1 00:00:00,920 --> 00:00:02,920 # TASKMASTER THEME 2 00:00:03,440 --> 00:00:05,560 - What are you doing? WOMAN: "- I'm in the bathroom." 3 00:00:05,680 --> 00:00:06,880 My God. 4 00:00:08,240 --> 00:00:09,760 Fish, fish, fish. 5 00:00:10,000 --> 00:00:12,200 - Just one more time. MOM: - You're silly. 6 00:00:14,760 --> 00:00:17,360 - You don't have to think here, Markl. - So sweet. 7 00:00:17,720 --> 00:00:20,720 SCREAMS HUMS 8 00:00:21,640 --> 00:00:22,960 "Welcome to the highland" 9 00:00:23,240 --> 00:00:25,240 I never thought such good television could be made with this. 10 00:00:26,200 --> 00:00:30,200 APPLAUSE 11 00:00:30,320 --> 00:00:32,320 (...) 12 00:00:32,520 --> 00:00:35,840 VASCO: How are you, my dear? 13 00:00:36,040 --> 00:00:39,000 Good evening. The moment of the week has arrived 14 00:00:39,200 --> 00:00:41,280 when everything seems to make sense in the world, 15 00:00:41,400 --> 00:00:44,400 which says a lot about the state of the world. God help me. 16 00:00:44,520 --> 00:00:48,440 Drop everything you're doing, unless you're grabbing from behind 17 00:00:48,720 --> 00:00:50,240 someone who's choking on something 18 00:00:50,360 --> 00:00:52,760 and you're squeezing their rib cage to see if that naughty cashew 19 00:00:52,880 --> 00:00:55,120 shoots out of their throat and that person survives. 20 00:00:55,240 --> 00:00:57,480 We don't want to carry more guilt. What we do here is enough, 21 00:00:57,720 --> 00:01:00,400 every week, to five renowned public figures. 22 00:01:00,640 --> 00:01:03,360 And what the five renowned public figures do to me. 23 00:01:03,720 --> 00:01:06,520 With that, I'm fine. Ladies and gentlemen, 24 00:01:06,880 --> 00:01:09,520 make some noise, because this is "Taskmaster"! 25 00:01:10,000 --> 00:01:14,000 APPLAUSE 26 00:01:14,120 --> 00:01:18,120 (...) 27 00:01:18,840 --> 00:01:21,320 Next to me, a man who recently confided in me 28 00:01:21,520 --> 00:01:26,160 that every year he signs up for numerous salsa championships, 29 00:01:26,400 --> 00:01:28,800 hoping that one of the championships 30 00:01:29,000 --> 00:01:33,160 is about the popular herb and not about Latin dance. 31 00:01:33,280 --> 00:01:34,760 Nuno Markl! 32 00:01:35,080 --> 00:01:36,800 Thank you. APPLAUSE 33 00:01:37,800 --> 00:01:41,080 Just to clarify, I have a vegetable garden in a pot. 34 00:01:41,880 --> 00:01:44,840 And the parsley seems better than the one from the supermarkets. 35 00:01:45,040 --> 00:01:46,960 It's always dance championships, isn't it? 36 00:01:47,080 --> 00:01:51,800 Unfortunately, yes. As if the other salsa wasn't as important. 37 00:01:52,000 --> 00:01:55,280 As if it were possible to garnish and season a 'bacalhau à brás' 38 00:01:55,400 --> 00:01:57,000 with Celia Cruz. 39 00:01:57,440 --> 00:01:59,840 LAUGHTER Jesus... 40 00:02:01,360 --> 00:02:03,600 Moving on, I want you to show your love 41 00:02:04,040 --> 00:02:06,280 for Pipoca Mais Doce, Ana Garcia Martins! 42 00:02:06,600 --> 00:02:08,600 APPLAUSE 43 00:02:09,440 --> 00:02:10,800 Gilmário Vemba! 44 00:02:10,919 --> 00:02:13,920 (...) 45 00:02:15,440 --> 00:02:18,560 Straight out of a Disney movie today, Gabriela Barros! 46 00:02:19,040 --> 00:02:22,040 (...) 47 00:02:22,640 --> 00:02:25,160 That one arm-in-arm for Pedro Alves. 48 00:02:25,600 --> 00:02:28,320 (...) 49 00:02:30,720 --> 00:02:36,160 And our guest today Hugo Van Der Ding! 50 00:02:36,720 --> 00:02:40,720 (...) 51 00:02:40,920 --> 00:02:43,720 Good evening everyone. Good evening, Hugo Van Der Ding. 52 00:02:43,840 --> 00:02:45,960 - How are you? - I'm great. 53 00:02:46,080 --> 00:02:47,680 I haven't seen you in ages. How's your life? 54 00:02:47,880 --> 00:02:50,880 It's great. I'm still on the radio, on Antena 3, every morning. 55 00:02:51,360 --> 00:02:54,560 And now I premiered a program on RTP 3 with Martim Sousa Tavares 56 00:02:54,680 --> 00:02:56,840 called "Two People Making Television". 57 00:02:57,720 --> 00:03:04,040 We are two people making television. The title and the synopsis are in one. 58 00:03:04,240 --> 00:03:06,920 A round of applause for Hugo who is our guest today! 59 00:03:07,120 --> 00:03:09,120 APPLAUSE 60 00:03:09,520 --> 00:03:14,120 As is tradition, "Taskmaster" starts with Palmeirim awarding points 61 00:03:14,320 --> 00:03:16,640 to objects that these five bring from home 62 00:03:16,840 --> 00:03:19,640 and that obey a criterion. What did I ask for today? 63 00:03:19,880 --> 00:03:23,920 Today we asked you to bring the best thing for the 5 senses. 64 00:03:25,280 --> 00:03:26,760 VASCO: For all five. 65 00:03:26,960 --> 00:03:30,840 Ana, what did you bring that obeys this criterion? 66 00:03:30,960 --> 00:03:34,360 I'm going to ask you to show the image so I can explain. 67 00:03:34,600 --> 00:03:36,040 VASCO: Let it appear in the air. 68 00:03:36,280 --> 00:03:41,720 It's a trolley full of yellow ducks that is the symbol of this program. 69 00:03:41,840 --> 00:03:43,960 Why? For now, vision. 70 00:03:44,080 --> 00:03:48,440 It's a delight to see a trolley with originality. 71 00:03:48,800 --> 00:03:53,920 Then, for hearing, I imagine the noise of the trolley on the sidewalk 72 00:03:54,440 --> 00:03:58,520 and the little ducks inside, quack-quack, as they jump around. 73 00:03:59,520 --> 00:04:02,720 More... Smell. You can't smell it from here, 74 00:04:02,920 --> 00:04:06,280 but these little ducks have been perfumed. 75 00:04:06,720 --> 00:04:09,400 If you open the suitcase, the little ducks smell very good. 76 00:04:09,600 --> 00:04:13,280 - I'm looking forward to knowing about taste. - Wait, one is missing. 77 00:04:13,520 --> 00:04:17,320 MARKL, VASCO: - Touch. - Petting baby ducks... 78 00:04:17,800 --> 00:04:19,680 - Is there anything more lovely? MARKL: - Sounds sinister. 79 00:04:19,800 --> 00:04:22,200 - Super sinister. - Finally... 80 00:04:22,440 --> 00:04:25,480 - Comes the taste. ANA: - Exactly. 81 00:04:25,800 --> 00:04:28,320 Because the ducks are edible. 82 00:04:28,960 --> 00:04:32,160 "But they are made of plastic." And the shit they eat every day? 83 00:04:32,520 --> 00:04:36,320 - Isn't it too? VASCO: - Thank you for the trolley. Ana. 84 00:04:38,720 --> 00:04:41,960 - Gilmário... - I went for the obvious. No beating around the bush. 85 00:04:42,080 --> 00:04:45,120 I believe the audience will agree with me. 86 00:04:45,320 --> 00:04:48,120 What I brought is good in every way. Please. 87 00:04:48,480 --> 00:04:51,240 - I brought a bread basket. - I really like bread. 88 00:04:52,760 --> 00:04:55,040 GILMÁRIO: When you hear bread... 89 00:04:55,440 --> 00:04:59,800 Bread... When you hear there's bread, we've already won. 90 00:05:00,080 --> 00:05:02,920 The smell of bread. Who has never passed a bakery and thought: 91 00:05:03,280 --> 00:05:06,040 "I didn't even want bread, but I'm going to park now." 92 00:05:06,160 --> 00:05:10,520 - If it were me, I'd give it a five. - Smells good, tastes good. 93 00:05:11,560 --> 00:05:15,680 Warm in your hand... Who has ever gone to buy warm bread, 94 00:05:16,200 --> 00:05:18,400 bought a bag of ten and arrived home with two? 95 00:05:18,720 --> 00:05:20,320 - I'm one of those guys. MARKL: - Me too. 96 00:05:20,440 --> 00:05:24,280 - For me... - You don't even need anything inside. 97 00:05:26,080 --> 00:05:29,000 - It's great. - Applause for the papo-seco. Thank you. 98 00:05:29,240 --> 00:05:31,240 APPLAUSE 99 00:05:31,800 --> 00:05:35,240 VASCO: - Gabriela, what did you bring? - I brought an object that... 100 00:05:35,800 --> 00:05:41,080 Just talking about it makes me emotional. I don't know if I told you. 101 00:05:41,200 --> 00:05:42,920 I recently became a mother. 102 00:05:44,440 --> 00:05:47,720 We've been here for so many hours. And I miss my daughter. 103 00:05:48,000 --> 00:05:52,000 This is an object that reminds me a lot of home. 104 00:05:54,800 --> 00:06:00,360 And that stirs my five senses just by looking at it, and hers too. 105 00:06:00,480 --> 00:06:04,400 She goes crazy. This is good not only for them, 106 00:06:04,520 --> 00:06:10,120 because it stimulates the inner child that we have inside us. 107 00:06:10,440 --> 00:06:13,360 My little pea, my little bubble inside, 108 00:06:13,480 --> 00:06:16,680 just by seeing it there. - Very strange. 109 00:06:17,040 --> 00:06:21,480 And it goes click-clack and visually it's an explosion of intensity 110 00:06:21,600 --> 00:06:25,320 and of feelings and of things. And the sound... It has the rasp-rasp-rasp... 111 00:06:25,520 --> 00:06:28,440 But I brought it here live and in color and in 3D 112 00:06:28,800 --> 00:06:31,440 so you can have the same emotions that I have. 113 00:06:31,720 --> 00:06:35,880 I rejoice! When I watch her play with this. 114 00:06:36,840 --> 00:06:39,480 It's off. Wait. LAUGHTER 115 00:06:39,680 --> 00:06:41,680 APPLAUSE 116 00:06:41,920 --> 00:06:47,120 - Production... Wait a minute. I'll put it on. - Fiasco. 117 00:06:47,840 --> 00:06:51,560 GROANS ANA: Cool. 118 00:06:51,680 --> 00:06:54,040 GILMÁRIO: It looks like a cat in trouble. 119 00:06:54,680 --> 00:06:57,880 - And you ask... "And the smell?" VASCO: - And the smell? 120 00:06:58,000 --> 00:07:00,000 It smells like her drool. 121 00:07:01,280 --> 00:07:03,040 Is there a name for this object at home? 122 00:07:04,040 --> 00:07:08,920 It's the square of the five senses. Now it stopped. 123 00:07:09,120 --> 00:07:11,680 - It's a cube. - That's it. 124 00:07:12,760 --> 00:07:17,440 My colleague helping me. It's the cube. 125 00:07:17,840 --> 00:07:21,960 - It's the cube of a thousand emotions. - Applause for the cube of a thousand emotions. 126 00:07:23,960 --> 00:07:27,280 Pedro, are you going to cry too? LAUGHTER 127 00:07:28,600 --> 00:07:33,800 I find it amazing that someone does this because they know I can't be a mother. 128 00:07:34,040 --> 00:07:36,040 LAUGHTER 129 00:07:37,080 --> 00:07:40,960 The object is going to appear. It's something I like to look at. 130 00:07:41,080 --> 00:07:47,520 I'm dazzled. The sound is magnificent. 131 00:07:47,720 --> 00:07:50,840 - You're going to cry too. - The smell is unmistakable. 132 00:07:51,080 --> 00:07:55,120 In the midst of 300 million smells, I could pick out the smell. 133 00:07:55,840 --> 00:07:58,480 I could feel the touch of the skin. 134 00:07:59,360 --> 00:08:02,240 I could feel the taste with a lick. 135 00:08:02,520 --> 00:08:05,480 GABRIELA RESONATES I'm talking about my wife. 136 00:08:07,640 --> 00:08:12,040 - Unexpected. - I'm not going to bring her as a prize. 137 00:08:12,320 --> 00:08:15,240 With the probability I have of never winning anything, 138 00:08:15,440 --> 00:08:18,200 Gilmário would still take her and keep my most precious possession. 139 00:08:19,680 --> 00:08:22,920 I brought something that has a palate a little different, but it's cool. 140 00:08:23,280 --> 00:08:27,400 You can show it. I went to buy it this morning at that cow store. 141 00:08:28,920 --> 00:08:30,920 - It's a representation of your wife. PEDRO: - Yes. 142 00:08:31,960 --> 00:08:33,799 VASCO: Thank you, Pedro. 143 00:08:34,159 --> 00:08:38,159 APPLAUSE 144 00:08:39,200 --> 00:08:40,960 - Hugo, what brought you here? HUGO: - I also remembered... 145 00:08:41,360 --> 00:08:43,280 Not to bring your wife, but to bring my grandmother. 146 00:08:43,880 --> 00:08:47,480 GILMÁRIO: - To eat? - Let him finish the sentence. 147 00:08:48,040 --> 00:08:50,320 - Otherwise, he wouldn't be here. ANA: - But is she alive? 148 00:08:50,520 --> 00:08:53,400 My grandmother is already dead. I couldn't bring my grandmother. 149 00:08:54,040 --> 00:08:56,840 I brought my dead grandmother. No. 150 00:08:58,280 --> 00:09:01,800 I remembered to make the second best thing to eat besides grandma. 151 00:09:02,040 --> 00:09:05,520 You can see it in the image. It's an incredible cake. 152 00:09:07,120 --> 00:09:09,560 It was made at home. Not by me, but it was made at home. 153 00:09:09,840 --> 00:09:14,480 - You can see it. In fact, you're already seeing it. ANA: - We are seeing it. 154 00:09:14,680 --> 00:09:18,760 You can eat it and it's really incredible. You can feel, you can smell. 155 00:09:19,200 --> 00:09:22,960 And you can hear. The cake is like the drawing I made. 156 00:09:23,080 --> 00:09:25,520 That lady is screaming "eat me". 157 00:09:25,640 --> 00:09:28,960 - By the way, it's my grandmother. - She has a mark like mine. 158 00:09:31,280 --> 00:09:33,440 - Cousin! PEDRO: - Cousin! 