich. 663 00:39:29,400 --> 00:39:30,800 The investment was high. 664 00:39:31,320 --> 00:39:33,200 A scale. Very good. 665 00:39:34,440 --> 00:39:37,440 It's for the person to give up on the idea right away. I don't weigh myself, I'm warning you. 666 00:39:37,880 --> 00:39:42,520 - There are many clocks here. - Courage. 667 00:39:43,000 --> 00:39:47,000 The way you're pointing, when it opens, it will start counting. 668 00:39:47,200 --> 00:39:49,800 A scale. Very good. 669 00:39:52,360 --> 00:39:56,240 "Make time stop." How poetic. 670 00:39:57,520 --> 00:40:01,040 "Win the most original time stop." 671 00:40:01,280 --> 00:40:06,000 "You have one hour. Time starts now and cannot be stopped." 672 00:40:06,400 --> 00:40:09,320 - This one can't be stopped. - Oh my God! Calm down! 673 00:40:09,640 --> 00:40:11,640 - One minute? MARKL: - Whenever you want. 674 00:40:11,840 --> 00:40:14,240 "Make time stop." I have to make this thing stop. 675 00:40:14,560 --> 00:40:16,280 - Can I do whatever I want? - You can. 676 00:40:16,400 --> 00:40:17,720 That's dangerous. 677 00:40:18,120 --> 00:40:19,480 - You have one hour. - How do I stop time? 678 00:40:22,480 --> 00:40:25,760 - One minute. - It's one hour. You have one hour. 679 00:40:27,160 --> 00:40:29,680 Did you think it was 58 seconds and 40 tenths? 680 00:40:29,800 --> 00:40:32,920 I don't know. In this program, you can't think too much. 681 00:40:33,600 --> 00:40:36,600 APPLAUSE 682 00:40:37,480 --> 00:40:41,600 Make time stop. What a glorious impossibility 683 00:40:41,800 --> 00:40:44,280 and what a strong delving of confused minds 684 00:40:44,400 --> 00:40:47,160 of these five people who are forced 685 00:40:47,280 --> 00:40:50,480 to put their brains to work to create something magical. 686 00:40:50,680 --> 00:40:53,720 Yes. There were two ways to approach this task. 687 00:40:53,840 --> 00:40:56,960 One is creative. "Creative". And the other... 688 00:40:57,400 --> 00:40:59,920 Considering there were several clocks in the scene, 689 00:41:00,360 --> 00:41:02,240 with insane violence. 690 00:41:02,720 --> 00:41:04,560 I prefer to believe that we are 691 00:41:04,800 --> 00:41:07,200 dealing with creative and non-violent souls. 692 00:41:07,480 --> 00:41:11,200 Let's see Pedro and Gabriela, trying to stop time in their own way. 693 00:41:13,080 --> 00:41:17,880 I have to make time stop. There are more clocks here. 694 00:41:20,600 --> 00:41:22,600 GABRIELA GEME 695 00:41:24,280 --> 00:41:27,760 I'm going to take out all the batteries. I always go for the most basic. 696 00:41:28,000 --> 00:41:29,960 They can't count on much from me. 697 00:41:30,160 --> 00:41:32,200 - I'm playing it safe. MARKL: - Sure. 698 00:41:32,400 --> 00:41:34,120 This has been done before too. 699 00:41:34,240 --> 00:41:36,240 SHARDS 700 00:41:37,000 --> 00:41:39,360 I wanted it to fall into the water. 701 00:41:39,920 --> 00:41:41,760 Stop... 702 00:41:42,120 --> 00:41:44,440 I could run over these clocks with my car. 703 00:41:45,080 --> 00:41:46,280 Well... 704 00:41:49,440 --> 00:41:53,680 - Stopped! These are stopped. - Very good. 705 00:41:53,880 --> 00:41:57,440 If I ran you over, the program stops. - Yes, but I'm not time. 706 00:41:59,600 --> 00:42:01,440 PEDRO WHISTLES SHARDS 707 00:42:01,720 --> 00:42:05,280 Take out the batteries. Set them on fire. Throw them into the water. 708 00:42:10,280 --> 00:42:12,280 PEDRO SIGHS 709 00:42:13,840 --> 00:42:16,000 This one doesn't move. It's here to deceive. 710 00:42:18,840 --> 00:42:20,840 GABRIELA MOANS 711 00:42:21,840 --> 00:42:27,200 MARKL: The hand is still moving. Now it's officially stopped. 712 00:42:29,920 --> 00:42:31,600 - Are you going to soak it? - Yes. 713 00:42:32,120 --> 00:42:33,800 Doesn't it look like a Vogue cover? 714 00:42:35,640 --> 00:42:39,280 - "Gabriela Makes Time Stop". - Of course. 715 00:42:41,680 --> 00:42:42,840 It's already out. 716 00:42:45,760 --> 00:42:47,280 Done. 717 00:42:49,360 --> 00:42:51,040 - Stopped! - Water for clocks. 718 00:42:51,640 --> 00:42:53,440 - I'm going to disguise myself. - Okay. 719 00:42:54,360 --> 00:42:57,600 - That is... - You guys are very sneaky. 720 00:42:59,240 --> 00:43:00,720 Did you stop your watch by putting it in your pocket? 721 00:43:00,920 --> 00:43:01,920 It was. 722 00:43:03,080 --> 00:43:07,640 MARKL: A kind of fairy. A fairy with fins. 723 00:43:09,120 --> 00:43:11,200 You're suspicious. This program is making you suspicious. 724 00:43:11,520 --> 00:43:14,800 - Here comes the shark. - It's a strange fruit tree. 725 00:43:16,640 --> 00:43:19,240 But it didn't break. They bought good watches. 726 00:43:19,680 --> 00:43:23,040 This program is turning me into a different man than I am. 727 00:43:23,240 --> 00:43:24,920 I've never been one to read things three times. 728 00:43:25,120 --> 00:43:30,400 I usually rush forward, but here I have to look at everything. 729 00:43:30,760 --> 00:43:32,760 GABRIELA SHOUTS 730 00:43:33,440 --> 00:43:34,760 Look, the creature is moving. 731 00:43:36,520 --> 00:43:40,800 - Thank you. Time stood still. - But I'm not convinced. 732 00:43:41,400 --> 00:43:42,760 Here I go! 733 00:43:43,680 --> 00:43:46,280 Look, this isn't going to sink. 734 00:43:46,520 --> 00:43:48,520 MARKL RI 735 00:43:49,240 --> 00:43:52,360 MARKL: It looks like one of those classic ballet movies. 736 00:43:52,720 --> 00:43:53,920 It's not going to sink. 737 00:43:54,640 --> 00:43:57,280 Do you want anything more original than this? Look at them floating. 738 00:43:57,480 --> 00:43:59,400 My stye! 739 00:44:01,880 --> 00:44:03,400 - They all stopped. MARKL: - Stopped? 740 00:44:04,160 --> 00:44:07,120 - Stopped! Time stops. MARKL: - Can I? 741 00:44:07,640 --> 00:44:10,000 - Ready. - I'll whistle symbolically. 742 00:44:10,200 --> 00:44:11,360 I won! MARK WHISTLES 743 00:44:14,560 --> 00:44:15,920 This is incredible. 744 00:44:16,040 --> 00:44:17,800 I feel like you're my coach after the jump. 745 00:44:18,080 --> 00:44:20,120 This looks like another scene now. 746 00:44:20,360 --> 00:44:22,160 Let's sit down waiting for the result. 747 00:44:22,280 --> 00:44:24,080 Sure. For the scores. 748 00:44:24,360 --> 00:44:26,480 You need to give me a pat on the shoulder. 749 00:44:26,680 --> 00:44:28,120 - Yes. - To make it look like I did well. 750 00:44:28,320 --> 00:44:30,400 Yes. It was amazing. 751 00:44:30,840 --> 00:44:34,840 APPLAUSE 752 00:44:35,760 --> 00:44:38,200 Did you want to put the clocks at the bottom of the pool? 753 00:44:38,560 --> 00:44:41,840 - I don't even know. - You said, "This won't sink." 754 00:44:42,040 --> 00:44:45,440 - What was your objective? - I don't even know. 755 00:44:45,640 --> 00:44:48,320 I don't know why I disguised myself. I was probably bored. 756 00:44:48,440 --> 00:44:50,200 MARKL: - Maybe. GABRIELA: - But time stood still. 757 00:44:50,400 --> 00:44:53,200 The clocks stopped, just like Pedro's clocks. 758 00:44:53,320 --> 00:44:55,440 You said you weren't convinced. 759 00:44:55,680 --> 00:44:57,640 Would you do something different now? 760 00:44:58,000 --> 00:44:59,760 - No. I'd do the same thing. VASCO: - Thank you. 761 00:45:00,440 --> 00:45:04,640 I remember the envelope said: "Win the most original form." 762 00:45:05,200 --> 00:45:10,560 That's why I masked myself. I remember now. Thank God! 763 00:45:10,680 --> 00:45:12,800 GILMÁRIO: Gabriela's brain in "delay". 764 00:45:12,920 --> 00:45:14,920 LAUGHTER 765 00:45:15,200 --> 00:45:16,720 VASCO: Let's move forward, time doesn't stop. 766 00:45:17,400 --> 00:45:21,600 The idea was for it to stop in a creative way. 767 00:45:22,240 --> 00:45:23,960 I would like to say that the next person 768 00:45:24,200 --> 00:45:25,840 put all their creativity to work. 769 00:45:26,040 --> 00:45:29,120 Put in more than the previous colleagues. However... 770 00:45:30,600 --> 00:45:32,760 I'm going to have to stop you all. 771 00:45:35,360 --> 00:45:38,440 Can't you guide a pair of scissors? I didn't want to uproot the tree, but... 772 00:45:38,760 --> 00:45:41,400 Here goes nothing. Where are the scissors? 773 00:45:41,520 --> 00:45:43,640 It's a poor production. Can anyone help me? 774 00:45:44,200 --> 00:45:46,680 Are we good? There's no more? Okay. 775 00:45:54,240 --> 00:45:57,600 I'd like to know if this is a program 776 00:45:57,800 --> 00:46:01,200 that allows you to work with flammable products. 777 00:46:02,000 --> 00:46:05,000 Gasoline. On top of that, this has batteries. 778 00:46:05,120 --> 00:46:07,200 I think this could really be... 779 00:46:10,480 --> 00:46:12,320 Where's the lighter? 780 00:46:12,880 --> 00:46:16,280 I look like the MacGyver of Amora. My God, this is going to go so badly. 781 00:46:16,400 --> 00:46:18,880 It's just melting. It's not catching fire. 782 00:46:19,120 --> 00:46:20,960 Can I set this on fire? 783 00:46:22,120 --> 00:46:26,320 Don't put it out! Look at your friend down there. 784 00:46:28,160 --> 00:46:32,160 "Habemus" flame. There. It's a nice flame. 785 00:46:32,400 --> 00:46:34,160 We can already grill sardines in here. 786 00:46:34,440 --> 00:46:38,000 Maybe it's a heresy, to set fire to the Master's proof. 787 00:46:38,200 --> 00:46:40,480 This crap is going to explode in my face. 788 00:46:41,120 --> 00:46:43,440 Let's go, then... ANA SCREAMS 789 00:46:44,440 --> 00:46:46,040 ANA: That has a battery. 