159 00:09:34,400 --> 00:09:36,600 I think it fulfills the requirements, the five senses. 160 00:09:36,960 --> 00:09:38,480 MARKL: - It's beautiful. VASCO: - Very good. Thank you. 161 00:09:38,800 --> 00:09:40,280 Hugo and his cake. 162 00:09:40,480 --> 00:09:43,480 APPLAUSE 163 00:09:44,600 --> 00:09:45,680 My God. 164 00:09:46,040 --> 00:09:48,040 Considering the five senses, 165 00:09:48,360 --> 00:09:53,640 I'll give 5 points to Hugo's grandma's cake. 166 00:09:54,160 --> 00:09:58,560 - Five points for the cake. PEDRO: - A beautiful tribute. 167 00:09:58,920 --> 00:10:00,600 That's fair. 168 00:10:01,080 --> 00:10:03,920 Four points for Gabriela and her cube. 169 00:10:05,160 --> 00:10:09,800 I knew it. It was worth the drama. 170 00:10:10,200 --> 00:10:13,760 I'll give three points to Gilmário Vemba. 171 00:10:14,320 --> 00:10:18,200 - Thank you. - Bread? 172 00:10:18,320 --> 00:10:19,960 MARKL: Bread is life. 173 00:10:21,000 --> 00:10:24,600 Ana, just because you put on perfume, you get two points. 174 00:10:24,720 --> 00:10:28,880 - And one point for Pedro Alves. - For my wife? 175 00:10:29,360 --> 00:10:31,960 - One point for my wife? VASCO: - Bring your wife. 176 00:10:32,280 --> 00:10:35,640 - I will bring her. VASCO: - We'll start like this. 177 00:10:35,960 --> 00:10:38,720 Let's go to the first task done in my house. Tell me everything. 178 00:10:39,040 --> 00:10:41,400 Let's do it. It's an epic. 179 00:10:41,960 --> 00:10:44,080 Speaking of epic reminds me of The Lusiads. 180 00:10:44,320 --> 00:10:46,280 Talking about The Lusiads reminds me of Camões. 181 00:10:46,400 --> 00:10:50,680 Talking about Camões reminds me that love is a fire that burns unseen. 182 00:10:50,880 --> 00:10:55,120 - Are we going to have love in this program? - No. We're going to have a fire that burns. 183 00:10:55,480 --> 00:10:58,000 - A fire that burns unseen? - There's something that's barely seen. 184 00:10:58,120 --> 00:10:59,520 But it's not the fire. 185 00:10:59,840 --> 00:11:03,840 # SOFT INSTRUMENTAL THEME 186 00:11:03,960 --> 00:11:10,960 # 187 00:11:11,520 --> 00:11:12,920 What do we have for now? 188 00:11:13,280 --> 00:11:15,760 MARKL: We set up a very beautiful pub. 189 00:11:17,120 --> 00:11:21,080 - Behind the bay. Right. - Behind the bay, there. 190 00:11:21,600 --> 00:11:23,160 My God. 191 00:11:25,560 --> 00:11:31,000 GABRIELA: - I don't see anything. - When do you start seeing? 192 00:11:31,360 --> 00:11:34,040 - Here. I don't need glasses. MARKL: - Okay. 193 00:11:37,480 --> 00:11:40,080 - "Complete the tasks." - Point. 194 00:11:40,800 --> 00:11:43,840 "The winner is the one who completes the most tasks." 195 00:11:44,520 --> 00:11:46,440 "You can't cross the bay. 196 00:11:46,680 --> 00:11:49,560 You have ten minutes from the moment it starts burning." 197 00:11:50,040 --> 00:11:54,600 Wait! I didn't read it! "Throw the baby. Kick the dictionary." 198 00:11:55,080 --> 00:11:57,800 Throw the baby! No! 199 00:11:58,840 --> 00:12:03,360 PEDRO: Throw the baby? Where's the baby? 200 00:12:05,800 --> 00:12:07,800 Throw the baby? Is this the baby? 201 00:12:08,120 --> 00:12:12,480 GABRIELA SCREAMS No! 202 00:12:12,760 --> 00:12:17,120 What? I can't see anything anymore. "Throw the baby." Throw what? 203 00:12:19,320 --> 00:12:20,840 I didn't read anything! 204 00:12:23,520 --> 00:12:25,240 No! 205 00:12:26,680 --> 00:12:28,840 Now you have a lot of things to keep you entertained here. 206 00:12:29,360 --> 00:12:31,000 I didn't read anything. 207 00:12:31,280 --> 00:12:33,280 APPLAUSE 208 00:12:33,560 --> 00:12:35,800 VASCO: - I didn't read anything! PEDRO: - It's terrible. 209 00:12:36,760 --> 00:12:41,240 MARKL: Vasco, don't you have that pleasant feeling 210 00:12:41,440 --> 00:12:44,000 of having just completed a sticker collection? 211 00:12:44,200 --> 00:12:49,360 That's right. There have been tasks, involving air inside balloons. 212 00:12:49,720 --> 00:12:51,160 We had tests with water, 213 00:12:51,600 --> 00:12:54,400 tests that involved dirt on the contestants' clothes. 214 00:12:54,880 --> 00:12:56,720 And now finally we have a task with fire. 215 00:12:56,840 --> 00:12:59,040 We have the four elements. We finished our collection. 216 00:12:59,160 --> 00:13:04,160 Guys, party! MARKL BLOWS A PARTY BLOWER 217 00:13:04,480 --> 00:13:07,480 APPLAUSE 218 00:13:10,480 --> 00:13:12,280 MARKL: - It's not a big deal. - It's not that spectacular. 219 00:13:14,120 --> 00:13:17,240 What they had to do was on a sheet, as you saw. 220 00:13:17,360 --> 00:13:21,000 It was in front of them. And you burned with a perverse pleasure. 221 00:13:21,440 --> 00:13:24,240 Not me. My heart was bleeding. 222 00:13:25,080 --> 00:13:28,760 But the task was burning and they had to remember what to do. 223 00:13:29,240 --> 00:13:31,320 The truth is that everything was in alphabetical order. 224 00:13:31,520 --> 00:13:35,200 Namely, throw the baby, AB, kick the dictionary, CD, 225 00:13:35,440 --> 00:13:41,080 hide the slingshot, EF. VASCO: - The slingshot. 226 00:13:41,200 --> 00:13:44,240 - It's from your time, grandpa. The slingshot. - Spin the propeller, GH. 227 00:13:44,600 --> 00:13:48,520 Ignore the alligator, IJ, throw the marker, LM. 228 00:13:48,720 --> 00:13:53,400 Pick the orangutan's nose, NO, kick the cheese, PQ. 229 00:13:54,000 --> 00:13:57,600 Spin the skirt, RS, maim the bear, TU. 230 00:13:58,040 --> 00:14:03,080 Vandalize the xylophone, VX and zebra the zebra, Z. 231 00:14:03,560 --> 00:14:06,120 I think there's little zebra-ing on television, don't you think? 232 00:14:06,360 --> 00:14:08,560 Very little zebra-ing. One hundred percent agree. 233 00:14:08,760 --> 00:14:11,080 But that's also what this program is for. 234 00:14:11,360 --> 00:14:14,680 Who are the first in this predictable parade of misery? 235 00:14:15,520 --> 00:14:17,680 Gilmário Vemba and Hugo Van Der Ding, 236 00:14:18,080 --> 00:14:23,120 a collective I like to call Hugário Van Der Demba. 237 00:14:23,520 --> 00:14:25,520 LAUGHTER 238 00:14:25,640 --> 00:14:28,640 Do I throw the baby? Your baby. 239 00:14:30,800 --> 00:14:32,800 MARKL: - Is this a baby? GILMÁRIO: - That's a baby. 240 00:14:33,160 --> 00:14:34,760 The baby! It's wearing diapers! 241 00:14:37,560 --> 00:14:40,800 Here is the letter A. Could there be a certain order here? 242 00:14:41,240 --> 00:14:45,080 One I remember... Vandalize the xylophone. 243 00:14:48,920 --> 00:14:50,080 Eat the cheese. 244 00:14:53,280 --> 00:14:54,840 Right. 245 00:14:56,360 --> 00:14:58,000 Read the dictionary. 246 00:14:59,120 --> 00:15:01,240 Things started with the same letters. 247 00:15:01,480 --> 00:15:05,520 Decorate the dictionary. I'll start. Okay, A... 248 00:15:05,960 --> 00:15:09,800 Zebra the zebra. I remember that. Zebraing the zebra must be doing this. 249 00:15:11,440 --> 00:15:13,120 - Good! - Zebra the zebra. 250 00:15:13,600 --> 00:15:15,520 MARKL: - It's a good verb, isn't it? HUGO: - Zebra and zebra. 251 00:15:15,880 --> 00:15:21,440 This is very strange. Spin the propeller. 252 00:15:22,080 --> 00:15:25,360 Kick the cheese. I'm almost certain it was kick the cheese. 253 00:15:25,920 --> 00:15:27,920 HUGO MOANS 254 00:15:28,960 --> 00:15:31,120 I broke my foot. LAUGHTER 255 00:15:32,440 --> 00:15:35,440 Now the Alligator with the letter I. Infla... 256 00:15:37,480 --> 00:15:42,240 What can you inflate? I don't know, spin the skirt. Lightning! 257 00:15:45,880 --> 00:15:47,040 GABRIELA: - Look! - Look! 258 00:15:47,240 --> 00:15:49,440 I'm doing random things. I can't throw this into the pool. 259 00:15:49,960 --> 00:15:52,000 - T... - What could it be? 260 00:15:52,120 --> 00:15:54,960 It could be take the bear out. I took it out. 261 00:15:55,640 --> 00:16:00,160 MARKL: This image is perfect. You have a bear, a skirt. Incredible. 262 00:16:00,600 --> 00:16:03,960 I'm going to throw it into the pool anyway. It won't hurt. 263 00:16:06,640 --> 00:16:07,800 - It won't hurt. MARKL: - Very good. 264 00:16:10,960 --> 00:16:12,600 HUGO: Was it to crush the bear, wasn't it? 265 00:16:16,840 --> 00:16:18,640 - Is it crushed? MARKL: - It's pretty crushed. 266 00:16:19,440 --> 00:16:21,560 MARKL WHISTLES MARKL: Time's up. 267 00:16:22,200 --> 00:16:26,760 - You look disheartened. - I am. I'm super sad. 268 00:16:27,800 --> 00:16:29,600 Without knowing what was written there. 269 00:16:30,080 --> 00:16:33,080 MARKL WHISTLES WEAKLY 270 00:16:33,200 --> 00:16:34,760 Even the whistle is sad. 271 00:16:34,960 --> 00:16:36,960 APPLAUSE 272 00:16:37,360 --> 00:16:40,320 It was funny and, at the same time, disturbing 273 00:16:40,440 --> 00:16:46,360 to see this man's happiness stabbing a bear with an alligator, 274 00:16:46,800 --> 00:16:49,000 in front of a front row full of children 275 00:16:49,400 --> 00:16:52,320 who, looking at the children, expecting sad reactions, 276 00:16:52,520 --> 00:16:54,320 it was all... SCREAMS OF JOY 277 00:16:54,880 --> 00:16:57,520 - What's wrong with you? - Children have changed a lot. 278 00:16:57,720 --> 00:17:01,600 It was horrible. The only thing I remembered was slaughtering the bear. 279 00:17:01,920 --> 00:17:05,560 I remember your guilt. You weren't comfortable. 280 00:17:06,160 --> 00:17:10,560 But when you did, I saw a certain disillusionment in your eyes. 281 00:17:11,400 --> 00:17:13,440 - I saw a certain fear. VASCO: - It wasn't just slaughtering. 282 00:17:13,640 --> 00:17:16,280 He opened the bear in half and removed the intestines. 283 00:17:16,480 --> 00:17:18,480 MARKL: Yes, he did, but always with that adorable look he has. 284 00:17:19,040 --> 00:17:21,079 HUGO: But it was horrible. 285 00:17:21,280 --> 00:17:25,520 Gilmário, it's not normal to see you sad in a test and you ended up desolate. 286 00:17:25,800 --> 00:17:29,000 As soon as they said "set it on fire", it really caught fire. 287 00:17:29,520 --> 00:17:32,640 Everything caught fire. I was trying to guess. 288 00:17:33,240 --> 00:17:36,400 I left sad in the certainty that I hadn't guessed anything. 289 00:17:36,760 --> 00:17:38,000 Results now or does it stay for the end? 290 00:17:38,120 --> 00:17:39,800 - We can say it now. VASCO: - So, tell us. 291 00:17:40,240 --> 00:17:43,520 Gilmário got four correct actions. 292 00:17:43,800 --> 00:17:48,280 Throw the baby, spin the propeller, rotate the skirt and zebra the zebra. 293 00:17:48,560 --> 00:17:51,480 And Hugo got five correct actions. 294 00:17:51,800 --> 00:17:56,160 All of them super violent. Throw the baby, kick the cheese, 295 00:17:56,280 --> 00:17:59,280 vandalize the xylophone, murder the bear and zebra the zebra. 296 00:17:59,960 --> 00:18:02,120 Zebra-ing the zebra was the calmest. 297 00:18:03,320 --> 00:18:04,880 VASCO: Who are the next ones? 298 00:18:05,000 --> 00:18:07,200 Let's see how Pedro and Gabriela fared, 299 00:18:07,560 --> 00:18:12,440 seeing the task list burning and, with it, their sanity. 300 00:18:14,960 --> 00:18:17,480 - I didn't read anything. MARKL: - Right. 301 00:18:18,080 --> 00:18:20,080 GABRIELA SHOUTS 302 00:18:21,720 --> 00:18:23,480 I don't know. You never know. 303 00:18:24,480 --> 00:18:25,800 VASCO: - Was it an accident? - It was. 304 00:18:26,040 --> 00:18:27,480 - Over there? MARKL: - Wherever you want. 305 00:18:27,680 --> 00:18:30,040 Shoot, baby. Launch a bear. 306 00:18:31,800 --> 00:18:33,920 Where's the dictionary? 307 00:18:36,280 --> 00:18:38,200 I don't remember anything else. 308 00:18:39,040 --> 00:18:44,240 Swallow the slingshot. Bend the slingshot. Fool the slingshot. 309 00:18:45,560 --> 00:18:50,680 Is it with an E? Shoot the baby. Kick the dictionary. E... Slingshot. 310 00:18:51,200 --> 00:18:56,360 Can I try to hit a "camera". No? 311 00:18:57,320 --> 00:18:59,160 They'll take me to court. A slingshot won't. 312 00:19:00,440 --> 00:19:02,040 VASCO: Great luck! 313 00:19:02,440 --> 00:19:07,000 - What's it called? Turbine... - Is that a turbine? 314 00:19:08,120 --> 00:19:09,320 - Propeller! MARKL: - Right. 315 00:19:09,640 --> 00:19:13,560 A propeller can cut hair. It can cut grass. 316 00:19:13,760 --> 00:19:16,080 Does the propeller spin? I wonder? 317 00:19:18,240 --> 00:19:21,840 I... What is this? A pen? A crocodile? 318 00:19:22,840 --> 00:19:24,200 - Xylophone... - What can you do with the xylophone? 319 00:19:24,440 --> 00:19:29,360 Markl is handsome 320 00:19:29,560 --> 00:19:31,320 - I don't know what this is for. - Time is passing. 