790 00:46:46,560 --> 00:46:49,320 Someone less important than me 791 00:46:49,680 --> 00:46:51,560 who can approach just to... 792 00:46:52,640 --> 00:46:56,560 I work a lot with my face. It would be good not to... ruin it. 793 00:46:59,440 --> 00:47:00,920 I think it went out. 794 00:47:02,760 --> 00:47:05,360 We need more fire. We need more flammable material. 795 00:47:07,160 --> 00:47:11,760 I'll let it burn more, but there's still a lot of clock to burn. 796 00:47:12,480 --> 00:47:14,880 That time has stopped. Don't bother me. 797 00:47:15,120 --> 00:47:17,280 It's time that can't be alive. 798 00:47:17,720 --> 00:47:21,080 Let's go to plan B. But that one still counts. 799 00:47:21,200 --> 00:47:24,040 It's a little pajama of solutions. 800 00:47:24,280 --> 00:47:29,200 Maybe it helps to think about people to get angry. 801 00:47:29,840 --> 00:47:34,720 My ex-husband! He's gone. Too bad. Stopped. 802 00:47:35,040 --> 00:47:36,440 Roger Schmidt! 803 00:47:38,160 --> 00:47:39,800 Kids with the flu who stay home! 804 00:47:42,040 --> 00:47:44,200 The stupid tasks of "Taskmaster"! 805 00:47:46,760 --> 00:47:49,440 The price of pine nuts and olive oil is a shame. 806 00:47:51,480 --> 00:47:54,160 When the person goes all "confident" to park 807 00:47:54,360 --> 00:47:56,360 and there's a Smart car there. Idiot! 808 00:47:59,640 --> 00:48:01,720 People who say "hadem" and "comes-te". 809 00:48:04,800 --> 00:48:09,880 It's done. Back there I think... That's it, right? It's over. 810 00:48:10,480 --> 00:48:14,960 Maybe I'll take this. It's still useful to help a few more people out. 811 00:48:15,160 --> 00:48:19,160 APPLAUSE 812 00:48:20,160 --> 00:48:24,720 Ana's plan starts with clocks, talking about pine nuts, 813 00:48:25,720 --> 00:48:29,480 about Benfica, about Smart cars, about the ex, 814 00:48:29,600 --> 00:48:32,680 while a bucket burns behind, with the reflective vest... 815 00:48:32,920 --> 00:48:34,120 MARKL: It was one of the most psychotic things. 816 00:48:34,320 --> 00:48:37,400 There are people with a more normal look on the cover of the newspaper "The Crime." 817 00:48:37,600 --> 00:48:41,440 MARKL: - That's true. PEDRO: - It was something I've never seen. 818 00:48:42,320 --> 00:48:48,560 Smoked popcorn. Never seen it. Loved it. 819 00:48:50,600 --> 00:48:55,240 Gilmário proposes an alternative, yet iconic, experience. 820 00:48:55,560 --> 00:48:58,320 As always, of course. To leave a lasting impression. 821 00:48:59,040 --> 00:49:02,640 How can I stop time in a truly original way? 822 00:49:03,720 --> 00:49:04,960 Stop time. 823 00:49:08,480 --> 00:49:10,040 Stop time. 824 00:49:13,680 --> 00:49:15,160 Does anyone have a marker? 825 00:49:15,800 --> 00:49:16,800 Yes! 826 00:49:19,000 --> 00:49:23,000 NATURE AMBIENCE 827 00:49:27,000 --> 00:49:31,000 # SOFT INSTRUMENTAL THEME 828 00:49:31,120 --> 00:49:35,120 # 829 00:49:36,200 --> 00:49:37,240 Okay. 830 00:49:37,800 --> 00:49:39,800 # 831 00:49:40,200 --> 00:49:43,320 - There's Time. MARKL: - Yes. 832 00:49:44,280 --> 00:49:46,000 It's the name I gave to this duckling. 833 00:49:46,360 --> 00:49:49,000 - And Time is walking. MARKL: - It's walking. 834 00:49:49,720 --> 00:49:53,320 And now what am I going to do? I'm going to stop Time. 835 00:49:54,240 --> 00:49:57,600 This is me stopping time. 836 00:50:02,320 --> 00:50:03,320 MARKL: It's stopped. 837 00:50:04,840 --> 00:50:06,400 - Time in motion... MARKL: - Right. 838 00:50:15,000 --> 00:50:18,000 # SOFT INSTRUMENTAL THEME 839 00:50:18,400 --> 00:50:20,400 APPLAUSE 840 00:50:21,400 --> 00:50:24,880 - Do you want me to whistle? - Time is stopped. 841 00:50:27,960 --> 00:50:30,600 - Am I not a genius? - Yes, sir. 842 00:50:30,720 --> 00:50:34,680 Because sometimes it's windy I'm going to put some weight on Time 843 00:50:36,160 --> 00:50:39,160 so that even if it blows Time will continue... 844 00:50:39,280 --> 00:50:40,640 That way Time won't go anywhere. 845 00:50:40,760 --> 00:50:41,960 It's stopped. MARKL WHISTLES 846 00:50:44,160 --> 00:50:45,440 - Beautiful. - Markl... 847 00:50:45,560 --> 00:50:50,680 If Vasco doesn't give five points to this... It's an extraordinary idea. 848 00:50:50,800 --> 00:50:52,040 I thought so. 849 00:50:52,800 --> 00:50:55,200 And then they say it's impossible to stop time. How come? 850 00:50:57,360 --> 00:50:59,040 I thought there was some beauty to it. 851 00:51:00,640 --> 00:51:05,200 GILMÁRIO: Spectacle! It was creative, poetic... 852 00:51:05,520 --> 00:51:06,600 MARKL: He was happy with his idea. 853 00:51:06,720 --> 00:51:08,800 - I've never seen anyone so happy. - Ridiculous. 854 00:51:08,920 --> 00:51:10,920 The duck symbolized time. 855 00:51:11,040 --> 00:51:12,960 Not only did it symbolize it, but it was called Time. 856 00:51:13,240 --> 00:51:18,000 - It's unqualified to compare time. - They damaged the RTP property and... 857 00:51:18,440 --> 00:51:20,600 I want a representative of the Civil Government in this room, 858 00:51:20,920 --> 00:51:22,200 because that's not stopping time. 859 00:51:22,320 --> 00:51:24,920 The test itself was poetic, creative, 860 00:51:25,040 --> 00:51:29,000 because stopping time the way you wanted to... 861 00:51:29,360 --> 00:51:32,160 If you stop one clock, there are many others working. 862 00:51:32,280 --> 00:51:34,640 You burn this one, there are others in the stores to buy. 863 00:51:34,760 --> 00:51:39,400 Now, stopping time... Giving the name Time to something... 864 00:51:40,200 --> 00:51:41,400 That's why I'm going to be the winner. 865 00:51:41,520 --> 00:51:45,240 - That head is already at home. - Thank you, Gilmário Vemba. 866 00:51:45,400 --> 00:51:49,200 However, we're still missing the proof from our guest, Mafalda. 867 00:51:49,440 --> 00:51:50,920 Mafalda, who has here an opportunity 868 00:51:51,040 --> 00:51:53,440 not only to demonstrate supernatural powers, 869 00:51:53,560 --> 00:51:57,360 among them the power to insult me while still being jovial and dear. 870 00:51:58,520 --> 00:52:01,440 But above all the question that arises here is... 871 00:52:01,560 --> 00:52:03,880 How "creative" is Mafalda? 872 00:52:05,040 --> 00:52:06,600 When I think about stopping time, what do I think about? 873 00:52:06,720 --> 00:52:09,600 When we are in love, when we are with our "date", 874 00:52:09,720 --> 00:52:12,600 on a romantic date, seeing the stars, the beach, holding hands... 875 00:52:12,840 --> 00:52:16,080 - For me, then, time stops. - Right. 876 00:52:16,200 --> 00:52:18,840 - But I don't know if it would be strange... - Of course. 877 00:52:19,000 --> 00:52:20,760 - I'm not going to kiss you on the mouth... - No. 878 00:52:20,880 --> 00:52:22,680 - You are an older person. - Right. 879 00:52:22,800 --> 00:52:25,960 MAFALDA: You look weak. I'm not going to do that to you. 880 00:52:26,240 --> 00:52:27,640 Then here in production, 881 00:52:28,040 --> 00:52:32,000 there's no one here that attracts me physically. Sorry. 882 00:52:32,120 --> 00:52:35,120 I don't know. I can do many things. 883 00:52:35,240 --> 00:52:37,240 Weak... You have 58 minutes. 884 00:52:37,360 --> 00:52:39,200 Calm down. It's passing already. Just wait. - Okay. 885 00:52:39,440 --> 00:52:42,240 There's something I could do. I think it would be nice. 886 00:52:42,960 --> 00:52:44,400 Can I do what I'm thinking of doing? 887 00:52:44,520 --> 00:52:46,640 - Can I start? - Okay. 888 00:52:48,000 --> 00:52:50,000 SNAPS FINGERS 889 00:52:51,000 --> 00:52:55,000 # SOFT INSTRUMENTAL THEME 890 00:52:56,360 --> 00:52:57,600 MAFALDA: Let's go then... 891 00:52:59,240 --> 00:53:01,880 I love the people I just insulted in these positions... 892 00:53:02,200 --> 00:53:06,120 As you can see, they're not at their best. They're not in the best angles. 893 00:53:06,880 --> 00:53:09,280 This gentleman was telling me to shut up. I didn't even see him. 894 00:53:11,920 --> 00:53:14,440 Could I have used this watch? I don't think so. 895 00:53:15,960 --> 00:53:17,520 This is really cool. 896 00:53:17,640 --> 00:53:19,680 It's a power I gained from my grandmother who was a witch. 897 00:53:20,040 --> 00:53:22,720 I could have used it more in my life. I'm only using it now. 898 00:53:22,840 --> 00:53:24,840 I could have used it for tests in school. 899 00:53:24,960 --> 00:53:26,840 To see the answers of the smartest ones. 900 00:53:27,000 --> 00:53:30,360 Look, Mr. Feeble here. He's so cute. 901 00:53:32,080 --> 00:53:33,640 Okay, and people, this is what we have. 902 00:53:35,040 --> 00:53:36,480 I'm going to pee. I'll take advantage of it now. 903 00:53:36,720 --> 00:53:38,080 I have an hour. I have plenty of time. 904 00:53:38,560 --> 00:53:40,920 But I also like to observe people. It's so nice. 905 00:53:41,400 --> 00:53:42,840 They have a look... 906 00:53:42,960 --> 00:53:44,760 I can do whatever I want. It's so nice. 907 00:53:45,200 --> 00:53:49,200 MAFALDA TRAUTEIA 908 00:53:50,440 --> 00:53:52,000 MAFALDA: The girl with the makeup... Such pretty things. 909 00:53:52,120 --> 00:53:54,000 Maybe I'll steal something here... Hello! Look, there I am. 910 00:53:54,360 --> 00:53:58,240 Steal some things I want from here. Look, this. This is good. 911 00:54:01,760 --> 00:54:05,080 The clothes. I can even steal all the clothes I want from here. 912 00:54:05,280 --> 00:54:06,640 This is a party. 913 00:54:07,800 --> 00:54:10,520 Look! They are preparing a task. 914 00:54:10,640 --> 00:54:12,400 Should I open it to see what it is already? 915 00:54:12,520 --> 00:54:15,760 No, you have to control yourself, Mafalda. You're not a cheater, calm down. 916 00:54:16,120 --> 00:54:18,440 This man, what is he doing? He's putting up a camera. 917 00:54:18,840 --> 00:54:21,120 Could it be to use the camera in the task? 918 00:54:21,240 --> 00:54:23,200 I want to open it so badly. I'm going to open it. 919 00:54:24,160 --> 00:54:27,080 No, calm down. Take a deep breath. 920 00:54:28,480 --> 00:54:31,040 Meanwhile, it must have been about an hour. I don't know. 921 00:54:31,560 --> 00:54:32,720 I did so much. 922 00:54:33,680 --> 00:54:36,000 Now, we have this gentleman here. Take the camera again. 923 00:54:36,120 --> 00:54:38,400 Hold it. He holds it. 924 00:54:39,120 --> 00:54:40,120 We're good. 925 00:54:41,200 --> 00:54:42,200 Okay. 926 00:54:45,360 --> 00:54:48,400 He's stopped. I'm going to draw the Harry Potter symbol here. 927 00:54:49,680 --> 00:54:50,800 The lightning bolt. 928 00:54:51,720 --> 00:54:52,720 Done. 929 00:54:53,960 --> 00:54:55,960 SNAPS FINGERS 930 00:54:56,200 --> 00:54:57,880 - Weak. - Yes. 931 00:54:59,720 --> 00:55:01,600 Meanwhile, I finished my test. 932 00:55:01,840 --> 00:55:03,680 Thank you all. See you next week. 933 00:55:06,440 --> 00:55:07,440 Weak. 934 00:55:09,080 --> 00:55:11,840 VASCO: - Bravo. PEDRO: - Very good. 935 00:55:12,240 --> 00:55:16,240 APPLAUSE 936 00:55:16,960 --> 00:55:19,600 - Thank you, "grandma", for the powers. VASCO: - "Very creative". 937 00:55:20,240 --> 00:55:23,600 Weak? So many things you could have called my friend. 938 00:55:24,000 --> 00:55:25,600 He had that look. And then I drew the lightning bolt on him. 939 00:55:25,920 --> 00:55:28,040 - I thought it was very sweet. - Grandma who was a witch? 940 00:55:28,200 --> 00:55:31,240 - Yes. She taught me some things. VASCO: - Like stopping time. 941 00:55:31,360 --> 00:55:33,680 Yes. So, I was very happy when I read the task. 942 00:55:33,800 --> 00:55:35,440 And she stopped time and was creative. 943 00:55:35,720 --> 00:55:39,160 Let's give grades, because it's time to give grades. 944 00:55:39,400 --> 00:55:42,200 MARKL: - Let's get to it. - I will reward above all else 945 00:55:42,600 --> 00:55:44,400 what was in the envelope, which was originality. 946 00:55:45,040 --> 00:55:47,040 I'm not giving anyone a point. 947 00:55:47,280 --> 00:55:52,200 I'll give two points to Gabriela and Pedro Alves. 948 00:55:52,880 --> 00:55:53,880 Didn't I get it right? 949 00:55:54,000 --> 00:55:57,040 I'll give an extra point because Pipoca manages to, at the same time, 950 00:55:57,160 --> 00:56:00,040 be aware of the weather, there in a pyromaniac way, 951 00:56:00,160 --> 00:56:02,200 and also talk about pine nuts. - Of course. 952 00:56:02,320 --> 00:56:05,440 Pipoca and her pajama full of things, three points. 953 00:56:05,560 --> 00:56:09,200 - I liked Gilmário's duck. - It was poetic. 954 00:56:09,600 --> 00:56:13,000 I liked Gilmário's duck. It's metaphysical, it's creative... 955 00:56:13,120 --> 00:56:14,840 GILMÁRIO: - It's poetic. - It's "Taskmaster". 956 00:56:14,960 --> 00:56:18,760 Therefore, Gilmário gets four, but I give Mafalda five points 957 00:56:18,880 --> 00:56:20,800 who stops time in a creative way. 958 00:56:21,280 --> 00:56:24,680 - It was an incredible production. PEDRO: - It wasn't bad. It was good. 959 00:56:25,760 --> 00:56:28,440 And at this point, how's the score? 960 00:56:28,600 --> 00:56:32,200 MARKL: Gilmário is still in the lead with 15. Then, Ana with 14. 961 00:56:32,320 --> 00:56:34,440 Tied with ten are Gabriela and Pedro. 962 00:56:34,560 --> 00:56:37,600 - And Mafalda has nine points. VASCO: - Very good. 963 00:56:38,000 --> 00:56:42,200 Are you upset, why, Gabriela? This is "Taskmaster". 964 00:56:42,840 --> 00:56:47,240 I think it's absurd a plastic duck called Time... 965 00:56:47,920 --> 00:56:51,120 "Let me stop time. Done. Good morning." 966 00:56:51,600 --> 00:56:53,960 I'm going to get to the restaurant and order a time rice. 967 00:56:55,160 --> 00:56:56,720 - I'm sorry... - It's okay. 968 00:56:56,840 --> 00:56:59,000 Justice will be done in due time. It's okay. 969 00:56:59,120 --> 00:57:01,240 If you want to complain, send an email 970 00:57:01,480 --> 00:57:03,560 to fairyunion@gmail.com. 971 00:57:04,520 --> 00:57:06,800 - You know what I feel like? MARKL: - What do you feel like? 972 00:57:06,920 --> 00:57:10,640 - I feel like a toast. - Your wish is my command, 973 00:57:11,120 --> 00:57:13,720 although dependent on the accuracy of these individuals. 974 00:57:13,840 --> 00:57:14,840 VASCO: Let's do it. 975 00:57:15,400 --> 00:57:19,400 # SOFT INSTRUMENTAL THEME 976 00:57:21,560 --> 00:57:22,560 Hello. 977 00:57:22,880 --> 00:57:24,400 MARKL: - How's it going? - Good. 978 00:57:25,200 --> 00:57:26,960 - This little showcase of... - I'm starving. 979 00:57:27,080 --> 00:57:28,360 If I'm going to eat, I'll eat this now. 980 00:57:28,920 --> 00:57:30,560 Can I eat now before opening the task? 981 00:57:30,680 --> 00:57:31,720 - You better open the task. - Okay. 982 00:57:34,360 --> 00:57:37,600 Look at everything first to see what's going on. 983 00:57:42,640 --> 00:57:46,360 "Insert a slice of bread into the toaster..." 984 00:57:46,680 --> 00:57:48,280 "From the greatest possible distance." 985 00:57:51,440 --> 00:57:53,400 Therefore, from the greatest possible distance. 986 00:57:53,520 --> 00:57:57,000 Does it have to be horizontal or can it be vertical? 987 00:57:57,360 --> 00:57:58,600 MARKL: That's up to you. 988 00:58:00,840 --> 00:58:02,880 "Only the last attempt counts." 989 00:58:03,320 --> 00:58:06,760 Of course. Hitting it is the last attempt. I won't do any more. 990 00:58:07,200 --> 00:58:09,040 "You have 20 minutes. Time starts now." 991 00:58:09,400 --> 00:58:11,200 - Okay. - This is really cool. 992 00:58:11,320 --> 00:58:13,040 I'm thrilled. 993 00:58:13,360 --> 00:58:15,240 I've never seen anyone receive an assignment with such joy. 994 00:58:15,360 --> 00:58:17,560 - I love bread. - Me too. 995 00:58:17,960 --> 00:58:19,960 Should I grab the bread and throw it in to get in here? 996 00:58:20,480 --> 00:58:21,640 Can I play with the toaster? 997 00:58:24,000 --> 00:58:26,680 - Actually, I'm feeling hungry now. - Me too. 998 00:58:27,400 --> 00:58:29,600 MARKL: To have five public figures at your disposal, boss, 999 00:58:29,720 --> 00:58:31,760 to make you toast. 1000 00:58:31,880 --> 00:58:34,000 The career milestone you've reached, Vasco. 1001 00:58:34,240 --> 00:58:38,160 They had to aim at the toaster from the greatest possible distance. 1002 00:58:38,520 --> 00:58:40,440 Which proves I wasn't that hungry after all. 1003 00:58:41,040 --> 00:58:44,000 Except for a hunger for spectacle 1004 00:58:44,120 --> 00:58:45,960 spread with a little bit of foolishness butter. 1005 00:58:46,000 --> 00:58:47,000 That's what I wanted. 1006 00:58:47,120 --> 00:58:48,680 That's it. And that's what you're going to get. 1007 00:58:48,800 --> 00:58:51,280 Starting with two schools of thought 1008 00:58:51,640 --> 00:58:54,840 when it comes to introducing slices of bread into toasters. 1009 00:58:54,960 --> 00:58:59,560 We have the vertical school and the more or less horizontal school. 1010 00:59:01,560 --> 00:59:05,200 Let's go! Run with me. We have 20 minutes. 1011 00:59:06,600 --> 00:59:07,960 MAFALDA: Let's go upstairs. 1012 00:59:08,440 --> 00:59:09,920 MARKL: Don't you want me to stay down here to see if she falls? 1013 00:59:10,400 --> 00:59:12,080 We have plenty of tweezers. 1014 00:59:15,000 --> 00:59:16,200 I'm already annoyed. 1015 00:59:16,800 --> 00:59:20,800 # RHYTHMIC INSTRUMENTAL THEME 1016 00:59:21,520 --> 00:59:23,000 I don't know how I'm going to do this. 1017 00:59:23,600 --> 00:59:25,600 ANA IS STUTTERING 1018 00:59:26,480 --> 00:59:29,640 If it were the tallest toast, I think... 1019 00:59:30,480 --> 00:59:32,360 No. I don't think so. It wouldn't work anyway. 1020 00:59:32,760 --> 00:59:34,720 - I feel like it's going to work. MARKL: - Good luck. 1021 00:59:34,840 --> 00:59:37,080 - You have to feel it with me. - Okay. 1022 00:59:37,600 --> 00:59:38,600 Are you? 1023 00:59:43,280 --> 00:59:44,600 It's the wind. 1024 00:59:46,080 --> 00:59:47,640 - Did you see that? MARKL: - My God. 1025 00:59:48,840 --> 00:59:50,160 A fishing rod, does anyone have one? 1026 00:59:53,560 --> 00:59:55,600 Don't fall. Don't fall. 1027 00:59:56,800 --> 00:59:58,000 Cow! 1028 00:59:58,520 --> 01:00:00,160 MARKL: - A second toaster? - Three. 1029 01:00:00,600 --> 01:00:02,040 You did some kind of statistic. 1030 01:00:02,480 --> 01:00:04,240 I may be limited, but I'm not dumb. 1031 01:00:04,680 --> 01:00:06,280 I don't know how to use a fishing rod. - Me neither. 1032 01:00:07,520 --> 01:00:09,200 You're not confident. You don't believe at all. 1033 01:00:09,320 --> 01:00:10,840 MARKL: I'm finding the line too short. 1034 01:00:12,600 --> 01:00:14,560 This is very bad. 1035 01:00:17,960 --> 01:00:19,520 SCREAMS: It's not working! 1036 01:00:22,640 --> 01:00:23,640 Recover. 1037 01:00:27,240 --> 01:00:31,400 We considered it. It's in there. But this isn't my last attempt. 1038 01:00:31,520 --> 01:00:32,680 I want to try to make this even bigger. 