321 00:19:31,520 --> 00:19:33,400 Can we burn the paper again? 322 00:19:34,520 --> 00:19:36,400 What could be done with a dictionary? 323 00:19:36,640 --> 00:19:39,640 - In this case, it was to read the dictionary. - Was it? 324 00:19:42,520 --> 00:19:44,520 Nothing with the orangutan. 325 00:19:45,040 --> 00:19:47,040 GABRIELA GEME 326 00:19:47,600 --> 00:19:49,360 PEDRO: Cracks the cheese. 327 00:19:52,000 --> 00:19:54,680 - Spin. Spin with the skirt. MARKL: - Beautiful. 328 00:19:55,200 --> 00:19:56,560 Cheese. 329 00:19:59,280 --> 00:20:05,640 I can play the bride. I can play the Waikiki dancer. 330 00:20:08,120 --> 00:20:11,640 "Welcome to the highland Because you are so beautiful tonight" 331 00:20:11,920 --> 00:20:16,160 - Let's go to the next one. - S, sells. Want to buy? 332 00:20:16,520 --> 00:20:20,240 Vandalize. Look how good. 333 00:20:20,480 --> 00:20:22,280 Flying monkey to the water! 334 00:20:22,520 --> 00:20:25,920 T, take a bear. 335 00:20:26,360 --> 00:20:30,000 Lock the bear. Locked. 336 00:20:30,560 --> 00:20:32,720 - Naming the horse, right? - Was that it? 337 00:20:32,920 --> 00:20:34,880 It was. Pony. 338 00:20:37,320 --> 00:20:39,360 - "Zumbeia"... MARKL: - "Zumbeia"? 339 00:20:39,840 --> 00:20:44,560 Get angry! No! 340 00:20:45,480 --> 00:20:48,400 MARKL WHISTLES MARKL: Thank you and see you soon. 341 00:20:48,640 --> 00:20:52,560 - What were the thingies? - You'll see later. 342 00:20:53,280 --> 00:20:56,840 If I hit one, I'll be happy. I don't know how my colleagues are doing. 343 00:20:57,120 --> 00:20:58,880 - Thank you, Mr. Markl. - Thank you. 344 00:20:59,080 --> 00:21:02,080 MARKL: - "Zumbeia" (Zooms). VASCO: - I'll start with that. 345 00:21:02,200 --> 00:21:04,440 Gabriela, how do you "zumbeia" a zebra? 346 00:21:04,640 --> 00:21:06,280 That's the question the whole of Portugal is asking right now. 347 00:21:06,400 --> 00:21:09,960 It's the question that begs to be answered. I don't know. 348 00:21:10,080 --> 00:21:12,200 There were many you got by chance, weren't there? 349 00:21:12,520 --> 00:21:17,120 - Weren't there? I'm extraordinary. - Tell me about results. 350 00:21:17,480 --> 00:21:21,880 Pedro managed three correct actions, one unintentionally. 351 00:21:22,080 --> 00:21:24,080 - He hid the slingshot in his pocket. VASCO: - He did. 352 00:21:24,800 --> 00:21:27,320 Besides that, he threw the baby and spun the propeller. 353 00:21:27,600 --> 00:21:30,840 As for Gabriela, she got six correct. 354 00:21:31,040 --> 00:21:34,040 She threw the baby, kicked the dictionary, kicked the cheese, spun the skirt, 355 00:21:34,240 --> 00:21:36,600 vandalized xylophone and threw the marker. 356 00:21:36,880 --> 00:21:42,800 - It was kind of by chance. It's legal. VASCO: - But it still counts. 357 00:21:44,240 --> 00:21:47,080 Only the little girl with the trolley of ducklings is missing. 358 00:21:47,200 --> 00:21:48,240 ANA: - It's not worth it. - It's not worth it? 359 00:21:48,360 --> 00:21:51,000 - Let's go to the next one right away. - Let's see. 360 00:21:52,480 --> 00:21:54,360 Throw the baby. 361 00:21:55,640 --> 00:21:57,240 Throw the baby. 362 00:21:59,920 --> 00:22:01,800 Kick the dictionary. 363 00:22:03,600 --> 00:22:06,560 I don't know if it's good to send things away. 364 00:22:08,280 --> 00:22:10,560 Okay. And that was it. Thank you. I really enjoyed this little bit. 365 00:22:10,760 --> 00:22:13,040 See you next time. MARKL RI 366 00:22:13,960 --> 00:22:16,520 - What are the ten minutes for? MARKL: - To do things. 367 00:22:18,440 --> 00:22:20,440 LAUGHTER 368 00:22:23,040 --> 00:22:30,040 (...) 369 00:22:30,160 --> 00:22:34,160 (...) 370 00:22:35,440 --> 00:22:37,440 APPLAUSE 371 00:22:37,640 --> 00:22:38,960 I didn't understand anything. 372 00:22:41,720 --> 00:22:46,160 I was very tired. I had a baby six years ago. 373 00:22:48,240 --> 00:22:51,160 I didn't understand anything. I read the first two. I did those. 374 00:22:51,400 --> 00:22:55,400 When I turned around, it had disappeared. I thought it was over. 375 00:22:55,600 --> 00:22:58,280 GABRIELA: - You didn't want to play. - I didn't know. 376 00:22:58,400 --> 00:23:00,440 I didn't know it was for playing more. 377 00:23:00,640 --> 00:23:05,480 - Give me five penalty points. MARKL: - There's something that needs to be said. 378 00:23:06,360 --> 00:23:10,680 Ana got two correct in 32 seconds. 379 00:23:10,920 --> 00:23:12,680 She has the best average of all. 380 00:23:15,120 --> 00:23:18,520 - The best average of all. VASCO: - The best average. 381 00:23:19,480 --> 00:23:22,040 Considering she has the best average, how many points does she get? 382 00:23:22,160 --> 00:23:23,360 - One. - Thank you. 383 00:23:24,840 --> 00:23:27,640 MARKL: Pedro gets two, Gilmário, three points, 384 00:23:27,920 --> 00:23:30,280 Hugo, four points and Gabriela, five points. 385 00:23:30,400 --> 00:23:35,520 VASCO: Very good. Input the scores for this task. 386 00:23:35,720 --> 00:23:37,840 to our leaderboard. 387 00:23:39,880 --> 00:23:42,280 MARKL: Tied with nine, Gabriela and Hugo. 388 00:23:42,480 --> 00:23:43,800 Then, Gilmário with six 389 00:23:44,000 --> 00:23:46,880 and tied with three, Ana and Pedro. 390 00:23:47,280 --> 00:23:49,080 VASCO: A round of applause for our five. 391 00:23:49,320 --> 00:23:51,200 PEDRO: There are two ties there. 392 00:23:51,760 --> 00:23:57,120 Next, we have one of the most minimalist proposals we've ever made. 393 00:23:57,520 --> 00:24:02,560 Yes, we were asking for something so simple. 394 00:24:02,760 --> 00:24:06,760 # SOFT INSTRUMENTAL THEME 395 00:24:09,640 --> 00:24:11,400 MARKL: - Whoa! - Uhu! 396 00:24:11,760 --> 00:24:12,920 Hello, hi. 397 00:24:14,520 --> 00:24:18,440 - I'm nervous. Can I step on this? - When it's just one line... 398 00:24:18,720 --> 00:24:21,960 An old-fashioned eraser and chalk. I like it. 399 00:24:22,160 --> 00:24:25,200 - "Write a word..." - "...that you like on the board." 400 00:24:31,240 --> 00:24:35,200 - No mystery, right? - A word you like. 401 00:24:35,600 --> 00:24:39,120 I'm tempted to write "nothing." That way, I don't have to do anything. 402 00:24:40,240 --> 00:24:41,960 - What do you like? - Eating. 403 00:24:43,680 --> 00:24:46,040 MARKL: - Cookie. GABRIELA: - I hate this word. 404 00:24:46,360 --> 00:24:49,000 - You hate it? Find one you like. - I hate it so much, I like it. 405 00:24:49,120 --> 00:24:50,640 It's one of those things that goes around. 406 00:24:51,120 --> 00:24:53,240 - Basin. - Do you like it? 407 00:24:53,360 --> 00:24:55,000 I love it. It has a beautiful sound. 408 00:24:55,320 --> 00:24:57,000 GILMÁRIO: - "Pamodi". MARKL: - What is that? 409 00:24:58,240 --> 00:25:02,800 It's "why" in Creole and I love this word. 410 00:25:02,920 --> 00:25:04,600 Let's go with saudade. Ready. 411 00:25:04,920 --> 00:25:07,720 - Cookie. Doesn't it satisfy you? MARKL: - Okay. 412 00:25:11,840 --> 00:25:13,800 We have more fun. 413 00:25:13,920 --> 00:25:17,680 - Opa... - There was still this part. Sorry. 414 00:25:18,120 --> 00:25:20,680 There's always a trick up your sleeve. That is, in the card. 415 00:25:21,880 --> 00:25:25,600 - It seemed too easy. - Did I do well in choosing alguidar? 416 00:25:25,840 --> 00:25:28,320 "Connect to a person of your choice." 417 00:25:28,680 --> 00:25:31,200 "Make the person say the word you chose." 418 00:25:31,960 --> 00:25:34,000 - It's easy, by chance. - Will it be? 419 00:25:34,280 --> 00:25:36,600 "Make the person say the word you chose 420 00:25:36,720 --> 00:25:40,160 the most times possible during a 5-minute call." 421 00:25:40,560 --> 00:25:41,720 Wow, five minutes. 422 00:25:41,920 --> 00:25:43,960 "You can't say the word you chose 423 00:25:44,200 --> 00:25:47,000 or pass the idea that it's a task." 424 00:25:47,200 --> 00:25:51,160 Sure. "Mom, I'm here on a program that has tasks." 425 00:25:51,280 --> 00:25:54,160 - "Which one?" - "Say cookie several times." 426 00:25:54,880 --> 00:25:57,000 "Cookie, cookie, cookie." "Okay, Mom. Thank you." 427 00:25:57,200 --> 00:25:59,160 "If the person you choose starts to get suspicious, 428 00:25:59,280 --> 00:26:01,640 Markl will hang up the call." 429 00:26:01,960 --> 00:26:04,920 "The player who makes the person they chose 430 00:26:05,040 --> 00:26:07,400 say the word they chose the most times wins." 431 00:26:07,720 --> 00:26:09,200 - "Pamodi". - "Pamodi". 432 00:26:09,920 --> 00:26:12,040 Damn it... 433 00:26:12,520 --> 00:26:15,240 - Where's my phone? - There because of that... 434 00:26:17,280 --> 00:26:18,760 They took my phone. 435 00:26:18,960 --> 00:26:21,720 MARKL: I suppose you need your phone. Here it is. 436 00:26:22,240 --> 00:26:25,920 - Why do you have my phone? - It's my phone. 437 00:26:26,160 --> 00:26:28,280 It has to be mine. I don't know the numbers. 438 00:26:28,640 --> 00:26:31,640 - Is it mine? MARKL: - It's yours. 439 00:26:33,720 --> 00:26:39,640 Production! Did someone "swipe" my cell phone? 440 00:26:40,080 --> 00:26:42,720 - I think the verb is "surripiar". - Sur- what? 441 00:26:42,840 --> 00:26:44,000 MARKL: Surripiar. 442 00:26:44,200 --> 00:26:46,280 Don't correct me when the cameras are on. 443 00:26:46,480 --> 00:26:48,160 This is cut out later, obviously. 444 00:26:48,760 --> 00:26:52,760 APPLAUSE 445 00:26:53,520 --> 00:26:57,160 I loved Ana's bad temper. "As if she knew... It's my phone." 446 00:26:58,640 --> 00:27:02,880 I love that people might have thought: "How refreshing. 447 00:27:03,000 --> 00:27:05,680 "How good. Just choose our word and write it down, 448 00:27:05,800 --> 00:27:08,840 no pirouettes, no physical or psychological effort." 449 00:27:08,960 --> 00:27:12,480 Maybe they thought we were going to weave the word into a doily 450 00:27:12,920 --> 00:27:15,040 to take home. No. 451 00:27:15,160 --> 00:27:17,400 That wasn't a bad idea and I'm a hidden crochet talent. 452 00:27:18,040 --> 00:27:22,600 Choosing the word was just the first half of a task 453 00:27:22,800 --> 00:27:25,400 full of anguish and embarrassment. 454 00:27:25,520 --> 00:27:29,200 Then came the hardest choice. Who to call? 455 00:27:29,480 --> 00:27:32,800 Would the person on the other side say enough times 456 00:27:33,040 --> 00:27:37,600 saudade, biscoito, trough, eat and "pamodi"? 457 00:27:40,080 --> 00:27:42,360 - "Pamodi". - "Pamodi". 458 00:27:42,840 --> 00:27:45,840 - Who do we start with? - Gabriela's cookie. 459 00:27:47,520 --> 00:27:51,160 Let's call my mom. Wait. Let me think. 460 00:27:51,360 --> 00:27:52,960 My mom is very smart. 461 00:27:53,080 --> 00:27:55,240 If your mom says "you're on the 'Taskmaster' show..." 462 00:27:55,440 --> 00:27:57,960 GABRIELA: - She will. - I instantly... Pow! 463 00:27:58,160 --> 00:28:01,520 This is a deadly mix for my mom who knows me well. 464 00:28:01,720 --> 00:28:07,560 Me sleepy and having strange conversations, she'll say: "You're on 'Mastercard'." 465 00:28:09,960 --> 00:28:11,800 - Am I, Mom? MOM: - Yes? 466 00:28:11,920 --> 00:28:14,720 - Are you okay? MOM: - I am. 467 00:28:14,920 --> 00:28:16,960 Did I tell you I spoke with Aunt Paula? 468 00:28:18,320 --> 00:28:22,040 Next time we're with her, 469 00:28:22,160 --> 00:28:26,720 you make a snack at her house and we buy a box with... 470 00:28:27,520 --> 00:28:30,200 Those assorted things. What's it called? 471 00:28:30,440 --> 00:28:32,840 The word isn't coming to me. Say it, Mom. 472 00:28:33,480 --> 00:28:37,040 MOM: I have no idea what you're talking about. 473 00:28:37,240 --> 00:28:42,960 They're big boxes. Metal boxes. You even keep them. 474 00:28:43,080 --> 00:28:45,080 And you always say: "The boxes are very pretty." 475 00:28:45,800 --> 00:28:49,760 MOM: - Panettones. GABRIELA: - No, they're not panettones. 476 00:28:49,960 --> 00:28:53,040 They're little cookies. They come with several cookies from each nation. 477 00:28:53,160 --> 00:28:55,440 - A box of... MOM: - Assorted. 478 00:28:55,760 --> 00:28:58,240 Yes, but I already said "assorted" half an hour ago. 479 00:28:58,360 --> 00:29:02,360 - Box of assorted... MOM: - Cookies. 480 00:29:03,040 --> 00:29:06,720 Yes, but there's another word similar to cookie. 481 00:29:07,360 --> 00:29:09,080 - Assorted of... MOM: - Biscuits? 482 00:29:09,400 --> 00:29:11,560 GABRIELA: - Of what? I didn't understand. MOM: - Biscuits. 483 00:29:12,360 --> 00:29:14,600 I didn't understand. Sorry, Mom. It's cutting out. 484 00:29:15,480 --> 00:29:18,400 MOM: - Biscuits. - Huh? 485 00:29:19,240 --> 00:29:24,400 MOM: - My God, biscuits. - Sorry. Say it louder. 