1039 01:00:36,080 --> 01:00:38,440 I'm not even using technique anymore. I'm just giving up on my life. 1040 01:00:41,200 --> 01:00:42,440 One more try. 1041 01:00:43,200 --> 01:00:45,520 No! Clearly this isn't going to work. 1042 01:00:46,240 --> 01:00:49,480 I'm not a person who gives up, but maybe today is the day. 1043 01:00:50,400 --> 01:00:51,480 Stupid, isn't it? 1044 01:00:51,600 --> 01:00:54,840 It had gone so well, why did I get into experiments? 1045 01:00:56,560 --> 01:00:59,200 CENSORED SPEECH Now he's gone from here. 1046 01:00:59,800 --> 01:01:02,000 Now's the time! I'm going to put three in this one. 1047 01:01:02,520 --> 01:01:04,640 - Pray with me, team! MARKL: - Let's go! 1048 01:01:06,520 --> 01:01:08,760 - Look! MARKL: - Do you want to see? 1049 01:01:09,200 --> 01:01:11,400 MAFALDA: Markl... 1050 01:01:12,440 --> 01:01:14,400 What is that? 1051 01:01:14,880 --> 01:01:16,600 MAFALDA: Do I drop the fishing rod and give up on my life, or not? 1052 01:01:20,840 --> 01:01:24,000 A person leaves here with a PhD in engineering. 1053 01:01:24,480 --> 01:01:26,840 Calm down. Calm down, little one. 1054 01:01:27,520 --> 01:01:31,520 # RHYTHMIC INSTRUMENTAL THEME 1055 01:01:33,840 --> 01:01:36,080 Okay, that's it. 1056 01:01:36,480 --> 01:01:37,480 Wait! 1057 01:01:40,600 --> 01:01:43,320 Did you see that? What do I do? 1058 01:01:43,560 --> 01:01:46,920 The bucket. It might fall. 1059 01:01:48,320 --> 01:01:49,480 Does this count? 1060 01:01:49,920 --> 01:01:53,080 It was here. Don't cheat. I know how you guys are. 1061 01:01:54,400 --> 01:01:55,960 They do everything to benefit Gilmário. 1062 01:01:57,840 --> 01:01:58,960 GILMÁRIO: Look... 1063 01:01:59,640 --> 01:02:01,040 - Wait a minute! Turn your back! MARKL: - For what purpose? 1064 01:02:01,160 --> 01:02:02,280 Turn your back. 1065 01:02:04,800 --> 01:02:05,800 Keep going. 1066 01:02:09,160 --> 01:02:10,680 Markl, look! 1067 01:02:11,960 --> 01:02:13,240 Take it out. 1068 01:02:13,920 --> 01:02:17,000 When I threw the bucket, I put two inside. 1069 01:02:17,120 --> 01:02:20,000 Just in case it gets in... And look. It fits perfectly. 1070 01:02:22,120 --> 01:02:24,600 - Miracle. Incredible. - See and learn. 1071 01:02:24,720 --> 01:02:26,120 Tell the other contestants, see and learn. 1072 01:02:26,240 --> 01:02:27,960 MARKL: - Thank you. - Bye. 1073 01:02:28,200 --> 01:02:29,280 MARKL: Bye. 1074 01:02:31,120 --> 01:02:34,480 PEDRO: Full of tricks, you are. It's all tricks. 1075 01:02:34,600 --> 01:02:37,600 - Wasn't it shooting? - It was inserting. 1076 01:02:37,880 --> 01:02:41,400 Now, suddenly, you understand Portuguese immensely. 1077 01:02:42,000 --> 01:02:44,240 Mafalda, that bucket was for the miracle, wasn't it? 1078 01:02:44,480 --> 01:02:47,280 Of course. When I threw it, there were two there and that was it. 1079 01:02:47,400 --> 01:02:49,400 VASCO: And curiously without Markl seeing, because he had his back turned... 1080 01:02:49,520 --> 01:02:52,000 He was distracted. I threw... 1081 01:02:52,120 --> 01:02:55,600 I remember the time when you pointed something out to me on the other side 1082 01:02:55,720 --> 01:02:57,000 and I turned around politely, 1083 01:02:57,640 --> 01:02:59,800 sensing that some trickery was happening behind my back. 1084 01:03:00,280 --> 01:03:02,920 Do you want to know who the next athletes are 1085 01:03:03,080 --> 01:03:05,560 in these "olimpãoíadas"? 1086 01:03:07,680 --> 01:03:09,800 At the risk of regretting my answer, 1087 01:03:09,920 --> 01:03:11,400 I'll say yes. Who are they? 1088 01:03:11,520 --> 01:03:14,000 Get ready to see Pedro Alves and Gabriela Barros, 1089 01:03:14,120 --> 01:03:17,960 trying to introduce bread as if their lives depended on it. 1090 01:03:19,360 --> 01:03:23,160 Is that it? It's that, but far away. 1091 01:03:23,880 --> 01:03:27,880 # RHYTHMIC INSTRUMENTAL THEME 1092 01:03:28,600 --> 01:03:33,560 I feel like someone did this. Look at him, "it's the basics, Gabriela". 1093 01:03:37,120 --> 01:03:40,360 I can use you. You are usable, aren't you? 1094 01:03:42,400 --> 01:03:44,920 I have to find a way to keep that thing stuck 1095 01:03:45,200 --> 01:03:46,280 so that it doesn't come out. 1096 01:03:46,760 --> 01:03:50,000 Hello. Is everything alright? You lie down. You stretch a lot. 1097 01:03:50,400 --> 01:03:51,480 Everyone lie down! 1098 01:03:51,960 --> 01:03:54,000 Wait! This might not work. 1099 01:03:54,120 --> 01:03:57,720 It's over! The class is over. I thought it would work. Thank you. 1100 01:03:57,840 --> 01:03:59,640 You are all very kind. 1101 01:04:00,200 --> 01:04:02,240 - Did you change your mind? - It's the braid. 1102 01:04:03,240 --> 01:04:07,240 # RHYTHMIC INSTRUMENTAL THEME 1103 01:04:07,360 --> 01:04:15,360 # 1104 01:04:17,200 --> 01:04:21,200 SHOUT RI 1105 01:04:22,320 --> 01:04:23,320 What despair. 1106 01:04:23,640 --> 01:04:24,960 It can be half at a time, right? 1107 01:04:25,440 --> 01:04:29,440 # RHYTHMIC INSTRUMENTAL THEME 1108 01:04:34,840 --> 01:04:37,080 I'm at a disadvantage. I'm having a bad hair day today. 1109 01:04:37,600 --> 01:04:39,320 I want that to be taken into account. 1110 01:04:39,880 --> 01:04:43,880 # RHYTHMIC INSTRUMENTAL THEME 1111 01:04:46,640 --> 01:04:48,640 Is someone measuring? No one measuring? 1112 01:04:49,480 --> 01:04:51,720 It's by eye. This measurement is by eye. 1113 01:04:52,040 --> 01:04:54,560 Playing the smart aleck doing clowning around is what happens. 1114 01:04:55,680 --> 01:04:58,240 You have to hit it right there even if you break yourself completely. 1115 01:04:59,480 --> 01:05:01,400 One. It's done. 1116 01:05:01,920 --> 01:05:03,640 I want there to be no cheating afterwards. 1117 01:05:03,960 --> 01:05:06,400 Vasco, sorry, I ruined your grass a little bit. 1118 01:05:06,520 --> 01:05:08,840 Okay, now we're talking, I'll take... 1119 01:05:11,400 --> 01:05:12,600 ... my toaster. 1120 01:05:14,400 --> 01:05:18,400 SCREAM 1121 01:05:20,880 --> 01:05:23,720 You have to imagine this is an extension of the tube. 1122 01:05:25,240 --> 01:05:27,440 Beep! Beep! 1123 01:05:28,680 --> 01:05:29,680 BEEP 1124 01:05:30,120 --> 01:05:34,120 # CHEERFUL INSTRUMENTAL THEME 1125 01:05:36,320 --> 01:05:37,920 It's in here. 1126 01:05:38,600 --> 01:05:44,600 # 1127 01:05:45,040 --> 01:05:46,240 It's done. 1128 01:05:46,680 --> 01:05:48,560 It's inside and inserted. 1129 01:05:51,640 --> 01:05:52,640 Inse... 1130 01:05:53,480 --> 01:05:57,480 LAUGHTER 1131 01:05:57,600 --> 01:05:59,600 (...) 1132 01:06:04,360 --> 01:06:06,160 "Insert a slice of bread... 1133 01:06:07,800 --> 01:06:09,400 "Insert a slice of bread into the toaster 1134 01:06:09,520 --> 01:06:11,760 "from the greatest distance possible. 1135 01:06:15,280 --> 01:06:17,640 "Only the last attempt counts. You have 20..." 1136 01:06:17,760 --> 01:06:20,880 This is my last attempt. Isn't it? 1137 01:06:25,320 --> 01:06:26,320 Saravá! 1138 01:06:27,360 --> 01:06:29,680 Hello, what can I do for you? 1139 01:06:31,920 --> 01:06:34,840 Imagine I was just coming in now. It would have been beautiful. 1140 01:06:35,440 --> 01:06:39,440 # SOFT INSTRUMENTAL THEME 1141 01:06:40,240 --> 01:06:41,240 Is that it? 1142 01:06:44,840 --> 01:06:46,640 "Inserts a slice of bread..." BEEP 1143 01:06:49,040 --> 01:06:53,040 APPLAUSE 1144 01:06:55,440 --> 01:06:58,440 - What was that? - You're going to say the one about the hose... 1145 01:06:58,560 --> 01:07:01,120 The duck days, this is the life. 1146 01:07:01,240 --> 01:07:03,880 Now, hoses, couplings, and me holding it can't be. 1147 01:07:04,000 --> 01:07:06,000 - No... VASCO: - Forget the duck. 1148 01:07:06,120 --> 01:07:09,960 - I'm outraged by that duck. - You'd already put him in the toaster. 1149 01:07:10,360 --> 01:07:14,120 He was here saying: "Gabriela, the toast..." 1150 01:07:14,600 --> 01:07:16,600 Put him in the toaster and go as far as possible. 1151 01:07:16,720 --> 01:07:19,440 "This is the weather." 1152 01:07:20,760 --> 01:07:24,240 Gabriela, first, you went to get four members of our team. 1153 01:07:24,360 --> 01:07:27,320 - I tried, yes. - And what was it for? 1154 01:07:27,440 --> 01:07:29,160 I want to know what you wanted to try. 1155 01:07:31,000 --> 01:07:32,640 - What was the idea? ANA: - A human chain. 1156 01:07:32,760 --> 01:07:35,240 - Even if it doesn't work. - I just became a mother. 1157 01:07:36,880 --> 01:07:39,680 - She had a treçolho... - I was with a treçolho. 1158 01:07:40,040 --> 01:07:42,520 I want you to understand. It was very difficult. 1159 01:07:43,160 --> 01:07:44,680 I think it was to make a human thing 1160 01:07:45,200 --> 01:07:48,680 and the last one would do like this. The same logic as the hose. 1161 01:07:49,120 --> 01:07:51,200 - Yes. - This one has ideas. 1162 01:07:51,320 --> 01:07:53,200 I see a team like this. 1163 01:07:56,280 --> 01:08:00,240 - And I lose morale. - They are always like this. 1164 01:08:00,400 --> 01:08:03,200 Pedro, do you also feel the team like this when you do your things? 1165 01:08:03,320 --> 01:08:05,880 - Of course, it's horrible. VASCO: - I understand. 1166 01:08:06,000 --> 01:08:08,640 It looked like an Olympic sport. The toaster at this distance... 1167 01:08:08,760 --> 01:08:11,640 Let's notice that the toaster is right here. 1168 01:08:13,400 --> 01:08:15,280 You know what it reminded me of? When at four in the morning, 1169 01:08:15,400 --> 01:08:17,560 you leave the club very drunk and want to go to the ATM. 1170 01:08:19,920 --> 01:08:22,640 Stop! Stop! 1171 01:08:23,000 --> 01:08:25,000 APPLAUSE 1172 01:08:25,520 --> 01:08:29,040 What's missing is, at this point, Gabriela's best friend, 1173 01:08:29,160 --> 01:08:32,840 Gilmário Vemba. And did we save good material? 1174 01:08:32,960 --> 01:08:35,760 We saved the fireworks for the end. 1175 01:08:37,560 --> 01:08:41,080 The greatest possible distance. My idea is... 1176 01:08:41,439 --> 01:08:44,800 I'm going to create a mechanism here that will work with a rope, 1177 01:08:44,920 --> 01:08:48,040 and that rope will reach the greatest possible distance, 1178 01:08:48,600 --> 01:08:52,840 and then make it create a small crane here 1179 01:08:53,240 --> 01:08:56,479 that will insert a bit of bread... That's what it will be. 1180 01:08:57,000 --> 01:08:59,640 This is my idea. Now, will it work? 1181 01:09:00,240 --> 01:09:01,600 That's what we're about to find out. 1182 01:09:02,240 --> 01:09:04,840 What would be a good distance? 1183 01:09:07,640 --> 01:09:09,399 Now, I need to see the toaster. 1184 01:09:11,600 --> 01:09:13,279 I need visibility. 1185 01:09:13,840 --> 01:09:17,840 # Rhythmic Instrumental THEME 1186 01:09:19,240 --> 01:09:23,160 This is an important piece for this process to work. 1187 01:09:23,800 --> 01:09:31,800 # 1188 01:09:31,920 --> 01:09:38,920 # 1189 01:09:40,359 --> 01:09:41,880 I need another mechanism. 1190 01:09:42,520 --> 01:09:44,000 I could do this quickly, 1191 01:09:44,120 --> 01:09:48,319 but this is the third "Taskmaster" I've done. 1192 01:09:48,439 --> 01:09:54,800 If I don't win this one, I'm not a worthy competitor on the show. 1193 01:09:55,960 --> 01:09:59,960 # Rhythmic Instrumental THEME 1194 01:10:00,080 --> 01:10:07,080 # 1195 01:10:07,600 --> 01:10:10,280 - Fire! - Look at the work. 1196 01:10:10,840 --> 01:10:16,840 # 1197 01:10:17,680 --> 01:10:18,920 A matter of patience. 1198 01:10:19,400 --> 01:10:23,400 # 1199 01:10:25,440 --> 01:10:26,440 GILMÁRIO: Did it go in? 1200 01:10:27,040 --> 01:10:30,040 APPLAUSE 1201 01:10:30,280 --> 01:10:31,840 SPEAKS ENGLISH: Let me see. 1202 01:10:32,160 --> 01:10:34,040 The biggest toast ever. 1203 01:10:35,120 --> 01:10:36,800 Yes! 1204 01:10:38,920 --> 01:10:41,680 I've made a lot of toast in my life. 1205 01:10:43,240 --> 01:10:44,760 I have four children. 1206 01:10:45,080 --> 01:10:47,880 It's never been so difficult to prepare a toast. 1207 01:10:48,000 --> 01:10:51,920 Normally, it's butter, toast, butter, toaster... 1208 01:10:52,040 --> 01:10:53,360 This has never happened to me. 1209 01:10:53,960 --> 01:10:58,800 You also have to start being careful with what you invent. Fire! 1210 01:11:01,600 --> 01:11:02,680 Damn toast! 1211 01:11:03,880 --> 01:11:05,200 GABRIELA: - Yes... - That was it, wasn't it? 1212 01:11:05,600 --> 01:11:10,440 GABRIELA: No, it is. Concrete things. Now... 1213 01:11:10,560 --> 01:11:14,440 - They didn't ask for poetry there. - This was indeed a test... 1214 01:11:14,560 --> 01:11:16,200 It went even better than you were expecting. 1215 01:11:16,320 --> 01:11:19,000 Much better. I didn't see the toaster 1216 01:11:19,240 --> 01:11:21,000 and the toaster didn't see me either. 1217 01:11:21,600 --> 01:11:23,400 More distance than this was impossible. 1218 01:11:23,520 --> 01:11:26,200 Markl, is there any image we need to see just to... 1219 01:11:26,640 --> 01:11:30,560 There's a "photo finish". We have to confirm two distances 1220 01:11:31,240 --> 01:11:33,880 that might be very close to each other. 1221 01:11:34,000 --> 01:11:35,600 Let's start by looking at Gabriela. 1222 01:11:36,520 --> 01:11:41,800 Gabriela managed to insert at a distance of 0 cm. 1223 01:11:43,720 --> 01:11:46,640 - It's touching. VASCO: - And another image. 1224 01:11:46,760 --> 01:11:49,640 MARKL: And now let's see Mafalda just to be sure. 1225 01:11:51,400 --> 01:11:52,400 VASCO: And here it is. 1226 01:11:52,520 --> 01:11:57,160 MARKL: And we measure these ridiculous, but fascinating distances. 1227 01:11:57,600 --> 01:12:02,640 So, Mafalda managed 0.1 and Gabriela 0. 1228 01:12:03,160 --> 01:12:06,600 It was right on top. It was touching. 1229 01:12:06,720 --> 01:12:10,680 Let's go to the next ones, Pedro managed to insert the toast 1230 01:12:10,800 --> 01:12:13,560 at a distance of 14 cm. VASCO: - Right. 1231 01:12:14,200 --> 01:12:19,200 Then, with 3.6 m Ana Garcia Martins. 1232 01:12:19,320 --> 01:12:21,840 VASCO: And now the question the whole country is asking. 1233 01:12:22,440 --> 01:12:26,040 What is the distance between Gilmário Vemba and the toaster? 1234 01:12:27,160 --> 01:12:31,640 Gilmário was 41.1 m from the toaster. 1235 01:12:32,000 --> 01:12:36,000 APPLAUSE 1236 01:12:37,800 --> 01:12:39,640 VASCO: Translate that into points. 1237 01:12:40,120 --> 01:12:44,640 MARKL: Gabriela has one point. Mafalda, two. Pedro, three. 1238 01:12:44,760 --> 01:12:48,640 Pipoca "Mai" Doce, four points. And Gilmário, five. 1239 01:12:48,800 --> 01:12:51,720 VASCO: Let's send these points to our leaderboard. 1240 01:12:52,600 --> 01:12:55,560 At this point, how are things looking? 1241 01:12:56,240 --> 01:13:00,440 MARKL: Gilmário in the lead with 20 points followed by Ana with 18. 1242 01:13:00,560 --> 01:13:02,480 Then, in the middle of the table, Pedro with 13. 1243 01:13:02,600 --> 01:13:05,560 And tied with 11 are Gabriela and Mafalda. 1244 01:13:05,680 --> 01:13:07,200 VASCO: A round of applause for the five of them. 1245 01:13:07,800 --> 01:13:10,800 APPLAUSE 1246 01:13:11,200 --> 01:13:12,600 I feel like Gabriela and Mafalda don't... 1247 01:13:12,720 --> 01:13:15,440 VASCO: We have toast on the program, and I ask you, 1248 01:13:15,560 --> 01:13:17,360 what goes very well with toast? 1249 01:13:17,480 --> 01:13:20,840 I have a proposal here, but I warn the viewers 1250 01:13:20,960 --> 01:13:24,200 that the beginning of this might seem a little strange. 1251 01:13:25,560 --> 01:13:29,560 # SOFT INSTRUMENTAL THEME 1252 01:13:31,560 --> 01:13:33,480 - Hello. MARKL: - How's it going? 1253 01:13:33,600 --> 01:13:34,840 - Are you alright? - Fine, thank you. 1254 01:13:35,240 --> 01:13:36,560 MARKL: To sit down a little to rest. 1255 01:13:36,960 --> 01:13:38,960 - How are we doing? Very nice. MARKL: - Thank you very much. 1256 01:13:39,080 --> 01:13:40,600 - Great sneakers. - Thank you. 1257 01:13:40,720 --> 01:13:42,920 May there be someone who says nice things as soon as they enter. 1258 01:13:43,800 --> 01:13:46,720 How are you, Mr. José Carlos Malato? - Glad to be alive. 1259 01:13:46,840 --> 01:13:50,560 - I've always wanted to meet you. - The pleasure is all mine. 1260 01:13:50,680 --> 01:13:52,480 - Here we are, right? - Mrs.... 1261 01:13:53,120 --> 01:13:56,240 I didn't have anything prepared. Damn! It's in these things that it shows. 1262 01:13:56,360 --> 01:13:57,720 Maybe next time. 1263 01:13:58,720 --> 01:14:00,000 Yes! 1264 01:14:01,200 --> 01:14:05,200 # SOFT INSTRUMENTAL THEME 1265 01:14:06,040 --> 01:14:07,440 - It's the boss's letter, isn't it? - It is. 1266 01:14:07,800 --> 01:14:08,920 - Can I go there? - Go! 1267 01:14:09,280 --> 01:14:11,000 Do I have to sit down to read it or can I stand? 1268 01:14:11,120 --> 01:14:13,200 You can stand, you can be seated... However you like. 1269 01:14:13,320 --> 01:14:16,160 A guy has to ask everything. It's all just traps. 1270 01:14:16,520 --> 01:14:19,560 "Call Markl aside and do the following things to him." 1271 01:14:19,800 --> 01:14:20,800 Scary. 1272 01:14:21,200 --> 01:14:23,160 "Confess your favorite kitchen utensil." 1273 01:14:23,600 --> 01:14:27,120 "Shout a body part of your choice in his face." 1274 01:14:27,640 --> 01:14:31,240 "Declare a gardening tool 1275 01:14:31,480 --> 01:14:33,600 "with a goofy tone of voice." 1276 01:14:33,920 --> 01:14:35,000 "You have three minutes." 1277 01:14:35,360 --> 01:14:37,640 I haven't said the last one yet. Wait! 1278 01:14:38,200 --> 01:14:39,680 "Your time starts now." 1279 01:14:43,400 --> 01:14:44,400 Right then... 1280 01:14:46,240 --> 01:14:48,960 So, three seemingly random things 1281 01:14:49,080 --> 01:14:51,200 they had to say here to my dear Nuno. 1282 01:14:51,320 --> 01:14:53,240 Their favorite kitchen utensil. 1283 01:14:53,920 --> 01:14:57,960 Shout out a body part of their choice. In your face. 1284 01:14:58,280 --> 01:15:01,080 And they also had to decree the name of a gardening tool 1285 01:15:01,200 --> 01:15:02,240 in a silly voice. 1286 01:15:02,360 --> 01:15:04,400 Which seemed like a task in itself. 1287 01:15:04,520 --> 01:15:08,640 Little did our contestants know that they were making choices 1288 01:15:08,760 --> 01:15:12,240 that would dictate much of what was going to happen next 1289 01:15:12,360 --> 01:15:14,840 in the second part of the task. 1290 01:15:16,400 --> 01:15:18,160 - Nuno, if you please. - Yes, Gilmário. 1291 01:15:18,680 --> 01:15:20,120 - Sit here. - You want me to sit here? 1292 01:15:23,920 --> 01:15:24,960 Okay. 1293 01:15:25,280 --> 01:15:26,640 - I apologize. - Go ahead. 1294 01:15:27,600 --> 01:15:28,600 He looks like Santa Claus. 1295 01:15:29,000 --> 01:15:33,600 Do you know what my favorite kitchen utensil is? 1296 01:15:34,280 --> 01:15:37,160 - It's the fish scaler. - Right. 1297 01:15:37,920 --> 01:15:38,920 Thermomix. 1298 01:15:39,200 --> 01:15:43,200 SPEAK SPANISH 1299 01:15:43,320 --> 01:15:48,320 (...) 