486 00:29:25,160 --> 00:29:28,600 MOM: Biscuits. I'm shouting. 487 00:29:28,880 --> 00:29:30,880 APPLAUSE 488 00:29:31,200 --> 00:29:33,880 Sorry, Mom. I didn't catch that. Say it louder. Just one more time. 489 00:29:34,200 --> 00:29:35,840 MOM: You're silly. 490 00:29:36,160 --> 00:29:38,160 LAUGHTER 491 00:29:39,320 --> 00:29:43,160 - Just say it one more time. MOM: - I won't say it. You're silly. 492 00:29:44,280 --> 00:29:47,280 - Go tease someone else. - Just say it one more time. 493 00:29:47,400 --> 00:29:51,120 - Sorry, I didn't catch that. MOM: - You're very funny. 494 00:29:51,440 --> 00:29:56,440 - I'll tell you again. Cookies. - She's suspicious. 495 00:29:56,680 --> 00:30:00,920 That's right. I'm going to buy a box of that. Kisses. 496 00:30:01,120 --> 00:30:04,120 MOM: What is this? Are you crazy or what? 497 00:30:05,520 --> 00:30:10,800 I hung up. She only got suspicious after asking the fifth time. 498 00:30:11,160 --> 00:30:14,600 Right. She didn't say you were in a challenge. She just thought you were crazy. 499 00:30:15,360 --> 00:30:18,840 - She already has a very large margin. - She does. 500 00:30:18,960 --> 00:30:21,240 I felt like she was like: "There she goes with her things." 501 00:30:21,600 --> 00:30:25,560 - See? I won, didn't I? - I don't know. 502 00:30:25,680 --> 00:30:31,880 The call wasn't five minutes. It was 3.5, wasn't it? 503 00:30:32,320 --> 00:30:34,840 I would have stayed longer on the phone with my mother. 504 00:30:35,080 --> 00:30:38,840 I didn't understand. I got closer, because I felt she was getting suspicious. 505 00:30:39,120 --> 00:30:40,640 Because now she was getting suspicious. 506 00:30:40,840 --> 00:30:42,280 If I said: "Do you want to see that this is for 'Taskmaster'?" 507 00:30:43,640 --> 00:30:47,240 No... MARKL WHISTLES 508 00:30:49,120 --> 00:30:51,760 - I didn't understand. - But it was a good challenge. 509 00:30:52,640 --> 00:30:54,560 At least, the moral victory will be yours. 510 00:30:56,000 --> 00:30:57,880 Whatever that is. 511 00:30:59,520 --> 00:31:00,760 - Goodbye. MARKL: - Thank you. 512 00:31:00,960 --> 00:31:04,960 APPLAUSE 513 00:31:06,360 --> 00:31:10,040 - Why did you call your mother? - Because I have no friends. 514 00:31:10,160 --> 00:31:12,160 [LAUGHTER] 515 00:31:12,680 --> 00:31:15,000 How many cookies did Gabriela's mother say? 516 00:31:15,520 --> 00:31:16,920 - What's your mother's name? - Maria Margarida. 517 00:31:17,400 --> 00:31:20,600 - Maria Margarida said 6 cookies. VASCO: - Six times the word. 518 00:31:21,200 --> 00:31:25,120 Very well. Who's next in this cabaret of embarrassment? 519 00:31:25,320 --> 00:31:27,560 Hugo Van Der Ding. One thing has to be said. 520 00:31:27,880 --> 00:31:30,200 Hugo was quite nervous about this task. 521 00:31:30,320 --> 00:31:33,520 What does a person do who is nervous about a task 522 00:31:33,640 --> 00:31:35,640 that involves calling someone? 523 00:31:35,920 --> 00:31:39,400 Maybe he calls someone he trusts, like Gabriela did, 524 00:31:39,600 --> 00:31:43,080 so that the task can be more peaceful. Right? 525 00:31:43,320 --> 00:31:46,320 The most incredible thing is no. 526 00:31:50,040 --> 00:31:51,520 It doesn't have to be someone I know. 527 00:31:51,720 --> 00:31:57,000 I can call a bowl shop. I'm going to look for a bowl shop. 528 00:31:57,240 --> 00:31:59,520 - Can't I say the word? MARKL: - No. 529 00:31:59,640 --> 00:32:02,640 CENSORED WORD LAUGHTER 530 00:32:03,320 --> 00:32:06,400 OPERATOR: Please wait. Your call is on hold. 531 00:32:08,280 --> 00:32:11,320 MAN: - Good morning. - Good morning. José Carvalho speaking. 532 00:32:11,440 --> 00:32:15,640 I needed to place an order for plastic boxes. 533 00:32:15,920 --> 00:32:19,280 I needed to know what kind of containers you make. 534 00:32:19,480 --> 00:32:22,480 MAN: What boxes? That hard plastic? 535 00:32:22,680 --> 00:32:27,800 - That's right. There are buckets. What else do you have? MAN: - We have everything. 536 00:32:27,920 --> 00:32:31,400 We have buckets, we have square boxes. 537 00:32:31,680 --> 00:32:34,400 They can be grated or not, for transporting things. 538 00:32:34,960 --> 00:32:38,760 Yes. And those more domestic ones? Do you have those too? 539 00:32:39,440 --> 00:32:43,880 MAN: We have those big garbage bins of 80 or 120 l. 540 00:32:44,000 --> 00:32:46,520 That interests me too. I'm missing the word. 541 00:32:46,640 --> 00:32:49,880 Those that are used at home to put clothes in. 542 00:32:50,080 --> 00:32:54,560 MAN: Baskets. It can be more rectangular and less height. 543 00:32:54,760 --> 00:32:59,760 - Or those more grated. - And there are those round ones. 544 00:33:00,680 --> 00:33:03,240 - Normal ones. The ones for home. MAN: - The basins. 545 00:33:03,360 --> 00:33:08,000 That's it. Everyone has one at home. They are round things. 546 00:33:08,200 --> 00:33:10,800 MAN: - Basin? - Yes, that. 547 00:33:11,000 --> 00:33:14,840 MAN: - Basin... HUGO: - That's right. 548 00:33:15,360 --> 00:33:18,000 You had told me about several sizes. Is that right? 549 00:33:19,200 --> 00:33:23,240 MAN: - Yes, we have. - Can you tell me the sizes? 550 00:33:23,560 --> 00:33:25,640 MAN: Do you think you can call me after 2 pm or 3 pm? 551 00:33:25,960 --> 00:33:29,000 - I have a customer here. - Okay. 552 00:33:29,920 --> 00:33:33,720 - Thank you. Hugs to everyone. MAN: - You're welcome. See you soon. 553 00:33:34,960 --> 00:33:40,280 I'm going to start crying. Poor thing. 554 00:33:40,480 --> 00:33:43,320 A big hug to everyone. Ready. 555 00:33:44,080 --> 00:33:46,400 - Pleasure. See you next time. - It was a pleasure. 556 00:33:46,680 --> 00:33:50,400 - Good business. Right. - Four basins. Jotelar! 557 00:33:50,800 --> 00:33:52,800 APPLAUSE 558 00:33:53,760 --> 00:33:58,400 - My God. - You were moved by the sympathy. 559 00:33:58,520 --> 00:34:00,400 HUGO: I was. I'm horrified to do these things. 560 00:34:00,920 --> 00:34:03,640 For now, I'm ashamed of my friends answering and saying... 561 00:34:04,160 --> 00:34:06,600 "Go to who knows where." Or... "What do you want?" 562 00:34:06,720 --> 00:34:10,120 It was a fear of yours. "I can't call any friends." 563 00:34:10,239 --> 00:34:11,880 They are all more mentally retarded than me. 564 00:34:12,520 --> 00:34:16,280 I thought about calling... It's a legitimate thing. 565 00:34:16,920 --> 00:34:21,719 I wanted to say "I didn't understand", but I felt sorry for him. 566 00:34:21,840 --> 00:34:25,199 Then, I said: "I have a client here. Call back later." 567 00:34:25,440 --> 00:34:28,080 - I decided to abort the mission. - And you called back? 568 00:34:28,760 --> 00:34:30,800 Yes, and today we are married. 569 00:34:31,120 --> 00:34:35,120 LAUGHTER APPLAUSE 570 00:34:35,239 --> 00:34:38,239 (...) 571 00:34:39,360 --> 00:34:42,199 How many times was the word "alguidar" spoken? 572 00:34:42,320 --> 00:34:46,560 The gentleman from Jotelar uttered the word "alguidar" five times. 573 00:34:47,000 --> 00:34:49,400 I want to see more people suffer on the phone, 574 00:34:49,600 --> 00:34:52,159 trying to get other people who have nothing to do with it 575 00:34:52,280 --> 00:34:54,040 to say an unlikely word. 576 00:34:54,400 --> 00:34:58,360 I think we agree that the most unlikely was "pamodi". 577 00:34:58,760 --> 00:35:01,720 - Says the word well. - It was magnificent to see Gilmário 578 00:35:01,840 --> 00:35:05,280 searching for the ideal contact to achieve this. 579 00:35:06,200 --> 00:35:12,960 There's a person who I think would say that word, 580 00:35:14,360 --> 00:35:16,960 as many times as I wanted. 581 00:35:17,160 --> 00:35:19,800 Now if they don't say it, I know I'm screwed. 582 00:35:20,760 --> 00:35:24,760 VOICE MESSAGE 583 00:35:26,080 --> 00:35:29,520 I don't even know if it's off. What language is this? 584 00:35:30,120 --> 00:35:33,080 MARKL: I don't know. He's saying it in several languages. 585 00:35:33,320 --> 00:35:36,240 - Dude, what language is this? - Now it's in English. 586 00:35:36,520 --> 00:35:39,760 - This number isn't right. MARKL: - Is there no one else? 587 00:35:40,240 --> 00:35:45,080 Someone... I have to find the comrade's number. Damn. 588 00:35:45,680 --> 00:35:48,400 - It's ringing. - It's not ringing. 589 00:35:48,920 --> 00:35:52,920 PHONE RINGS 590 00:35:53,040 --> 00:35:55,040 (...) 591 00:35:56,920 --> 00:35:58,920 GILMÁRIO WHINING MARKL LAUGHS 592 00:35:59,800 --> 00:36:02,600 MARKL: - Damn. - Damn! 593 00:36:03,120 --> 00:36:05,360 Where are the friends when we need them? 594 00:36:05,720 --> 00:36:08,720 - You can believe it. - So many Cape Verdean friends. 595 00:36:08,960 --> 00:36:12,320 - And when I need it... "Pamodi". - "Pamodi". 596 00:36:13,320 --> 00:36:18,320 The Cape Verdean people are a people who have a strong migratory talent. 597 00:36:18,520 --> 00:36:22,080 They're never still in one place. They're always going from one side to the other. 598 00:36:22,880 --> 00:36:25,400 I have to keep trying until I succeed. Do I have some time for that? 599 00:36:25,880 --> 00:36:27,440 No, it starts counting as soon as he answers. 600 00:36:27,720 --> 00:36:30,920 Doesn't answer. Neither one nor the other. 601 00:36:33,440 --> 00:36:37,280 Could they be on a plane? Both of them... Damn. 602 00:36:39,200 --> 00:36:41,600 MAN: - "Pamodi" ! - Yes ! 603 00:36:43,520 --> 00:36:46,480 MAN: - Did you call by mistake? GILMÁRIO: - No. What did you say? 604 00:36:48,000 --> 00:36:52,400 MAN: - I said "pamodi". - You know how it is. I have to call you. 605 00:36:52,760 --> 00:36:55,840 When I want to hear that, I have to call you. Otherwise, forget it. 606 00:36:58,040 --> 00:37:04,920 - Did you see the show on the beach? MAN: - It was super cool. 607 00:37:06,200 --> 00:37:09,240 - "Pamodi" ! - So... 608 00:37:11,720 --> 00:37:14,880 You saw that the next day the comments were only about that. 609 00:37:15,600 --> 00:37:17,240 - Everyone. MAN: - "Pamodi". 610 00:37:17,360 --> 00:37:19,720 I told you to change the name. 611 00:37:20,520 --> 00:37:26,200 That was the idea, but he didn't go for it. 612 00:37:27,040 --> 00:37:30,520 Everyone said the same thing in the comments. 613 00:37:31,880 --> 00:37:34,920 MAN: - About "pamodi"? - Exactly. Everyone. 614 00:37:35,280 --> 00:37:37,320 They wanted to make t-shirts saying that thing. 615 00:37:37,440 --> 00:37:40,600 I don't know how to spell it. 616 00:37:41,640 --> 00:37:47,480 MAN: - "Pamodi" is P-A-M-O-D-I. GILMÁRIO: - Right. That's correct. 617 00:37:47,920 --> 00:37:52,080 Next time I go there to do a show, 618 00:37:52,520 --> 00:37:55,240 I'm going to take t-shirts saying that. 619 00:37:55,960 --> 00:38:01,560 I had to call you from Instagram. I don't have your Whatsapp. 620 00:38:02,120 --> 00:38:07,080 Send me your number. I'm going to start recording now. 621 00:38:07,200 --> 00:38:10,760 - Afterwards, send me your number. MAN: - Alright. 622 00:38:12,120 --> 00:38:13,440 Okay. 623 00:38:13,760 --> 00:38:16,320 - How many "pamodis" did I get? - I'm going to applaud. 624 00:38:16,600 --> 00:38:18,440 He answered badly, said "pamodi". 625 00:38:18,560 --> 00:38:21,080 There was one they didn't hear, because the sound wasn't... 626 00:38:21,400 --> 00:38:24,040 - But there was a "pamodi" there. - Yes, there was. He repeated it. 627 00:38:24,360 --> 00:38:29,120 My Cape Verdean friend knows everything. I call him and he solves the problem. 628 00:38:29,240 --> 00:38:32,400 Sending a hug to everyone from the islands of Cape Verde, 629 00:38:32,600 --> 00:38:34,880 even that one where nobody lives. 630 00:38:36,920 --> 00:38:38,760 - Bravo. - Incredible. 631 00:38:39,800 --> 00:38:43,600 - Remember this. "Pamodi". MARKL: - I will never forget. 632 00:38:44,200 --> 00:38:46,600 "Pamodi"... The people invent words that they can't say. 633 00:38:48,280 --> 00:38:50,240 - "Pamodi". MARKL: - Thank you. 634 00:38:52,560 --> 00:38:58,560 - "Pamodi". - Honor be done to your friend. 635 00:38:58,760 --> 00:39:01,120 - Who is your "pamodi" friend? - It's Carlos Andrade. 636 00:39:01,320 --> 00:39:03,880 He's a stand-up comedian too, Cape Verdean. 637 00:39:04,160 --> 00:39:06,360 Every time I call him, it became... 638 00:39:06,640 --> 00:39:10,360 I told him it was the word I liked the most in Creole. 639 00:39:10,760 --> 00:39:14,440 Every time I call, everyone has an obligation to say "pamodi". 640 00:39:15,080 --> 00:39:16,840 - How many "pamodis"? - Seven. 641 00:39:17,360 --> 00:39:19,600 - Seven "pamodis". VASCO: - Very good. 642 00:39:20,520 --> 00:39:23,800 - You won. GILMÁRIO: - I won against you. 643 00:39:24,680 --> 00:39:29,120 Who's next to test someone's patience via telephone? 644 00:39:29,400 --> 00:39:33,040 Pedro Alves and his simple word "eat". 645 00:39:34,480 --> 00:39:37,360 - Do you want to put this on speakerphone? - Who are you going to call? 646 00:39:38,720 --> 00:39:40,640 - Hello, boss. WOMAN: - Hello. 647 00:39:41,120 --> 00:39:44,040 - What are you doing? WOMAN: - I'm in the bathroom. 648 00:39:46,240 --> 00:39:48,040 PEDRO: Before you go to the bathroom, what were you doing? 649 00:39:48,400 --> 00:39:50,440 WOMAN: - Having lunch. - You were what? 650 00:39:51,200 --> 00:39:53,640 WOMAN: - Having lunch. - Having lunch. 651 00:39:53,840 --> 00:39:57,000 - And having lunch is what? WOMAN: - It's eating. 652 00:39:58,000 --> 00:39:59,840 PEDRO: - It's what? WOMAN: - Eating. 653 00:40:00,360 --> 00:40:02,360 - What? WOMAN: - Eating. 654 00:40:02,560 --> 00:40:04,920 - What? WOMAN: - Eating. 655 00:40:05,040 --> 00:40:08,840 - What? What? WOMAN: - Eating. 656 00:40:09,720 --> 00:40:12,040 PEDRO: - What? WOMAN: - Yes. 657 00:40:12,920 --> 00:40:16,000 You're in the bathroom, but what were you doing? 658 00:40:17,440 --> 00:40:21,760 WOMAN: - Eating. - Let's go to a nice hotel. 659 00:40:22,560 --> 00:40:25,200 In the morning we wake up starving and what are we going to do? 660 00:40:26,360 --> 00:40:27,720 WOMAN: We're also going to eat. 661 00:40:27,920 --> 00:40:30,920 LAUGHTER 662 00:40:31,840 --> 00:40:37,960 If we invited Markl for an evening there in Porto, 663 00:40:38,520 --> 00:40:41,280 it would be cool to take him to a tavern to... 664 00:40:42,440 --> 00:40:43,960 WOMAN: - Eat. PEDRO: - What did you say? 665 00:40:44,880 --> 00:40:46,400 WOMAN: - Eat. - What did you say? 666 00:40:46,800 --> 00:40:48,560 WOMAN: - Eat. PEDRO: - What did you say? 667 00:40:48,840 --> 00:40:50,760 WOMAN: Eat, eat, eat. 668 00:40:51,800 --> 00:40:57,440 Imagine a person who is very fat like I used to be. 669 00:40:57,840 --> 00:41:00,320 What would I like? WOMAN: - To eat. 670 00:41:01,720 --> 00:41:04,720 But now that I'm thin, I'm a person who... 671 00:41:06,160 --> 00:41:07,920 WOMAN: Likes to eat salads. 672 00:41:08,280 --> 00:41:10,280 LAUGHTER 673 00:41:12,920 --> 00:41:16,720 How long do I have? WORD CENSORED 674 00:41:16,840 --> 00:41:19,840 LAUGHTER 675 00:41:19,960 --> 00:41:24,960 (...) 676 00:41:25,240 --> 00:41:28,240 I was being admirable until you said "how long do I have". 677 00:41:29,600 --> 00:41:32,800 - Sorry. - It was one of the most admirable things. 678 00:41:33,000 --> 00:41:36,920 - It's a serious relationship. - Sure. Congratulations. 679 00:41:37,200 --> 00:41:39,360 We have interphonic communications that makes it so... 680 00:41:39,480 --> 00:41:42,160 - Sure. - "What do you like?" "Eating." 681 00:41:42,280 --> 00:41:46,000 - There you go. - Thank you. 682 00:41:46,240 --> 00:41:47,720 - Can I take it? - You can. 683 00:41:47,840 --> 00:41:49,840 - I have to call my wife. - To explain. 684 00:41:49,960 --> 00:41:51,600 I'm still going to get punched, but oh well. 685 00:41:52,560 --> 00:41:54,760 Eat, eat, eat. Eat! 686 00:41:56,400 --> 00:41:58,400 APPLAUSE 687 00:41:58,880 --> 00:42:05,040 MARKL: That was amazing. I almost feel the need to say it. 688 00:42:05,320 --> 00:42:09,560 That was such an incredible performance. Your wife seems to be used to it. 689 00:42:09,800 --> 00:42:12,520 - She's on board. - The naturalness... 690 00:42:12,640 --> 00:42:14,320 Regarding my wife, I'll talk to you about it no problem. 691 00:42:14,560 --> 00:42:19,000 He gave her a point. There's no communication. 692 00:42:19,480 --> 00:42:22,760 How many times was the word "eat" said by Nocas? 693 00:42:23,080 --> 00:42:27,920 Pedro got Nocas to say the word "eat" 34 times. 694 00:42:28,320 --> 00:42:32,320 PEDRO SCREAMS WITH JOY APPLAUSE 695 00:42:32,440 --> 00:42:35,440 (...) 696 00:42:35,760 --> 00:42:38,960 And Ana Garcia Martins is missing. 697 00:42:39,560 --> 00:42:42,000 We left this wonderful moment for the end 698 00:42:42,440 --> 00:42:46,320 in which it becomes evident that Ana has a heart 699 00:42:47,480 --> 00:42:51,600 and it's beautiful to see her assume her sweet role as a mother. 700 00:42:53,000 --> 00:42:54,640 I'm going to call my daughter. 701 00:42:55,240 --> 00:42:57,400 Can you make her understand that you're not here doing a task? 702 00:42:57,960 --> 00:42:59,280 She's six years old. 703 00:43:01,520 --> 00:43:03,680 BOY: - Hello? - Hello, love. 704 00:43:04,800 --> 00:43:06,160 BOY: - Hello, Mom. - Are you okay? 705 00:43:06,280 --> 00:43:10,960 - Pass the phone to your sister? BOY: - Sure. It's Mom. 706 00:43:11,480 --> 00:43:14,080 GIRL: - Hello, Mom. - Hello, little one. 707 00:43:15,400 --> 00:43:20,120 I haven't seen you in a long time. What does Mommy have of you? 708 00:43:20,720 --> 00:43:24,000 When Mommy doesn't see you for a long time, how does she feel? With... 709 00:43:25,280 --> 00:43:27,520 GIRL: - Sad. - Sad. And with what? 710 00:43:27,960 --> 00:43:29,320 GIRL: Missing you. 711 00:43:29,520 --> 00:43:32,680 - What does Mommy have? GIRL: - Are we going to have lunch here? 712 00:43:32,800 --> 00:43:36,760 Focus on what I'm asking you. Then, we'll talk about that. 713 00:43:37,440 --> 00:43:41,800 So sweet. Mommy was saying that she has what from Beni? What does she have? 714 00:43:43,120 --> 00:43:44,960 GIRL: What does she have, what? 715 00:43:46,000 --> 00:43:49,480 When I don't see you for a long time, what do I have? 716 00:43:49,600 --> 00:43:51,720 GIRL: - Missing you. - That's right. 717 00:43:52,480 --> 00:43:54,360 Mommy likes to hear you say that so much. 718 00:43:54,480 --> 00:43:56,680 Can you say it many times for Mommy to hear? 719 00:43:57,800 --> 00:44:02,040 GIRL: Yes. Missing you, missing you, missing you, missing you. 720 00:44:02,680 --> 00:44:06,640 More. You're so cute. I like it so much. More. 721 00:44:07,080 --> 00:44:11,160 GIRL: - Missing you. - Yes, more times. Many. 722 00:44:11,600 --> 00:44:15,680 GIRL: Missing you, missing you, missing you, missing you, missing you. 723 00:44:16,240 --> 00:44:18,280 More times, little one. 724 00:44:19,680 --> 00:44:24,080 GIRL: Missing you, missing you, missing you, missing you, missing you. 725 00:44:24,280 --> 00:44:27,920 Missing you, missing you, missing you, missing you, missing you, missing you. 726 00:44:28,200 --> 00:44:31,880 Missing you, missing you, missing you, missing you. 727 00:44:32,200 --> 00:44:33,280 Enough! 728 00:44:34,080 --> 00:44:35,760 Can it be just a little bit more? 729 00:44:36,680 --> 00:44:38,520 GIRL: Do you want me to say it again? 730 00:44:38,640 --> 00:44:41,600 ANA: - Now that you mention it. GIRL: - Missing you, missing you. 731 00:44:43,880 --> 00:44:45,600 Mommy wants to. 732 00:44:47,840 --> 00:44:51,720 - Is Grandma going crazy? GIRL: - What? 733 00:44:53,360 --> 00:44:57,600 GRANDMA: The girl has been saying "missing you" for a quarter of an hour. 734 00:44:57,960 --> 00:45:00,960 LAUGHTER 735 00:45:01,680 --> 00:45:04,000 Okay. Kisses, love. See you tomorrow. 736 00:45:05,240 --> 00:45:06,760 GIRL: - Kisses, Mom. ANA: - Kisses. 737 00:45:09,640 --> 00:45:11,960 I think this was one of my best moments of the day. 738 00:45:13,440 --> 00:45:15,360 - Hello. - May I? 739 00:45:15,960 --> 00:45:17,760 MARKL BLOWS WHISTLE Thank you. 740 00:45:18,240 --> 00:45:22,320 - It was touching. And manipulative. - Goodbye. 741 00:45:22,960 --> 00:45:26,960 APPLAUSE 742 00:45:27,520 --> 00:45:31,760 The bonus even came out. Beni's grandmother picks up the phone and says: 743 00:45:31,880 --> 00:45:36,200 "What is this that the girl won't stop with 'saudade, saudade'?" 744 00:45:37,200 --> 00:45:39,200 The woman was at the casino. 745 00:45:40,320 --> 00:45:45,560 Do you know how many times Beni and your mother said "saudade"? 746 00:45:45,840 --> 00:45:47,080 ANA: - I have no idea. - Markl, do you know? 747 00:45:47,360 --> 00:45:52,600 - I remember this number. 88 times. PEDRO: - Wow! 748 00:45:55,360 --> 00:46:00,000 VASCO: - Let's convert it into points. MARKL: - One point for Hugo. 749 00:46:00,440 --> 00:46:03,200 Two points for Gabriela, three points for Gilmário, 750 00:46:03,440 --> 00:46:06,240 four for Pedro and five for Pipoca. 751 00:46:06,560 --> 00:46:08,280 - An applause, very good. PEDRO: - Deserved. 752 00:46:10,160 --> 00:46:11,720 Look at her. 753 00:46:12,200 --> 00:46:15,640 - Send the points to the screen. MARKL: - Gabriela with 11 points. 754 00:46:16,080 --> 00:46:18,720 Hugo with ten, Gilmário with nine, 755 00:46:19,040 --> 00:46:21,240 Ana with eight and Pedro with seven. 756 00:46:21,520 --> 00:46:23,520 Another round of applause for our five fantastic ones. 757 00:46:24,040 --> 00:46:26,000 APPLAUSE 758 00:46:26,200 --> 00:46:29,040 The table is good. Seven, eight, nine, ten, eleven. 759 00:46:29,240 --> 00:46:34,040 That was very good, but I want more. 760 00:46:34,240 --> 00:46:37,600 - What are you going to give me now? Go on. - Let's go for drinks. 761 00:46:37,960 --> 00:46:41,960 # RHYTHMIC INSTRUMENTAL THEME 762 00:46:42,080 --> 00:46:49,080 # 763 00:46:49,800 --> 00:46:51,160 Hello. 764 00:46:52,440 --> 00:46:54,440 You're Cláudio Ramos, aren't you? 765 00:46:55,160 --> 00:46:56,840 Let's go to the Wild West. 766 00:46:57,440 --> 00:46:59,600 IN ENGLISH We're back in Texas. 767 00:47:01,080 --> 00:47:03,120 (...) Here's what we're going to do. 768 00:47:04,040 --> 00:47:08,400 (...) Each one is going to try to do something to me 769 00:47:09,280 --> 00:47:13,000 (...) and I'm going to say what's going to happen. 770 00:47:13,760 --> 00:47:17,240 Some with chicken feathers on the pine cone 771 00:47:17,480 --> 00:47:20,080 Others with turkey feathers on the... 772 00:47:20,440 --> 00:47:23,320 - Is it to read the boss's letter? - Let's see this. 773 00:47:25,200 --> 00:47:26,640 "Fill this glass." 774 00:47:27,160 --> 00:47:31,160 # COMICAL INSTRUMENTAL THEME 775 00:47:32,680 --> 00:47:34,800 "Fill the glass until it overflows." 776 00:47:36,480 --> 00:47:37,480 Okay. 777 00:47:37,680 --> 00:47:40,400 "The glass must remain on top of the tube for the entire duration of the task." 778 00:47:40,720 --> 00:47:43,960 "Only liquids can touch the red carpet." 779 00:47:44,760 --> 00:47:47,520 Okay. GABRIELA RI 780 00:47:47,720 --> 00:47:50,120 "The fastest wins. Time starts now." 781 00:47:52,280 --> 00:47:55,440 The glass... It should be here... 782 00:47:58,200 --> 00:48:00,600 The glass has to stay there and I have to fill it. That's it. 783 00:48:01,560 --> 00:48:04,720 - With water. Where is the water? - I have to go get water, right? 784 00:48:04,960 --> 00:48:06,840 I'll look for water. 785 00:48:07,440 --> 00:48:11,720 There are ladders, right? There's the most basic way. 786 00:48:11,840 --> 00:48:14,840 I grab the ladder, I go up there with a jug and... 787 00:48:16,360 --> 00:48:19,360 Didn't everyone do that? How dumb. 788 00:48:19,680 --> 00:48:21,680 APPLAUSE 789 00:48:22,280 --> 00:48:24,840 When someone is asked to fill a glass until it overflows, 790 00:48:25,040 --> 00:48:27,000 in the real world, that's easy to do. 791 00:48:27,400 --> 00:48:29,400 But the real world is boring. 792 00:48:29,520 --> 00:48:33,240 Hence the glass they had to fill was perched 793 00:48:33,440 --> 00:48:36,440 at an extremely tedious and impractical height. 794 00:48:36,640 --> 00:48:39,840 Or as we like to call it on this show, perfect. 795 00:48:40,240 --> 00:48:43,880 Right. Let's move on to Gabriela, Ana, and Gilmário, 796 00:48:44,160 --> 00:48:47,120 a trio I like to call Gabanário. 797 00:48:48,960 --> 00:48:52,160 Welcome to our gardening program. 798 00:48:52,480 --> 00:48:53,760 Where is there water here? 799 00:48:57,960 --> 00:48:59,040 My God. 800 00:48:59,240 --> 00:49:00,920 I wonder if this hose reaches over there? 801 00:49:01,120 --> 00:49:05,720 Can I? Only the thingy is allowed to touch the carpet, right? 802 00:49:10,240 --> 00:49:11,600 - It's full. MARKL: - Huh? 803 00:49:11,840 --> 00:49:15,680 - It's full. MARKL: - It's not really. 804 00:49:16,280 --> 00:49:19,400 Interesting. How do I grab this? 805 00:49:20,440 --> 00:49:22,600 I want to grab this. I have to go get a rake. 806 00:49:22,800 --> 00:49:24,400 CENSORED WORD 807 00:49:29,560 --> 00:49:30,680 Pure engineering. 