1300 01:15:49,280 --> 01:15:50,600 I really like Salazar. 1301 01:15:51,040 --> 01:15:52,360 Did you say you really like Salazar? 1302 01:15:53,120 --> 01:15:54,680 - You're referring to the kitchen thing. - Yes. 1303 01:15:55,160 --> 01:15:57,080 - What is the translation of "cuchara"? - It's spoon. 1304 01:15:57,200 --> 01:15:58,200 Right. Thank you. 1305 01:15:58,560 --> 01:15:59,600 "Vimvy". 1306 01:16:00,200 --> 01:16:03,120 "Shout a body part of your choice in his face." 1307 01:16:03,560 --> 01:16:04,560 Ear! 1308 01:16:07,640 --> 01:16:09,440 Shoulders! 1309 01:16:10,400 --> 01:16:11,560 Shoulder! 1310 01:16:11,880 --> 01:16:12,960 Knee! 1311 01:16:13,480 --> 01:16:15,200 Boobs! 1312 01:16:15,760 --> 01:16:19,760 LAUGHTER 1313 01:16:20,000 --> 01:16:21,400 You brute. 1314 01:16:21,800 --> 01:16:23,320 I can make a voice with my neck. 1315 01:16:23,840 --> 01:16:27,040 - A hose. - Darn! 1316 01:16:27,480 --> 01:16:29,640 I really like the plant cutting shears. 1317 01:16:31,960 --> 01:16:32,960 Rake. 1318 01:16:33,440 --> 01:16:35,960 I really like a lawnmower. 1319 01:16:38,000 --> 01:16:42,360 A cart to carry stuff that's in a garden. 1320 01:16:42,480 --> 01:16:44,400 - A wheelbarrow? - A wheelbarrow. 1321 01:16:44,520 --> 01:16:46,360 What kind of cart should it be? 1322 01:16:47,560 --> 01:16:48,600 Thank you, Ana. 1323 01:16:48,800 --> 01:16:50,680 MAFALDA: - I really liked it. - Thank you very much. 1324 01:16:51,240 --> 01:16:53,640 - I think it was silly enough. - It's nice, yes, sir. 1325 01:16:54,160 --> 01:16:55,760 APPLAUSE 1326 01:16:56,000 --> 01:16:57,000 Thank you. 1327 01:16:57,440 --> 01:16:59,040 I'm starting to think it's not much. Is that all? 1328 01:16:59,960 --> 01:17:01,800 Don't burn yourself. Be careful! Get out of there! You could get burned. 1329 01:17:01,920 --> 01:17:03,640 You're right. I always forget. 1330 01:17:04,360 --> 01:17:07,800 Maybe that's all there is. It's just that I'm... Look who's here. 1331 01:17:07,920 --> 01:17:09,600 It's just that I have high expectations. 1332 01:17:10,600 --> 01:17:12,640 PEDRO: - And a three-leaf clover. GABRIELA: - I don't remember. 1333 01:17:12,760 --> 01:17:14,600 Did you see the three-leaf clover? 1334 01:17:16,200 --> 01:17:17,840 - All this had a purpose. MARKL: - It did. 1335 01:17:18,240 --> 01:17:22,200 A purpose that you will understand right away. 1336 01:17:22,600 --> 01:17:23,760 Right. 1337 01:17:24,240 --> 01:17:27,200 It wasn't by chance that these three things were requested. 1338 01:17:27,600 --> 01:17:28,840 Markl, who are we going to start with? 1339 01:17:29,080 --> 01:17:30,400 Let's squeeze Mafalda and Pedro. 1340 01:17:31,480 --> 01:17:34,640 PEDRO CANTA MARKL: Welcome. 1341 01:17:36,840 --> 01:17:37,960 Is this familiar to you? 1342 01:17:40,600 --> 01:17:41,640 Citrus fruits. 1343 01:17:43,120 --> 01:17:44,240 I'm scared. 1344 01:17:46,480 --> 01:17:49,280 Let's see the boss's letter. 1345 01:17:50,240 --> 01:17:52,640 - Are you remembering these... - I remember what I said. 1346 01:17:52,760 --> 01:17:56,400 I said mango tree. Admit me now. 1347 01:17:57,760 --> 01:18:01,240 "Squeeze as much orange juice as possible into the container." 1348 01:18:01,640 --> 01:18:03,040 - Is this it? - Right. 1349 01:18:03,600 --> 01:18:06,480 "Only the items you chose can touch the oranges." 1350 01:18:07,800 --> 01:18:08,920 Not bad. 1351 01:18:09,880 --> 01:18:11,680 A hose, A Thermomix, and a shoulder. 1352 01:18:12,360 --> 01:18:14,320 - No hands. - I said shoulder. 1353 01:18:14,760 --> 01:18:15,760 An ear? 1354 01:18:17,400 --> 01:18:20,680 - Where's the ear? MARKL: - It's yours. Remember? 1355 01:18:20,920 --> 01:18:22,840 - "Time starts now." - There you go. 1356 01:18:23,000 --> 01:18:28,920 First, of course this is useful, because I can do this 1357 01:18:29,040 --> 01:18:33,000 and touch the oranges with this and not with my hand. 1358 01:18:35,040 --> 01:18:36,600 - I'm not touching the orange. MARKL: - Right. 1359 01:18:37,680 --> 01:18:39,920 - But I can touch the bowl. MARKL: - Just not the oranges. 1360 01:18:42,200 --> 01:18:44,600 I'm going to open this. Can this squeeze oranges? 1361 01:18:45,040 --> 01:18:48,720 - I think it can. - I'm a genius. I said Thermomix. 1362 01:18:49,240 --> 01:18:50,960 Do you know how this goes in here? 1363 01:18:51,480 --> 01:18:52,960 How does this thing work? I don't know how to use this. 1364 01:18:54,200 --> 01:18:56,040 How does this thing... 1365 01:18:59,160 --> 01:19:00,200 Easy. 1366 01:19:02,640 --> 01:19:03,640 It looked like a windmill. 1367 01:19:04,040 --> 01:19:06,760 - I'm not... MARKL: - Only the hose touches it. 1368 01:19:07,240 --> 01:19:08,760 Of course. Do you think I'm touching this? 1369 01:19:09,120 --> 01:19:10,760 I've never touched an orange in my life. 1370 01:19:11,520 --> 01:19:12,760 Take that! Did you see? 1371 01:19:13,160 --> 01:19:14,560 Almost there. 1372 01:19:15,280 --> 01:19:16,640 - It is. - Okay. 1373 01:19:16,760 --> 01:19:20,080 - Open? Wow! MARKL: - It's not right. 1374 01:19:21,640 --> 01:19:24,240 - It was almost right. - Look at this scene. 1375 01:19:25,000 --> 01:19:27,360 - I grabbed the orange. - You did. 1376 01:19:27,520 --> 01:19:28,560 And now? 1377 01:19:29,840 --> 01:19:31,120 I hate this. What is this? 1378 01:19:32,600 --> 01:19:35,200 It moved. Let's go! 1379 01:19:36,200 --> 01:19:38,200 THERMOMIX GRINDS 1380 01:19:39,440 --> 01:19:40,640 This one doesn't count. 1381 01:19:43,160 --> 01:19:44,200 It needs to be more. 1382 01:19:48,200 --> 01:19:52,200 SCREAM BIMBY GRINDS 1383 01:19:53,720 --> 01:19:56,000 I think I messed up. Take a look. 1384 01:19:56,920 --> 01:20:00,920 - It's kind of a paste. - Can I add juice, or more ? 1385 01:20:01,600 --> 01:20:03,600 BIMBY GRINDS 1386 01:20:04,480 --> 01:20:05,480 Open it? 1387 01:20:08,600 --> 01:20:11,640 I touched this one. This one doesn't count either. This one doesn't count. 1388 01:20:12,560 --> 01:20:16,240 - It's kind of scrambled eggs. Isn't it? - It looks like scrambled eggs. 1389 01:20:16,560 --> 01:20:17,560 Screw the Bimby. 1390 01:20:18,640 --> 01:20:21,640 LAUGHTER 1391 01:20:21,880 --> 01:20:25,520 You were only supposed to touch it with the objects. That wasn't on your wishes. 1392 01:20:25,840 --> 01:20:26,840 It is now. 1393 01:20:27,760 --> 01:20:30,080 It's not going to work. Why don't you use the lawnmower? 1394 01:20:31,360 --> 01:20:32,360 Jesus! 1395 01:20:32,640 --> 01:20:34,280 Look at the scrambled eggs I made. 1396 01:20:36,760 --> 01:20:38,760 LAWN MOWER 1397 01:20:39,920 --> 01:20:42,880 If I lick this, does it become water or not? It becomes liquid. 1398 01:20:43,600 --> 01:20:47,600 LAWN MOWER 1399 01:20:50,680 --> 01:20:52,680 MARKL: You're eating orange peel. 1400 01:20:54,480 --> 01:20:55,480 I'm done. 1401 01:20:55,840 --> 01:20:57,840 LAWN MOWER 1402 01:21:02,600 --> 01:21:04,600 MARKL WHISTLES 1403 01:21:05,280 --> 01:21:09,640 - Is that all? - Since I already whistled, it doesn't count. 1404 01:21:10,520 --> 01:21:11,640 - Look. - Okay. 1405 01:21:14,080 --> 01:21:15,600 If they served you this, would you call it juice? 1406 01:21:15,720 --> 01:21:18,680 Yes, because it's a smoothie with little things in it. 1407 01:21:19,240 --> 01:21:21,920 MARKL: Right. It needs to be measured. 1408 01:21:24,560 --> 01:21:25,960 Sorry. MARKL WHISTLES 1409 01:21:27,360 --> 01:21:28,360 - Thank you. - Thank you. 1410 01:21:28,480 --> 01:21:31,160 - You have orange in your hair. - It's okay. It suits me. 1411 01:21:31,280 --> 01:21:32,680 MARKL: Of course. 1412 01:21:34,160 --> 01:21:35,680 Magnificent. 1413 01:21:37,640 --> 01:21:39,440 I don't know if it's juice. It looks like a dessert. 1414 01:21:40,000 --> 01:21:42,000 APPLAUSE 1415 01:21:42,960 --> 01:21:45,600 MAFALDA: It was good. We said Bimby. 1416 01:21:45,840 --> 01:21:48,320 Markl is there to ensure that everything goes well. 1417 01:21:48,800 --> 01:21:52,360 And we see Pedro Alves struggling to squeeze an orange. 1418 01:21:52,800 --> 01:21:56,920 And what does this guy say? "You have a lawnmower." 1419 01:21:57,840 --> 01:22:00,600 I never thought I would have that dialogue ever in my life. 1420 01:22:00,720 --> 01:22:02,600 That happens regularly in my house. 1421 01:22:02,800 --> 01:22:04,960 I'm serious. I have an orange tree. 1422 01:22:05,240 --> 01:22:06,600 The oranges fall onto the lawn, 1423 01:22:06,920 --> 01:22:10,040 and when you go to mow the lawn and trim it with a lawn trimmer, 1424 01:22:10,520 --> 01:22:13,600 you take advantage of that, too. It stays consistent. 1425 01:22:13,720 --> 01:22:17,160 I also noticed that it wasn't the first time you'd done that. 1426 01:22:17,600 --> 01:22:19,200 I realized there was a certain experience there. 1427 01:22:19,320 --> 01:22:20,600 PEDRO: It's not the first time. 1428 01:22:20,720 --> 01:22:22,760 On the contrary, I realized it was the first time 1429 01:22:23,080 --> 01:22:24,360 that Mafalda Creative worked with a Thermomix. 1430 01:22:24,480 --> 01:22:27,000 Exactly. I didn't know how to use that thing. But I clicked a button there 1431 01:22:27,120 --> 01:22:30,640 and tons of stuff was coming out for your face, for mine. 1432 01:22:30,760 --> 01:22:32,160 I loved it. 1433 01:22:32,520 --> 01:22:36,040 What you're saying can be summarized in this photo. 