808 00:49:31,440 --> 00:49:35,440 # UPBEAT INSTRUMENTAL THEME 809 00:49:35,960 --> 00:49:38,240 - Leave it. I don't need anything. - I'm admiring. 810 00:49:38,360 --> 00:49:39,880 Thank you. 811 00:49:40,120 --> 00:49:42,800 - Are you? - I'm worried about falls. 812 00:49:45,920 --> 00:49:49,640 - I knew this was going to... - I'm so sorry. 813 00:49:50,000 --> 00:49:52,160 All to do good and this is the price. 814 00:49:52,520 --> 00:49:54,920 Saving a life, avoiding an accident. 815 00:49:55,400 --> 00:49:59,160 ANA: - It's really full. - It's super full. 816 00:50:01,920 --> 00:50:06,160 This must be some kind of pump to spray water. 817 00:50:07,600 --> 00:50:10,600 WATER SQUIRTS 818 00:50:11,040 --> 00:50:12,360 SPEAKS ENGLISH: Amazing. 819 00:50:14,040 --> 00:50:15,720 Come here. 820 00:50:18,640 --> 00:50:20,040 This bends. 821 00:50:21,600 --> 00:50:24,600 LAUGHTER 822 00:50:25,360 --> 00:50:27,000 May I not fall off this. 823 00:50:27,440 --> 00:50:30,600 At my age a fracture is not very healthy. 824 00:50:30,960 --> 00:50:33,440 This has acrobatic potential, this test. 825 00:50:33,920 --> 00:50:35,920 I want it to be taken into account that I just became a mother. 826 00:50:37,040 --> 00:50:38,160 This is not enough water. 827 00:50:38,400 --> 00:50:42,440 GILMÁRIO: I want water like old man's pee. 828 00:50:43,520 --> 00:50:45,200 Markl's pee. 829 00:50:48,280 --> 00:50:49,280 Okay. 830 00:50:53,720 --> 00:50:55,960 You're going to force me to do everything again. 831 00:50:56,480 --> 00:50:58,040 - It's overflowing, people. - Is it? 832 00:50:58,840 --> 00:51:02,840 # SOFT INSTRUMENTAL THEME 833 00:51:02,960 --> 00:51:09,960 # 834 00:51:10,400 --> 00:51:11,400 - It's fine by me. MARKL: - Doesn't seem like it to me. 835 00:51:11,520 --> 00:51:14,840 There's proof... There's a camera there... 836 00:51:15,280 --> 00:51:17,280 - Isn't it overflowing? - Doesn't seem like it. 837 00:51:19,600 --> 00:51:23,680 CENSORED SPEECH Great mastery. Great dominance. 838 00:51:26,240 --> 00:51:27,280 Take that! 839 00:51:27,800 --> 00:51:28,800 So... 840 00:51:31,720 --> 00:51:34,200 - There's about half missing. ANA: - Half missing? No way. 841 00:51:34,320 --> 00:51:35,320 No? 842 00:51:35,920 --> 00:51:39,920 "Fill the cup until it overflows." It overflowed. 843 00:51:43,160 --> 00:51:44,600 Is it overflowing, or not? 844 00:51:47,680 --> 00:51:49,640 I'm very short. This test isn't for me. 845 00:51:49,760 --> 00:51:51,760 Gilmário almost reaches up there. 846 00:51:55,320 --> 00:51:56,320 Did it overflow? 847 00:51:57,000 --> 00:52:01,000 # RHYTHMIC INSTRUMENTAL THEME 848 00:52:03,160 --> 00:52:05,080 It's overflowing. I saw it overflowing. 849 00:52:07,520 --> 00:52:08,520 It's done. 850 00:52:08,840 --> 00:52:12,840 GABRIELA SCREAMS 851 00:52:14,080 --> 00:52:17,760 All in vain. That's enough! For me, that's enough! 852 00:52:18,680 --> 00:52:20,040 The damn glass. 853 00:52:21,480 --> 00:52:23,200 MARKL WHISTLES It's overflowing. 854 00:52:23,560 --> 00:52:24,960 I was starting to think it wouldn't. 855 00:52:27,920 --> 00:52:32,000 I'm done. This is my proof. This is my glass. 856 00:52:32,720 --> 00:52:33,720 ANA: What the hell. 857 00:52:34,240 --> 00:52:35,960 SPEAKS ENGLISH: Thank you, ladies and gentlemen. 858 00:52:36,520 --> 00:52:42,080 Whenever you need me call me and I'll come back. 859 00:52:42,440 --> 00:52:45,480 GABRIELA: I'm leaving. Bye! 860 00:52:46,000 --> 00:52:49,000 APPLAUSE 861 00:52:49,960 --> 00:52:52,600 - Was it hard for you to give up? - It was. 862 00:52:52,720 --> 00:52:54,600 You know I'm a woman who until the end, 863 00:52:54,960 --> 00:52:58,160 even without teeth, hanging by a finger, 864 00:52:58,280 --> 00:53:02,000 I say, no, let me... It was hard, but it had to be. 865 00:53:02,120 --> 00:53:04,520 I couldn't see... I wasn't ingenious that day. 866 00:53:04,640 --> 00:53:07,400 Pipoca was close to saying... 867 00:53:07,520 --> 00:53:09,600 You said some things that led to some pis. 868 00:53:10,040 --> 00:53:12,560 But you got my friend very wet, involuntarily. 869 00:53:12,880 --> 00:53:15,040 - It was always unintentional. - Really? I got it wet? 870 00:53:15,760 --> 00:53:18,960 It was difficult, but using my knowledge, 871 00:53:19,080 --> 00:53:24,160 from my MBA in engineering from Harvard, to be able to achieve... 872 00:53:24,280 --> 00:53:26,360 - It was very difficult. VASCO: - It was. 873 00:53:26,640 --> 00:53:29,000 - Gilmário, was it difficult too? - I did it calmly. 874 00:53:29,120 --> 00:53:32,440 I didn't offend anyone. Calm. 875 00:53:33,480 --> 00:53:36,480 Who's next to attack the poor glass on top of the pole? 876 00:53:36,600 --> 00:53:40,360 Someone who opted for a rare simplicity in this task, Hugo Van Der Ding. 877 00:53:41,840 --> 00:53:43,040 If I try to go up... 878 00:53:46,320 --> 00:53:47,320 Can't I touch it? 879 00:53:49,920 --> 00:53:53,200 Is it just me or did he touch the mat? 880 00:53:53,680 --> 00:53:55,240 MARKL: - Yes. VASCO: - And what did the rule say? 881 00:53:56,000 --> 00:53:58,880 It said you couldn't touch the mat, only the water. 882 00:53:59,280 --> 00:54:02,520 The thing is, that didn't stop him from continuing with his antics, 883 00:54:02,840 --> 00:54:05,840 so let's see the rest of Hugo's task. 884 00:54:06,160 --> 00:54:07,160 Let's go, then! 885 00:54:07,440 --> 00:54:08,720 I'm going to get water, to start. 886 00:54:09,280 --> 00:54:13,280 # RHYTHMIC INSTRUMENTAL THEME 887 00:54:13,440 --> 00:54:14,600 You better get out of there. 888 00:54:15,040 --> 00:54:20,040 # 889 00:54:20,960 --> 00:54:22,520 Maybe it's not working. 890 00:54:24,760 --> 00:54:25,760 Maybe... 891 00:54:27,160 --> 00:54:28,600 Will the glass fall from there? 892 00:54:29,040 --> 00:54:35,040 # 893 00:54:35,760 --> 00:54:36,760 I did it. 894 00:54:38,600 --> 00:54:40,640 The glass? It's here. 895 00:54:42,680 --> 00:54:45,680 # 896 00:54:46,040 --> 00:54:47,640 The easiest part. 897 00:54:48,600 --> 00:54:52,600 BREATHING 898 00:54:52,720 --> 00:54:56,720 (...) 899 00:54:57,160 --> 00:55:00,040 It's overflowing, isn't it? 900 00:55:02,200 --> 00:55:05,560 The glass has to be on top of... I didn't read that part. 901 00:55:06,680 --> 00:55:08,200 The glass is on top. 902 00:55:08,840 --> 00:55:14,840 # 903 00:55:15,880 --> 00:55:18,240 Look at it overflowing. Isn't it? 904 00:55:19,440 --> 00:55:21,400 It's overflowing, it's on top of the stick... 905 00:55:22,440 --> 00:55:24,200 This now has no possible correction. 906 00:55:25,320 --> 00:55:28,000 It does. I'll look for something to patch it up. 907 00:55:30,360 --> 00:55:32,600 And some scissors and that's patched up. 908 00:55:34,240 --> 00:55:36,440 Maybe this wasn't the most obvious solution. 909 00:55:37,280 --> 00:55:38,680 This part is more difficult. 910 00:55:40,080 --> 00:55:41,240 It's overflowing, isn't it? 911 00:55:42,440 --> 00:55:44,400 I think it's overflowing. Underneath. 912 00:55:47,120 --> 00:55:49,600 I think I managed it. Done. 913 00:55:50,560 --> 00:55:54,040 Very good. I loved it. Overflowing from the bottom edges. 914 00:55:56,840 --> 00:56:00,760 There was an illegality there and you could have said you wouldn't do it, 915 00:56:01,200 --> 00:56:04,440 but nobody stopped Hugo Van Der Ding, the man continued and gave his best. 916 00:56:04,560 --> 00:56:09,400 This was the first test I did and I was panicking about the rules. 917 00:56:09,520 --> 00:56:14,440 I thought I had ruined it and thought I would continue to ruin it. 918 00:56:14,560 --> 00:56:16,080 Now, we have Pedro Alves. 919 00:56:16,200 --> 00:56:18,320 Pedro Alves, always intense, always vigorous, 920 00:56:18,760 --> 00:56:20,760 always giving everything, but the question is, 921 00:56:20,880 --> 00:56:23,640 did he give enough to receive points? 922 00:56:24,400 --> 00:56:26,720 I can use a hose and try to fill that up. 923 00:56:26,840 --> 00:56:27,840 Are there mango trees here? 924 00:56:28,440 --> 00:56:32,440 # RHYTHMIC INSTRUMENTAL THEME 925 00:56:33,080 --> 00:56:34,120 It won't work. 926 00:56:34,680 --> 00:56:36,680 # 927 00:56:37,160 --> 00:56:38,880 Is there a water source here? 928 00:56:39,440 --> 00:56:42,400 CENSORED SPEECH That's what it was. 929 00:56:43,200 --> 00:56:46,000 It filled the glass in an instant. Look how high it goes. 930 00:56:46,120 --> 00:56:47,600 That's a real jet. 931 00:56:48,200 --> 00:56:51,440 Does it have enough meters to go to that side? 932 00:56:51,880 --> 00:56:52,880 Let's see... 933 00:56:53,680 --> 00:56:55,760 We'll have to figure out a way to get this working. 934 00:56:56,640 --> 00:56:58,800 Can anyone get me a screwdriver? 935 00:56:59,120 --> 00:57:01,600 PEDRO SINGS He who has no dog hunts with a worm 936 00:57:02,120 --> 00:57:04,200 I watched a lot of "MacGyver" when I was a kid. 937 00:57:04,320 --> 00:57:08,040 I've never taken so long to stick something in a hole. 938 00:57:10,160 --> 00:57:12,160 LAUGHTER 939 00:57:12,320 --> 00:57:14,240 CENSORED SPEECH Wait, dude. 940 00:57:15,160 --> 00:57:17,680 How am I going to stick this shit in the tap? 941 00:57:18,000 --> 00:57:21,600 Black duct tape, which in this case isn't black duct tape, 942 00:57:22,040 --> 00:57:23,640 it's white duct tape. 943 00:57:25,040 --> 00:57:27,760 Be careful there! It could have a worm effect. 944 00:57:29,640 --> 00:57:33,640 LAUGHTER CENSORED SPEECH 945 00:57:34,480 --> 00:57:36,400 This did, but it was the effect that sends you to the ground. 946 00:57:38,520 --> 00:57:42,000 White duct tape may not withstand the pressure, but... 947 00:57:47,120 --> 00:57:51,360 What did you guys do? Did that shit burst? 948 00:57:53,600 --> 00:57:56,640 I'll tie it to the tree and everything so it doesn't come out. 949 00:57:56,920 --> 00:57:59,160 It would be good if it rained now. 950 00:57:59,800 --> 00:58:02,800 WATER 951 00:58:03,280 --> 00:58:05,680 It should work now. Let's go! 952 00:58:06,320 --> 00:58:07,640 It's coming out. 953 00:58:08,680 --> 00:58:12,680 # RHYTHMIC INSTRUMENTAL THEME 954 00:58:12,800 --> 00:58:16,800 # 955 00:58:17,000 --> 00:58:21,000 MUSIC FOR LAUGHTER 956 00:58:23,320 --> 00:58:25,840 Doesn't the water have force? Slowly. 957 00:58:26,280 --> 00:58:29,280 # 958 00:58:30,320 --> 00:58:34,320 LAUGHTER 959 00:58:35,440 --> 00:58:39,440 # RHYTHMIC INSTRUMENTAL THEME 960 00:58:40,240 --> 00:58:42,760 - It looks like a Mr. Bean scene. - Wonderful! 961 00:58:45,120 --> 00:58:46,680 Are you kidding me, or what? 962 00:58:52,480 --> 00:58:56,480 # RHYTHMIC INSTRUMENTAL THEME 963 00:58:56,600 --> 00:59:00,600 # 964 00:59:01,440 --> 00:59:03,600 Just so you know, this doesn't happen to me at 50. 965 00:59:04,040 --> 00:59:05,040 Why isn't this working? 966 00:59:05,600 --> 00:59:13,600 # 967 00:59:15,680 --> 00:59:16,680 Is it inside? 968 00:59:17,200 --> 00:59:19,200 # 969 00:59:20,160 --> 00:59:21,640 WHISTLING Is it overflowing? 970 00:59:23,040 --> 00:59:27,040 APPLAUSE 971 00:59:27,240 --> 00:59:28,240 What a beating. 972 00:59:28,800 --> 00:59:32,800 APPLAUSE 973 00:59:33,000 --> 00:59:34,640 That moment when you're lifting 974 00:59:35,040 --> 00:59:36,720 and magically the water stops, 975 00:59:36,840 --> 00:59:38,320 I thought of something and Gilmário verbalized it, 976 00:59:38,440 --> 00:59:39,600 "it looks like Mr. Bean". 977 00:59:39,720 --> 00:59:42,880 It's a brutal scene thinking we're succeeding 978 00:59:43,000 --> 00:59:45,000 and it gets up there and that... 979 00:59:46,840 --> 00:59:48,680 And I, what is happening here? 980 00:59:49,080 --> 00:59:51,240 It was indeed spectacular. Sorry to interrupt. 981 00:59:52,080 --> 00:59:53,760 I have some images here that may be shocking. 982 00:59:54,560 --> 00:59:58,560 Ladies and gentlemen, here is true visual poetry 983 00:59:58,960 --> 01:00:01,600 happening during Pedro's task. 984 01:00:01,720 --> 01:00:03,080 I find this fascinating. 985 01:00:03,640 --> 01:00:07,640 # SOFT INSTRUMENTAL THEME LAUGHTER 986 01:00:07,760 --> 01:00:15,760 # 987 01:00:15,880 --> 01:00:23,880 # 988 01:00:24,520 --> 01:00:26,880 - It's going to touch. VASCO: - The rug. 989 01:00:27,000 --> 01:00:29,720 Not on the rug! Not on the rug! 990 01:00:30,200 --> 01:00:31,200 No! 991 01:00:33,280 --> 01:00:35,120 VASCO: Stop! 992 01:00:35,360 --> 01:00:36,680 No! 993 01:00:38,920 --> 01:00:42,920 LAUGHTER APPLAUSE 994 01:00:43,200 --> 01:00:45,640 - What a marvel. - Poor thing. 995 01:00:45,760 --> 01:00:50,680 Look... This is the pure scene of life. 996 01:00:50,800 --> 01:00:52,720 The touch causes the squirt. 997 01:00:53,840 --> 01:00:55,040 What does this mean? 998 01:00:55,160 --> 01:00:58,520 Do we have to make Pedro's test illegal? 999 01:00:59,440 --> 01:01:00,560 Pedro, zero points. 1000 01:01:04,720 --> 01:01:08,240 However, Gabriela is over there nhonhonhó, but she gave up. 1001 01:01:08,760 --> 01:01:09,760 Zero points. 1002 01:01:12,880 --> 01:01:15,240 I didn't give up. I just couldn't do better. 1003 01:01:16,920 --> 01:01:19,160 - Hugo Van Der Ding also with zero. - Zero points also for Hugo. 1004 01:01:19,840 --> 01:01:23,560 Ana Garcia Martins four points and Gilmário Vemba five points. 1005 01:01:23,920 --> 01:01:25,000 An applause for Gilmário. 1006 01:01:25,440 --> 01:01:28,160 SPEAKS ENGLISH: I'm almost there. Look over there. 1007 01:01:28,880 --> 01:01:31,080 - Calm down. VASCO: - There's a jump... 1008 01:01:31,200 --> 01:01:33,480 ANA: - Look at me going. GILMÁRIO: - Look at us. 1009 01:01:34,600 --> 01:01:37,680 MARKL: Gilmário Vemba moves into the lead with 14 points 1010 01:01:37,800 --> 01:01:40,520 followed by Ana with 12, Gabriela with 11, 1011 01:01:40,640 --> 01:01:43,000 Hugo with ten and Pedro with seven. 1012 01:01:43,840 --> 01:01:45,560 VASCO: An applause. 1013 01:01:46,000 --> 01:01:48,000 APPLAUSE 1014 01:01:48,800 --> 01:01:52,720 I'm still in shock with so many people getting zero. 1015 01:01:52,840 --> 01:01:54,640 Three people got zero points on a task. 1016 01:01:54,760 --> 01:01:56,000 This doesn't happen every day. 1017 01:01:56,120 --> 01:01:58,720 Fortunately, here we have another different task 1018 01:01:58,840 --> 01:02:01,520 in which these people have a golden opportunity 1019 01:02:01,920 --> 01:02:04,160 to make us forget this absolute misery, 1020 01:02:04,280 --> 01:02:07,000 embrace a better and more dignified future. 1021 01:02:07,920 --> 01:02:11,920 # SOFT INSTRUMENTAL THEME 1022 01:02:12,040 --> 01:02:19,040 # 1023 01:02:19,480 --> 01:02:23,840 - May I? Here I am back. - My God. 1024 01:02:24,200 --> 01:02:26,760 I feel like Aunt Cathy preparing something. 1025 01:02:27,400 --> 01:02:28,400 Let's see. 1026 01:02:28,800 --> 01:02:34,520 "Glue the heaviest thing to the board, using three of the items..." 1027 01:02:35,080 --> 01:02:36,920 "Items on the shelves." SAYS "ITEMS" IN ENGLISH 1028 01:02:37,280 --> 01:02:38,800 I liked that you said items. SAYS "ITEMS" IN ENGLISH 1029 01:02:39,200 --> 01:02:42,880 "After choosing the three items you can't change your mind." 1030 01:02:43,240 --> 01:02:45,800 "Win the heaviest thing that stays glued to the board 1031 01:02:45,960 --> 01:02:47,360 "for at least one minute." 1032 01:02:48,000 --> 01:02:50,320 - You're no good. - Me, being glued to the board? 1033 01:02:53,640 --> 01:02:56,960 "You have 12 minutes and you have to choose your heaviest thing..." 1034 01:02:57,280 --> 01:02:58,600 "In the first two minutes." 1035 01:02:58,880 --> 01:03:00,640 - Now here. - You can choose anywhere. 1036 01:03:01,000 --> 01:03:02,600 "Time starts now." 1037 01:03:04,280 --> 01:03:05,280 What is this, super glue? 1038 01:03:05,640 --> 01:03:06,840 MARKL: You can't touch it, or you'll have to use it. 1039 01:03:08,000 --> 01:03:09,600 I'm going to start looking for something very heavy. 1040 01:03:12,240 --> 01:03:14,240 APPLAUSE 1041 01:03:14,840 --> 01:03:19,640 They had to glue the heaviest thing, chosen by them, to that board. 1042 01:03:19,760 --> 01:03:20,960 And it had to hold there. 1043 01:03:21,080 --> 01:03:23,600 It had to be something very well chosen. 1044 01:03:24,000 --> 01:03:25,880 Yes, this is one of those tasks 1045 01:03:26,000 --> 01:03:30,000 where, blinded by the irrational and greedy thirst for victory, 1046 01:03:30,240 --> 01:03:32,000 our competitors risked 1047 01:03:32,120 --> 01:03:35,600 trying to defy the very laws of Physics. 1048 01:03:36,120 --> 01:03:38,600 Let's start with Ana, Gilmário and Pedro, 1049 01:03:38,960 --> 01:03:43,000 a collective that I like to call Anagildro. 1050 01:03:44,640 --> 01:03:47,680 Well, I've already chosen the thing. 1051 01:03:48,400 --> 01:03:51,240 Let's go for this beautiful battery-powered radio. 1052 01:03:51,680 --> 01:03:52,680 MARKL: There it is! 1053 01:03:55,040 --> 01:03:56,680 Now, glue with what? 1054 01:03:57,080 --> 01:03:58,480 I'm going to use this without any fear. 1055 01:03:58,920 --> 01:04:00,680 Glue in the sense of getting stuck... 1056 01:04:00,800 --> 01:04:02,200 MARKL: It has to stay stuck for a minute. 1057 01:04:04,440 --> 01:04:08,440 GILMÁRIO SINGS CREOLE 1058 01:04:09,160 --> 01:04:11,200 MARKL: It's an incredible image. 1059 01:04:11,320 --> 01:04:15,240 I look like those pastry chefs who do that churro scene. 1060 01:04:17,440 --> 01:04:19,600 I chose the velcro straps. 1061 01:04:20,000 --> 01:04:23,040 This thing that I suspect I won't know how to use, 1062 01:04:23,160 --> 01:04:24,640 but that is sealant. 1063 01:04:24,760 --> 01:04:27,200 And thumbtacks. Thumbtacks. 1064 01:04:27,640 --> 01:04:28,840 I think this... 1065 01:04:31,840 --> 01:04:32,840 Plasticine. 1066 01:04:34,840 --> 01:04:37,600 - What is that? - Bands for back pain. 1067 01:04:37,720 --> 01:04:39,200 - Don't you use this much? - Not yet. 1068 01:04:43,160 --> 01:04:45,240 This doesn't stick here. It's no use to me. 1069 01:04:45,840 --> 01:04:47,720 This doesn't pierce the frame. 1070 01:04:48,720 --> 01:04:49,880 It's impossible. 1071 01:04:50,960 --> 01:04:54,960 # RHYTHMIC INSTRUMENTAL THEME 1072 01:04:55,080 --> 01:04:59,080 # 1073 01:05:00,640 --> 01:05:02,160 Complete disaster. 1074 01:05:02,400 --> 01:05:03,600 Let's glue it. 1075 01:05:04,160 --> 01:05:07,160 BLOW 1076 01:05:08,000 --> 01:05:09,040 It looks like "The Exorcist". 1077 01:05:11,120 --> 01:05:13,840 I'm not sure this will stick. This is a sealant. 1078 01:05:14,360 --> 01:05:15,960 MARKL: What's happening on television? 1079 01:05:17,640 --> 01:05:20,200 PEDRO: - I can't use anything else. - Three objects. You're only using one. 1080 01:05:21,280 --> 01:05:23,480 It's my thing of not reading the shit and then this is what happens. 1081 01:05:23,600 --> 01:05:25,320 MARKL: - You have six minutes. - Six minutes. 1082 01:05:25,640 --> 01:05:26,960 What am I going to do with this? 1083 01:05:29,880 --> 01:05:33,400 MARKL: If you've only just turned on your television, everything is under control. 1084 01:05:37,400 --> 01:05:40,040 Does this count as glued to the frame? It's leaning against the frame. 1085 01:05:40,440 --> 01:05:44,200 But nothing that a bit of sealant on the back won't solve. 1086 01:05:44,640 --> 01:05:47,640 What's the misfortune of this strip? It only sticks on one side. 1087 01:05:48,000 --> 01:05:49,000 Damn! 1088 01:05:49,600 --> 01:05:53,600 # RHYTHMIC INSTRUMENTAL THEME 1089 01:05:53,720 --> 01:05:57,720 # 1090 01:05:58,720 --> 01:06:00,160 MARKL: - Is it glued? - It's glued. 1091 01:06:01,920 --> 01:06:04,600 Considering that apparently there's no glue 1092 01:06:05,000 --> 01:06:06,040 there's no way it can be glued, 1093 01:06:06,160 --> 01:06:09,640 because as the name indicates what glues is glue. 1094 01:06:10,000 --> 01:06:11,640 If I put an arm like this... 1095 01:06:14,640 --> 01:06:15,760 - It's not hanging. - It's not. 1096 01:06:15,880 --> 01:06:17,360 It's the kid himself who's helping. 1097 01:06:18,560 --> 01:06:20,160 - Count. - I'm counting. 1098 01:06:20,760 --> 01:06:24,760 LAUGHTER 1099 01:06:25,040 --> 01:06:26,120 That's it. 1100 01:06:28,640 --> 01:06:31,400 GILMÁRIO: This won't fall, Markl. It's secure. 1101 01:06:32,040 --> 01:06:34,560 This is the same material that was used on the Vasco da Gama bridge. 1102 01:06:35,040 --> 01:06:38,280 - Here's the letter for the boss. - Ten, nine... 1103 01:06:38,840 --> 01:06:40,040 This could be in the Louvre. 1104 01:06:40,160 --> 01:06:42,320 I've seen things like this in museums. 1105 01:06:42,720 --> 01:06:46,240 Five, four, three... one. 1106 01:06:46,800 --> 01:06:49,800 MARKL WHISTLES LAUGHTER 1107 01:06:50,160 --> 01:06:51,640 Two, one... 1108 01:06:52,440 --> 01:06:54,440 - Do you consider it glued? PEDRO: - It's glued. 1109 01:06:54,960 --> 01:06:56,800 MARKL WHISTLES A minute has passed. 1110 01:06:56,920 --> 01:06:59,400 I think it was a pretty successful test 1111 01:06:59,520 --> 01:07:01,840 and I'm ready to defend what I did. 1112 01:07:02,240 --> 01:07:05,280 I will die for this winning idea of mine. 1113 01:07:05,680 --> 01:07:07,960 Incredible. Plasticine. 1114 01:07:10,600 --> 01:07:13,600 APPLAUSE 1115 01:07:14,560 --> 01:07:16,840 - Markl, the proof was glue, wasn't it? MARKL: - It was. 1116 01:07:17,400 --> 01:07:18,640 - It wasn't hanging. - No. 1117 01:07:19,200 --> 01:07:22,200 - Do you want to defend this theory of yours? - Certainly, Vasco. 1118 01:07:22,600 --> 01:07:25,960 Were any of the elements present glue? 1119 01:07:27,400 --> 01:07:31,520 What I'm saying is that maybe by mixing some things... 1120 01:07:32,000 --> 01:07:33,880 It had product behind the... 1121 01:07:34,000 --> 01:07:38,640 The strips were just a support to leverage the... 1122 01:07:40,920 --> 01:07:42,000 Shut up! 1123 01:07:42,120 --> 01:07:47,360 It had sealant behind it. That's what was gluing the radio to the board 1124 01:07:47,600 --> 01:07:51,200 and the pieces, like in any good work of architecture, of engineering, 1125 01:07:51,320 --> 01:07:56,000 have to have a foundation which was the tapes behind 1126 01:07:56,160 --> 01:07:58,200 that gave support, a sustenance... 1127 01:07:58,320 --> 01:08:00,040 Sounds like the final thesis of an architecture course. 1128 01:08:00,280 --> 01:08:03,000 When it's your turn, the girl speaks. Until then, be quiet. 1129 01:08:03,160 --> 01:08:07,960 VASCO: - Gilmário, what about you? - I glued it and reinforced it with plasticine, 1130 01:08:08,080 --> 01:08:10,560 which I glued behind the guitar. 1131 01:08:10,680 --> 01:08:12,480 You glued the plasticine, not the guitar. 1132 01:08:12,600 --> 01:08:13,600 The guitar is glued. 1133 01:08:13,720 --> 01:08:16,040 That's the material that was used to give support. 1134 01:08:16,160 --> 01:08:18,399 VASCO: - Pedro, did you glue the baby? - I did. Didn't you see? 1135 01:08:20,279 --> 01:08:24,000 - He was covered in glue everywhere. MARKL: - The baby had style. 1136 01:08:24,120 --> 01:08:27,000 MARKL: - He ended up like that in the picture. GILMÁRIO: - He's Spider-Baby. 1137 01:08:27,120 --> 01:08:31,200 But enjoying the scene, "you're going to win this shit". 1138 01:08:31,319 --> 01:08:33,600 Markl, you went there to test it, didn't you? 1139 01:08:34,359 --> 01:08:36,359 - Everything was hanging. VASCO: - It wasn't glued. 1140 01:08:36,479 --> 01:08:38,960 It was glued and he was enjoying it. He was... He was. 1141 01:08:39,080 --> 01:08:43,960 For the second time tonight I'm going to give zero points 1142 01:08:44,080 --> 01:08:47,439 to three people. - It always falls on me. 1143 01:08:47,600 --> 01:08:49,600 VASCO: Am I going to give zero to everyone, or not? 1144 01:08:49,960 --> 01:08:54,680 Let's see if any soul can successfully complete 1145 01:08:54,800 --> 01:08:58,800 this impossible mission, which is, gluing a thing to a thing. 1146 01:09:00,279 --> 01:09:03,200 I brought two things. They're not very heavy. 1147 01:09:03,439 --> 01:09:06,399 It's not worth going too thirsty to the pot. 1148 01:09:06,520 --> 01:09:08,200 MARKL: - You have to declare what it is... - It's the pot. 1149 01:09:08,600 --> 01:09:10,600 - The pot. HUGO: - It weighs nothing. 1150 01:09:11,080 --> 01:09:15,640 - You have to choose three things. - Oil, flour and water. 1151 01:09:15,760 --> 01:09:17,040 - To make glue. - Is that how you make glue? 1152 01:09:17,800 --> 01:09:19,640 Actually, it's even vinegar. I prefer it. 1153 01:09:21,279 --> 01:09:23,200 To make glue I even prefer vinegar. 1154 01:09:23,600 --> 01:09:25,600 I don't know if this will work. How disgusting. 1155 01:09:26,200 --> 01:09:28,600 - It's really becoming a glue. MARKL: - Aren't you going to use the water? 1156 01:09:29,200 --> 01:09:32,040 No, it's worse. This doesn't smell very good. 1157 01:09:35,920 --> 01:09:38,240 Your hope is that it takes one minute until... 1158 01:09:38,359 --> 01:09:39,600 Are you counting? 1159 01:09:39,960 --> 01:09:40,960 My God! 1160 01:09:44,359 --> 01:09:47,200 As it gets drier it gets stickier. 