1434 01:22:36,160 --> 01:22:39,600 MAFALDA: - Calm down. What? MARKL: - They should make t-shirts of this. 1435 01:22:39,720 --> 01:22:44,000 I was feeling it a lot. And there was that pulp juice left over. 1436 01:22:44,400 --> 01:22:46,560 - Did you see juice there? - I did. 1437 01:22:46,960 --> 01:22:49,200 Me, licking, was to create the liquid. 1438 01:22:50,480 --> 01:22:54,160 Very good. All to prepare a tasty orange juice. 1439 01:22:54,280 --> 01:22:56,040 These guys are giving it their all, but... 1440 01:22:56,400 --> 01:22:58,680 The ones who ended up most squeezed here were our competitors. 1441 01:22:58,800 --> 01:23:03,000 Here's someone who could have thought better about which body part to use. 1442 01:23:03,400 --> 01:23:04,640 and Gilmário. 1443 01:23:06,320 --> 01:23:07,760 Hello there. 1444 01:23:08,480 --> 01:23:10,960 - Welcome! - Hello, handsome. 1445 01:23:11,400 --> 01:23:13,000 - What are we going to do here? - You have to read... 1446 01:23:13,120 --> 01:23:16,200 Let me just show you a skill I have. 1447 01:23:16,320 --> 01:23:18,680 Fire! This is amazing, Markl. 1448 01:23:20,600 --> 01:23:22,600 APPLAUSE 1449 01:23:23,200 --> 01:23:28,920 "Squeeze as much orange juice into the container as possible." 1450 01:23:29,400 --> 01:23:34,160 "Only the items you've chosen can touch the oranges." 1451 01:23:35,080 --> 01:23:36,640 The items I chose? I didn't choose anything. 1452 01:23:37,160 --> 01:23:41,240 You did. Pruning shears. A fish scaler and a knee. 1453 01:23:43,240 --> 01:23:44,400 Fire! 1454 01:23:46,040 --> 01:23:47,040 "You have five minutes." 1455 01:23:50,760 --> 01:23:51,880 "Time starts now." 1456 01:23:52,360 --> 01:23:53,520 Remember you chose these items. 1457 01:23:53,840 --> 01:23:56,400 - A spoon. MARKL: - A wheelbarrow. 1458 01:23:56,520 --> 01:23:57,960 - And boobs. - And boobs. 1459 01:23:58,160 --> 01:23:59,560 Now, this is that moment 1460 01:23:59,680 --> 01:24:02,240 where I deeply regret the choices I've made. 1461 01:24:03,000 --> 01:24:04,400 - Can I go back? - No. 1462 01:24:04,520 --> 01:24:07,080 Only these items can touch the orange. 1463 01:24:07,200 --> 01:24:08,640 And the knee. Don't forget the knee. 1464 01:24:09,000 --> 01:24:11,600 - The knee? Did I say knee? MARKL: - You did. 1465 01:24:12,000 --> 01:24:15,000 You shouted knee in my face and spat a fleck of saliva. 1466 01:24:15,120 --> 01:24:16,160 Okay. 1467 01:24:17,160 --> 01:24:18,640 - The knee, can I use it? - Okay. 1468 01:24:19,160 --> 01:24:21,200 - The knee isn't even on the orange. MARKL: - No. 1469 01:24:26,200 --> 01:24:27,200 Okay. 1470 01:24:28,200 --> 01:24:29,480 Look at the genius. 1471 01:24:30,000 --> 01:24:31,720 I want to challenge this test. Is it counting already? 1472 01:24:31,840 --> 01:24:35,800 - Yes. - Let's do experiments. 1473 01:24:36,440 --> 01:24:38,520 You're touching the orange with your hand. - So? 1474 01:24:38,640 --> 01:24:40,640 MARKL: You can only touch it with the three objects you chose. 1475 01:24:42,400 --> 01:24:44,600 GILMÁRIO: - What is it? MARKL: - It looks like an open faucet. 1476 01:24:46,080 --> 01:24:47,240 GILMÁRIO: That's how I am, Markl. 1477 01:24:47,640 --> 01:24:51,640 When it comes to producing, it's like an open faucet. 1478 01:24:52,440 --> 01:24:55,440 LAUGHTER 1479 01:24:56,080 --> 01:25:00,600 The more oranges I cut, the more juice I'll have. 1480 01:25:03,680 --> 01:25:07,680 # SOFT INSTRUMENTAL THEME 1481 01:25:08,960 --> 01:25:10,600 Easy, orange. 1482 01:25:12,240 --> 01:25:16,120 This will never happen in my life. 1483 01:25:17,760 --> 01:25:19,960 How am I supposed to squeeze it? 1484 01:25:21,480 --> 01:25:23,440 You have a wheelbarrow and you have your boobs. 1485 01:25:23,880 --> 01:25:25,200 A wheelbarrow can't squeeze things. 1486 01:25:25,640 --> 01:25:26,680 Can I touch the container? 1487 01:25:27,040 --> 01:25:29,760 The orange has to be touched with the objects you chose. 1488 01:25:31,840 --> 01:25:32,840 Right. 1489 01:25:37,600 --> 01:25:39,360 GILMÁRIO: - Calm down. MARKL: - It's slightly scary. 1490 01:25:39,480 --> 01:25:41,680 GILMÁRIO: It is. And dangerous, too. 1491 01:25:42,240 --> 01:25:43,360 MARKL: That's good. 1492 01:25:44,880 --> 01:25:46,080 Good juice! 1493 01:25:46,240 --> 01:25:48,080 MARKL: Three minutes to squeeze the most juice. 1494 01:25:48,440 --> 01:25:51,000 Forget it! Never in my life. 1495 01:25:53,000 --> 01:25:55,960 I'm thinking about how I can use the breasts. 1496 01:25:56,080 --> 01:25:59,760 - But I can't see how. - You have the wheelbarrow. 1497 01:26:00,120 --> 01:26:01,600 The wheelbarrow doesn't fit in here. 1498 01:26:02,000 --> 01:26:03,680 - Too bad. - I was enjoying it so much. 1499 01:26:04,200 --> 01:26:06,120 MARKL: I've seen such strange things happen on this show. 1500 01:26:08,640 --> 01:26:09,640 Incredible. 1501 01:26:11,120 --> 01:26:13,360 It's very strange, Gilmário. 1502 01:26:13,480 --> 01:26:15,640 I look like a lady peeing. - That's right. 1503 01:26:16,400 --> 01:26:18,680 - It's juicy. - It's juicy. 1504 01:26:20,440 --> 01:26:21,680 This image will haunt me. 1505 01:26:23,200 --> 01:26:26,200 # RHYTHMIC INSTRUMENTAL THEME 1506 01:26:26,960 --> 01:26:28,960 MARKL WHISTLES 1507 01:26:30,480 --> 01:26:33,480 # RHYTHMIC INSTRUMENTAL THEME 1508 01:26:34,600 --> 01:26:36,200 It's enough to fill a cup of coffee. 1509 01:26:37,840 --> 01:26:38,840 MARKL WHISTLES 1510 01:26:39,280 --> 01:26:41,960 We've reached the end of the five minutes. - Okay, just take it out. 1511 01:26:42,720 --> 01:26:44,200 I should have shouted 'hands'. 1512 01:26:47,480 --> 01:26:48,880 There's a good sauce here. 1513 01:26:49,000 --> 01:26:52,560 I have a feeling that people will do worse. I'm confident. 1514 01:26:53,200 --> 01:26:54,600 Enjoy your meal. 1515 01:26:56,160 --> 01:26:57,160 Yes, sir. 1516 01:26:57,480 --> 01:27:00,920 I really enjoyed this little bit. Liar. I didn't like it at all. 1517 01:27:02,000 --> 01:27:06,680 I'm going to be lying now... On top of that, I'm going to smell... 1518 01:27:07,200 --> 01:27:09,640 I'm going to smell like a poor people's excursion. 1519 01:27:10,600 --> 01:27:14,600 APPLAUSE 1520 01:27:14,920 --> 01:27:17,000 MARKL: Extraordinary phrases are being said. 1521 01:27:17,120 --> 01:27:18,600 You pushing the wheelbarrow. 1522 01:27:18,720 --> 01:27:21,240 I wanted to witness a combo moms/wheelbarrow. 1523 01:27:22,320 --> 01:27:25,000 - And you tried, but it didn't work. ANA: - I still tried. 1524 01:27:25,400 --> 01:27:27,000 The best of me was useless. 1525 01:27:28,040 --> 01:27:29,920 Gilmário Vemba, it wasn't the first time 1526 01:27:30,040 --> 01:27:32,600 that you made juice this way. - No. These aren't knees. 1527 01:27:32,720 --> 01:27:33,960 VASCO: That requires years of practice. 1528 01:27:34,080 --> 01:27:36,320 These are natural orange juicers. 1529 01:27:38,560 --> 01:27:41,000 - That's how I make juice at home. MARKL: - Incredible. 1530 01:27:42,120 --> 01:27:43,480 VASCO: A lot of juice came out, 1531 01:27:43,600 --> 01:27:46,880 but we'll only do the math after Gabriela is done, 1532 01:27:47,000 --> 01:27:48,000 because I want more. 1533 01:27:48,120 --> 01:27:51,600 Give me more citrus spurts of good embarrassment. 1534 01:27:52,120 --> 01:27:53,160 And here you have them. 1535 01:27:53,280 --> 01:27:55,360 Now, courtesy of Gabriela Barros. 1536 01:27:56,880 --> 01:27:58,960 - Hello, cheers. - I knew it. 1537 01:28:01,320 --> 01:28:02,400 MARKL: Happy? 1538 01:28:03,800 --> 01:28:07,400 "Squeeze as much orange juice as possible into the container." 1539 01:28:07,840 --> 01:28:11,560 "Only the items you chose are allowed to touch the oranges." 1540 01:28:11,680 --> 01:28:13,280 MARKL: Including the shoulder. 1541 01:28:17,040 --> 01:28:19,800 - My shoulder. - You shouted shoulder. 1542 01:28:19,920 --> 01:28:23,480 - Why not yours? - No, a part of your body. 1543 01:28:24,720 --> 01:28:25,720 Shit. 1544 01:28:26,480 --> 01:28:27,600 Shoulder. 1545 01:28:28,480 --> 01:28:29,640 What the hell. 1546 01:28:31,960 --> 01:28:35,040 Wait! I wasn't prepared for so much physical exercise. 1547 01:28:35,680 --> 01:28:39,120 "You have... five minutes." 1548 01:28:39,240 --> 01:28:41,040 - And the thing goes here, right? - Yes. 1549 01:28:41,560 --> 01:28:43,000 "And the time starts now." 1550 01:28:43,520 --> 01:28:45,600 MARKL: You're touching the orange with your hand. You can't. 1551 01:28:46,720 --> 01:28:49,720 Only with utensils and with your shoulder. Shoulder! 1552 01:28:50,240 --> 01:28:54,240 LAUGHTER 1553 01:28:56,600 --> 01:28:57,600 MARKL: Well... 1554 01:28:58,960 --> 01:29:01,680 No, that's your hand. That's your hand. 1555 01:29:02,240 --> 01:29:06,240 LAUGHTER 1556 01:29:06,640 --> 01:29:08,200 MARKL: May God help us. 1557 01:29:10,160 --> 01:29:11,160 Sorry. 1558 01:29:12,560 --> 01:29:13,920 What nonsense. 1559 01:29:14,560 --> 01:29:15,560 Oh, man. 1560 01:29:18,280 --> 01:29:19,280 ORANGE FOAM 1561 01:29:19,760 --> 01:29:21,120 The sound. 1562 01:29:25,400 --> 01:29:26,400 Wait. 1563 01:29:27,000 --> 01:29:31,000 # RHYTHMIC INSTRUMENTAL THEME LAUGHTER 1564 01:29:31,120 --> 01:29:34,120 # (...) 1565 01:29:34,520 --> 01:29:36,120 MARKL: - Not the hand. - Wait. 1566 01:29:38,160 --> 01:29:41,480 MARKL: - Use your shoulder. - Don't annoy me. 1567 01:29:43,320 --> 01:29:46,760 What's the shoulder for? A useless limb. It's good for nothing. 1568 01:29:47,160 --> 01:29:48,640 Only for grabbing bras. 1569 01:29:48,760 --> 01:29:50,600 MARKL: Someone seeing you from this angle would think you're... 1570 01:29:51,800 --> 01:29:53,080 Looks like you're urinating into a container. 1571 01:29:55,880 --> 01:29:59,040 It's one of the strangest images I've ever seen in my entire life. 1572 01:29:59,200 --> 01:30:01,120 I can scrape all this at the end. I'm amazed. 1573 01:30:02,240 --> 01:30:04,280 If this isn't the best kitchen utensil. 1574 01:30:05,160 --> 01:30:07,560 MARKL: Incredible. Here we go. 1575 01:30:10,000 --> 01:30:14,520 This looks like an old technique for a good orange liqueur. 1576 01:30:15,800 --> 01:30:19,040 Weren't there any rakes for my size? 1577 01:30:22,200 --> 01:30:24,440 So much juice. 1578 01:30:27,160 --> 01:30:28,960 MARKL: - Ten seconds. - Look at the orange juice. 1579 01:30:32,880 --> 01:30:35,280 This is useless. MARKL WHISTLES 1580 01:30:39,280 --> 01:30:40,280 Done. 1581 01:30:40,800 --> 01:30:44,480 I thought the utensils would be less useful than they were. 1582 01:30:45,080 --> 01:30:46,440 - Enjoy. - Thank you. 1583 01:30:47,440 --> 01:30:48,720 GABRIELA: Bye. 1584 01:30:49,600 --> 01:30:52,600 APPLAUSE 1585 01:30:53,440 --> 01:30:55,920 Gabriela, you seemed very comfortable, just like Gilmário managed 1586 01:30:56,040 --> 01:30:58,640 to squeeze oranges with his knees. - Clearly, there is... 1587 01:30:59,280 --> 01:31:04,040 We share the same ancestral family practices. 1588 01:31:04,400 --> 01:31:06,760 But this is very much "Taskmaster". You tried your best. 1589 01:31:06,880 --> 01:31:08,920 An applause for Gabriela Barros. 1590 01:31:09,440 --> 01:31:12,440 APPLAUSE 1591 01:31:13,600 --> 01:31:15,720 Markl analyzed not your pee-pee, 1592 01:31:15,960 --> 01:31:17,920 but your juice, the quantities, 1593 01:31:18,200 --> 01:31:22,000 taking into account the restrictions I placed on this test, 1594 01:31:22,480 --> 01:31:24,560 so let's see. - Let's talk about amounts. 1595 01:31:24,920 --> 01:31:27,000 Let's take stock of the quantities. 1596 01:31:27,640 --> 01:31:31,000 Pedro, 60 ml placed in the wrong container, hands... 1597 01:31:32,200 --> 01:31:34,520 Mafalda, we don't measure in millimeters, we measure in grams, 1598 01:31:34,640 --> 01:31:37,160 79 g of orange pulp. 1599 01:31:37,280 --> 01:31:40,600 Ana made 60 ml. There were touches on the orange. 1600 01:31:41,200 --> 01:31:43,560 VASCO: But before, not during the process. 1601 01:31:43,680 --> 01:31:47,400 Gilmário, 200 ml. That's how much he made. 1602 01:31:47,720 --> 01:31:52,440 And Gabriela had 95 ml. She touched the oranges three times. 1603 01:31:52,960 --> 01:31:54,000 Regarding points, 1604 01:31:54,120 --> 01:31:57,400 considering that the juice didn't end up in the right tureen 1605 01:31:58,000 --> 01:31:59,920 and there were many hands in the execution of the juice, 1606 01:32:00,040 --> 01:32:02,040 Pedro will forgive me, but he only gets one point. 1607 01:32:02,200 --> 01:32:07,160 Mafalda didn't make juice, she made pulp. You tried, you made an effort. 1608 01:32:07,280 --> 01:32:08,680 Mafalda gets two points. 1609 01:32:09,200 --> 01:32:12,000 MARKL: Pipoca, three. Gabriela, four. And Gilmário, five. 1610 01:32:12,400 --> 01:32:14,160 VASCO: A round of applause for our magnificent five. 1611 01:32:16,960 --> 01:32:21,040 I'm in this to win. I warned you. It's to take that thing. 1612 01:32:22,400 --> 01:32:25,360 VASCO: Let's send these points to the overall ranking, 1613 01:32:25,480 --> 01:32:27,840 because we only have one more challenge to do here in the studio. 1614 01:32:27,960 --> 01:32:29,920 And before these five come up on stage... 1615 01:32:30,040 --> 01:32:31,760 MARKL: In the lead, Gilmário with 25 points. 1616 01:32:31,880 --> 01:32:35,280 Then Pipoca with 21. Gabriela with 15. 1617 01:32:35,400 --> 01:32:39,120 Pedro with 14 and Mafalda with 13 points. 1618 01:32:39,440 --> 01:32:40,840 VASCO: A round of applause for the five of them. 1619 01:32:42,400 --> 01:32:44,960 At this point, before the last studio task, 1620 01:32:45,080 --> 01:32:47,680 only two people can win today's "Taskmaster", 1621 01:32:47,800 --> 01:32:50,240 Ana Garcia Martins and Gilmário Vemba. 1622 01:32:50,360 --> 01:32:54,520 Of course, we will have Gabriela, Pedro, and Mafalda in this last task. 1623 01:32:54,640 --> 01:32:58,200 If one of you three wins, it's Gilmário... 1624 01:32:58,320 --> 01:33:01,960 Never! I'm not giving points to anyone. 1625 01:33:02,080 --> 01:33:03,880 If it's not me, it'll be Pipoca. 1626 01:33:04,360 --> 01:33:06,480 But if Ana Garcia Martins wins the final task, 1627 01:33:06,600 --> 01:33:09,040 Ana will be the winner of today's "Taskmaster". 1628 01:33:09,160 --> 01:33:10,360 Now, let's move on to the last task. 1629 01:33:10,480 --> 01:33:13,200 Please rise and give these butts the applause they deserve. 1630 01:33:13,320 --> 01:33:15,440 These are our five before the final test. 1631 01:33:15,560 --> 01:33:17,000 To the stage! 1632 01:33:17,600 --> 01:33:21,600 APPLAUSE 1633 01:33:21,720 --> 01:33:25,720 (...) 1634 01:33:26,040 --> 01:33:28,440 It appears there is one last test 1635 01:33:29,200 --> 01:33:31,600 and what you have to do is in this envelope. 1636 01:33:31,720 --> 01:33:35,000 That's it. I will assign it to our guest, Mafalda. 1637 01:33:35,120 --> 01:33:38,200 VASCO: A round of applause for Mafalda Creative, our guest today. 1638 01:33:38,840 --> 01:33:40,840 APPLAUSE 1639 01:33:41,720 --> 01:33:45,120 "Make your gloves and galoshes as heavy as possible, 1640 01:33:45,240 --> 01:33:47,640 "while keeping your gloves and galoshes on. 1641 01:33:48,000 --> 01:33:49,400 "You have 90 seconds. 1642 01:33:49,520 --> 01:33:53,160 "You can only put items in your gloves during the first minute. 1643 01:33:53,280 --> 01:33:56,600 "You can only put items in your galoshes after the second whistle." 1644 01:33:56,920 --> 01:33:58,920 MARKL: - Okay. - While they're here? 1645 01:33:59,040 --> 01:34:01,400 MARKL: They can never take off either their gloves or their galoshes. 1646 01:34:03,200 --> 01:34:05,240 MARKL WHISTLES VASCO: We start with the gloves. 1647 01:34:05,880 --> 01:34:09,880 # RHYTHMIC INSTRUMENTAL THEME 1648 01:34:11,240 --> 01:34:12,600 PEDRO: I want to put the little pee bottles here... 1649 01:34:12,720 --> 01:34:14,080 MAFALDA: I have small hands. 1650 01:34:15,600 --> 01:34:19,200 VASCO: Glove weather is almost over. 1651 01:34:21,200 --> 01:34:22,800 GILMÁRIO: My glove burst. 1652 01:34:24,680 --> 01:34:27,680 MARKL WHISTLES VASCO: Move on to the galoshes. 1653 01:34:28,400 --> 01:34:32,400 # RHYTHMIC INSTRUMENTAL THEME VASCO RI 1654 01:34:32,520 --> 01:34:40,520 # 1655 01:34:40,640 --> 01:34:42,640 # 1656 01:34:43,200 --> 01:34:46,160 MARK: 3, 2, 1... 1657 01:34:46,880 --> 01:34:48,880 MARK BLOWS WHISTLE 1658 01:34:49,000 --> 01:34:50,600 VASCO: It's over! 1659 01:34:52,880 --> 01:34:57,640 Let's proceed with weighing the galoshes and gloves. 1660 01:34:58,000 --> 01:35:01,000 APPLAUSE 1661 01:35:02,040 --> 01:35:05,200 The galoshes and gloves have already been weighed. 1662 01:35:06,000 --> 01:35:09,000 APPLAUSE 1663 01:35:09,760 --> 01:35:13,440 I'm going to concentrate and receive the results telepathically. 1664 01:35:15,040 --> 01:35:20,000 In fifth place in this task, with 514 g accumulated, 1665 01:35:21,000 --> 01:35:24,400 Mafalda Creative. - I put the bucket. 1666 01:35:25,720 --> 01:35:27,640 Mafalda is consistent. 1667 01:35:29,160 --> 01:35:34,280 In fourth place in this task, with 560 g accumulated, 1668 01:35:35,360 --> 01:35:36,880 Pedro Alves. 1669 01:35:38,960 --> 01:35:40,640 PEDRO: It's in order. 1670 01:35:42,480 --> 01:35:48,880 In third place in this task with 809 g, Gabriela Barros. 1671 01:35:49,680 --> 01:35:53,680 APPLAUSE 1672 01:35:54,600 --> 01:35:56,560 It's all down to these two people now. 1673 01:35:56,680 --> 01:36:00,600 Which makes this exciting. Today's winner... 1674 01:36:03,200 --> 01:36:04,200 Take your hand off. 1675 01:36:05,280 --> 01:36:09,680 MARKL: With 1,811 g it's... 1676 01:36:10,800 --> 01:36:12,680 Gilmário Vemba! 1677 01:36:13,080 --> 01:36:17,080 APPLAUSE CHEERS OF JOY 1678 01:36:19,000 --> 01:36:24,240 Gilmário Vemba wins today's show. 1679 01:36:27,160 --> 01:36:32,000 But before we leave it's time to reflect a "conhé". 1680 01:36:32,320 --> 01:36:34,840 What have we learned today on this "Taskmaster"? 1681 01:36:35,600 --> 01:36:38,200 Snap your fingers, time to hear nothing 1682 01:36:38,320 --> 01:36:41,560 except a siren, because your chatterbox didn't shut up. 1683 01:36:41,960 --> 01:36:44,400 There's so much in this life that brings trouble, 1684 01:36:44,520 --> 01:36:47,600 play basketball with a toaster and some slices of Panrico bread. 1685 01:36:48,000 --> 01:36:50,600 If life gives you lemons don't panic, 1686 01:36:50,720 --> 01:36:53,560 put on a pretty face and eat them, peel and all. 1687 01:36:54,000 --> 01:36:56,520 And I hope you find someone who loves you 1688 01:36:56,640 --> 01:36:59,880 and lets you make juice with a lawnmower 1689 01:37:00,000 --> 01:37:01,400 and a fish scaler. 1690 01:37:01,520 --> 01:37:03,960 This is "Taskmaster"! See you next week. 1691 01:37:04,080 --> 01:37:06,600 Gilmário Vemba, go enjoy your prizes. 1692 01:37:09,720 --> 01:37:13,720 Adaptation and Subtitles RTP - Adapted Content