1161 01:09:47,319 --> 01:09:50,399 - But this way it slips less. - Good point. 1162 01:09:51,200 --> 01:09:54,200 HUGO STUTTERS 1163 01:09:54,560 --> 01:09:55,760 HUGO: It's being incredible. 1164 01:09:56,400 --> 01:09:58,400 HUGO SIGHS IN PITY 1165 01:09:59,040 --> 01:10:02,600 HUGO: Ooh, ooh... Ooh, ooh, ooh. 1166 01:10:03,240 --> 01:10:04,240 It lasted 23 seconds. 1167 01:10:04,640 --> 01:10:08,640 # SUSPENSE INSTRUMENTAL THEME 1168 01:10:08,760 --> 01:10:14,760 # 1169 01:10:15,040 --> 01:10:16,240 MARKL: Ten seconds. 1170 01:10:16,800 --> 01:10:18,800 # 1171 01:10:19,360 --> 01:10:20,600 This is good television. 1172 01:10:21,040 --> 01:10:24,040 # 1173 01:10:25,080 --> 01:10:26,280 MARKL: Twenty. 1174 01:10:29,160 --> 01:10:31,400 Never watching a pan has been so tense. 1175 01:10:32,080 --> 01:10:35,040 HUGO: It's just that there's a time when it starts to peel off. 1176 01:10:36,200 --> 01:10:37,360 My God. 1177 01:10:37,960 --> 01:10:40,960 LAUGHTER 1178 01:10:41,520 --> 01:10:44,280 MARKL: - 30 seconds. HUGO: - Hello. 1179 01:10:44,640 --> 01:10:47,360 He's going to start fast now, because there's nothing more. 1180 01:10:47,840 --> 01:10:50,840 # 1181 01:10:51,320 --> 01:10:53,400 - How much is it? - 41! 41 seconds. 1182 01:10:53,640 --> 01:10:55,840 - 41 seconds. - It's amazing. 1183 01:10:55,960 --> 01:10:58,520 I never thought you could make so good television with this. 1184 01:10:59,280 --> 01:11:02,720 - The smell. HUGO: - The smell is disgusting. 1185 01:11:03,760 --> 01:11:05,000 MARKL: 20. 1186 01:11:10,280 --> 01:11:11,280 A bed. 1187 01:11:12,600 --> 01:11:15,360 It's now or never. Go on! 1188 01:11:16,440 --> 01:11:17,440 MARKL: 20. 1189 01:11:19,080 --> 01:11:22,600 It was noble. You have a bathroom there to take a shower. 1190 01:11:22,720 --> 01:11:24,640 HUGO: - See you later. - See you later. 1191 01:11:25,000 --> 01:11:27,000 APPLAUSE 1192 01:11:27,720 --> 01:11:29,240 This was extremely exciting. 1193 01:11:29,800 --> 01:11:33,000 What did you use? What mixture was that? 1194 01:11:33,440 --> 01:11:36,640 I thought it was olive oil, but it was vinegar with flour and water 1195 01:11:36,760 --> 01:11:39,600 like they did in elementary school. I don't think they attended. 1196 01:11:41,200 --> 01:11:45,000 - But it was... - What a great... 1197 01:11:45,840 --> 01:11:49,600 In my school there was already tube glue. 1198 01:11:49,720 --> 01:11:51,360 But I'm very proud of this test. 1199 01:11:51,480 --> 01:11:54,960 That thing managed to glue, but it didn't reach the minute. 1200 01:11:55,080 --> 01:11:59,080 I have the duration here. 41 seconds. It was only 20 more. 1201 01:11:59,200 --> 01:12:01,200 - Gabriela is missing. - Missing. 1202 01:12:01,320 --> 01:12:03,640 Gabriela Barros, the final hope. 1203 01:12:05,040 --> 01:12:09,040 OBJECTS TREMBLE IN THE DISTANCE 1204 01:12:09,600 --> 01:12:11,720 - I don't know what I want to glue. - Choose one. 1205 01:12:12,200 --> 01:12:13,240 - Just one? MARKL: - Yes. 1206 01:12:14,800 --> 01:12:16,160 - One kilo. - One kilo? 1207 01:12:17,320 --> 01:12:19,000 - Portugal doesn't have to know... - It's grams. 1208 01:12:19,120 --> 01:12:20,120 That's what I said. 1209 01:12:21,560 --> 01:12:25,200 Go to the tray. Don't you think it's enough? 1210 01:12:26,400 --> 01:12:27,400 MARKL: Let's go! 1211 01:12:29,280 --> 01:12:32,600 - You have to choose three things from here. - Duct tape. Go for the mastic. 1212 01:12:33,600 --> 01:12:36,960 This is not heavy at all. Let me start over. 1213 01:12:37,400 --> 01:12:39,400 Now, it's done. You don't know what the others tried. 1214 01:12:40,400 --> 01:12:42,720 And plasti... 1215 01:12:43,920 --> 01:12:47,800 - How much time do I have? MARKL: - You have seven minutes. 1216 01:12:47,920 --> 01:12:49,000 I already won. 1217 01:12:50,680 --> 01:12:53,640 You sons of a great... CENSORED SPEECH 1218 01:12:56,400 --> 01:12:59,000 You sons of bitches! 1219 01:13:02,800 --> 01:13:03,800 Stupid! 1220 01:13:04,200 --> 01:13:05,200 How do you use this? 1221 01:13:05,600 --> 01:13:07,680 MARKL: It's like one of those pastry things. 1222 01:13:08,040 --> 01:13:12,040 LAUGHTER 1223 01:13:12,440 --> 01:13:15,040 I'd love to do these things with confidence. 1224 01:13:16,440 --> 01:13:20,440 LAUGHTER 1225 01:13:21,480 --> 01:13:22,520 MARKL: Maybe it will come out now. 1226 01:13:25,560 --> 01:13:29,560 LAUGHTER 1227 01:13:30,640 --> 01:13:31,640 MARKL: It went plop. 1228 01:13:34,320 --> 01:13:36,960 What is this for? I thought it was... 1229 01:13:37,080 --> 01:13:38,600 MARKL: If you push, it comes out. 1230 01:13:44,040 --> 01:13:48,360 Will that be enough? I'm going to count. Ten seconds. 1231 01:13:49,960 --> 01:13:54,080 The others chose much heavier things. I'm sad. 1232 01:13:54,560 --> 01:13:56,960 Can I do it again? I'll pretend I don't know anything. 1233 01:13:59,240 --> 01:14:00,320 It's moving. 1234 01:14:01,560 --> 01:14:02,560 MARKL: 30. 1235 01:14:03,720 --> 01:14:04,760 Nobody move. 1236 01:14:06,840 --> 01:14:08,040 MARKL: You can't touch it. 1237 01:14:10,720 --> 01:14:12,600 - 50. Ten seconds left. - Stay. 1238 01:14:13,440 --> 01:14:14,840 Good thing, stay. 1239 01:14:15,840 --> 01:14:17,200 - One minute. - I won. 1240 01:14:17,400 --> 01:14:19,400 MARKL WHISTLES 1241 01:14:19,520 --> 01:14:22,360 Just as well. I feel like you're leaving here distrustful. 1242 01:14:22,800 --> 01:14:24,160 Yes, because I think it's weak. 1243 01:14:24,600 --> 01:14:28,760 I confess that I leave defeated by this. I wasn't ambitious enough. 1244 01:14:28,880 --> 01:14:31,240 You never know. Life plays tricks on us. 1245 01:14:32,560 --> 01:14:34,080 PEDRO: What a great trick it played on you. 1246 01:14:34,640 --> 01:14:36,640 APPLAUSE 1247 01:14:37,280 --> 01:14:38,640 Pipoca gets zero. 1248 01:14:40,200 --> 01:14:42,800 - Gilmário gets zero. ANA: - What a shame. 1249 01:14:42,920 --> 01:14:44,400 Pedro Alves gets zero. 1250 01:14:44,960 --> 01:14:48,200 Hugo Van Der Ding... 19 seconds were missing. You get zero. 1251 01:14:50,600 --> 01:14:53,080 - Wait! He stuck a conhé. MARKL: - He stuck a conhé. 1252 01:14:53,520 --> 01:14:55,040 - Poor thing. VASCO: - Give him one. 1253 01:14:56,000 --> 01:15:00,000 LAUGHTER APPLAUSE 1254 01:15:00,800 --> 01:15:03,280 I'm so generous... 1255 01:15:03,400 --> 01:15:06,880 You're going to give me five, but I'm so generous, 1256 01:15:07,280 --> 01:15:09,600 I would give him one point, but since you already gave it, 1257 01:15:09,720 --> 01:15:10,800 it's all clear. 1258 01:15:10,920 --> 01:15:15,320 It's just to say that the attempt moved me 1259 01:15:15,440 --> 01:15:17,960 and the almost conquest of his plan. 1260 01:15:18,080 --> 01:15:21,360 VASCO: - I'll only give you four points. - No! No, let's go back. 1261 01:15:21,720 --> 01:15:23,280 Let's give a "rewind" in that head. 1262 01:15:23,640 --> 01:15:25,000 Five points for Gabriela Barros. 1263 01:15:25,640 --> 01:15:28,640 APPLAUSE 1264 01:15:29,360 --> 01:15:31,040 GILMÁRIO: Here she comes again. 1265 01:15:32,160 --> 01:15:34,480 VASCO: - So... PEDRO: - I'm still last. 1266 01:15:36,640 --> 01:15:38,400 MARKL: Gabriela moves to the front with 16. 1267 01:15:38,520 --> 01:15:40,840 Then, we have Gilmário with 14, Ana with 12, 1268 01:15:40,960 --> 01:15:42,800 Hugo with 11 and Pedro with seven. 1269 01:15:42,920 --> 01:15:44,600 VASCO: An applause for our five. 1270 01:15:45,000 --> 01:15:47,000 APPLAUSE 1271 01:15:47,280 --> 01:15:50,080 There will be a test done here in the studio, 1272 01:15:50,200 --> 01:15:54,120 however there is still something done at my house. 1273 01:15:54,560 --> 01:15:57,880 We've laughed a lot today, we've seen a lot of disaster, 1274 01:15:58,000 --> 01:16:02,640 it's time to embrace the sweetness and poetry of a beautiful fable. 1275 01:16:03,600 --> 01:16:07,600 # SOFT INSTRUMENTAL THEME 1276 01:16:07,720 --> 01:16:09,720 # 1277 01:16:10,440 --> 01:16:12,160 PEDRO: - Mr. Nuno? - Hello! 1278 01:16:12,640 --> 01:16:14,240 - I have a song for you. MARKL: - So? 1279 01:16:14,600 --> 01:16:16,680 PEDRO SINGS IN ENGLISH Let me take you far away 1280 01:16:17,040 --> 01:16:18,400 - Markl! MARKL: - Gilmário. 1281 01:16:18,760 --> 01:16:20,600 - Do you like Scorpions? - For you... 1282 01:16:21,000 --> 01:16:24,000 MARKL HUMS, PEDRO WHISTLES "HOLIDAY" 1283 01:16:24,520 --> 01:16:25,520 MARKL LAUGHS 1284 01:16:26,120 --> 01:16:28,600 - Why this joy? - It was circumstantial. 1285 01:16:29,040 --> 01:16:31,040 - Stop here. MARKL: - A little fable today. 1286 01:16:31,600 --> 01:16:33,400 - Hello! - There's a fake fish. 1287 01:16:36,440 --> 01:16:38,840 - Fish, fish, fish... - That's from a cartoon. 1288 01:16:41,680 --> 01:16:44,960 - Son of a b... - I knew that was going to happen. 1289 01:16:47,840 --> 01:16:50,560 GILMÁRIO: I got scared. CENSORED SPEECH 1290 01:16:51,400 --> 01:16:55,400 # CALM INSTRUMENTAL THEME 1291 01:16:55,520 --> 01:16:59,520 # 1292 01:16:59,960 --> 01:17:01,000 It's over. 1293 01:17:01,400 --> 01:17:02,480 Should we wait for him to die? 1294 01:17:03,960 --> 01:17:06,520 "Be a cool guy and take Fish back home." 1295 01:17:06,800 --> 01:17:08,280 "Fish can't touch the ground. 1296 01:17:08,680 --> 01:17:11,760 "You have to start Fish's journey back home..." 1297 01:17:12,120 --> 01:17:14,520 "Behind the bay and say..." 1298 01:17:14,880 --> 01:17:16,080 "'Go, Fish.'" 1299 01:17:16,400 --> 01:17:17,760 "'Good return home.'" 1300 01:17:18,160 --> 01:17:19,440 That phrase is very important. 1301 01:17:20,080 --> 01:17:23,240 "Go, Fish. Good return home." 1302 01:17:23,640 --> 01:17:25,440 - That phrase is important. - "'Good return home.' 1303 01:17:25,560 --> 01:17:28,640 "Win Fish's best trip back home. 1304 01:17:28,760 --> 01:17:29,760 "You have 20 minutes." 1305 01:17:30,240 --> 01:17:32,640 Is that all, put it there? 1306 01:17:33,240 --> 01:17:34,240 Get out of here and put it there? 1307 01:17:34,840 --> 01:17:36,040 - Behind the bay is here? - That's it. 1308 01:17:36,400 --> 01:17:39,320 Fish's house is water. An aquarium, a pool. 1309 01:17:39,800 --> 01:17:42,880 Fish Villa, Largo do Jardim, number 1. 1310 01:17:43,440 --> 01:17:44,640 Fish's house is... 1311 01:17:45,040 --> 01:17:47,040 Calm down. You're going home soon. 1312 01:17:47,600 --> 01:17:51,600 Just a little bit. Just be quiet for a little bit. 1313 01:17:51,960 --> 01:17:53,400 A "fish" like this doesn't fit in that house. 1314 01:17:53,720 --> 01:17:58,680 Nothing like a traditional... Is he going to do it again? I knew it. 1315 01:17:59,440 --> 01:18:03,440 APPLAUSE 1316 01:18:03,800 --> 01:18:07,760 Because I think the sweetness and poetry of a beautiful fable 1317 01:18:08,200 --> 01:18:10,000 have as much to do with the moment that follows 1318 01:18:10,400 --> 01:18:12,640 as my pants size has to do with your waist? 1319 01:18:13,640 --> 01:18:16,800 Free. And yet, surprisingly correct. 1320 01:18:17,920 --> 01:18:20,520 They always had to manage behind the bay 1321 01:18:20,920 --> 01:18:22,800 to get the fish into their house. 1322 01:18:23,200 --> 01:18:27,640 A dream house. Basically, it was a sly aquarium. 1323 01:18:28,240 --> 01:18:31,040 To have a fish with a motion sensor 1324 01:18:31,160 --> 01:18:33,160 that's what we came up with. We had to cut back on the house. 1325 01:18:33,280 --> 01:18:36,960 VASCO: - Gabriela screamed. - Of course, she did. It was great. 1326 01:18:37,360 --> 01:18:38,760 VASCO: It was a good investment. Who do we start with? 1327 01:18:39,280 --> 01:18:41,840 Let's see Pedro Alves and Gilmário Vemba, 1328 01:18:42,200 --> 01:18:44,560 being good for Fish. 1329 01:18:46,400 --> 01:18:49,600 The easiest will be with a fishing rod. 1330 01:18:50,160 --> 01:18:51,560 Go, Fish! 1331 01:18:51,680 --> 01:18:53,600 Welcome back home. 1332 01:18:54,320 --> 01:18:57,000 MARKL: - I thought it was almost possible. - He lives in the basement. 1333 01:18:58,800 --> 01:19:01,440 PEDRO: I'm going to put Fish on the ground. Stay there, quiet. 1334 01:19:03,040 --> 01:19:08,000 What if I create a pipe for Fish to make the trip... 1335 01:19:08,480 --> 01:19:12,640 This will be a non-extendable fishing rod that is a club. 1336 01:19:13,240 --> 01:19:15,440 GILMÁRIO: - Do you control time? - Yes. 1337 01:19:16,560 --> 01:19:17,560 My God! 1338 01:19:19,960 --> 01:19:21,080 The intention was good. 1339 01:19:22,040 --> 01:19:26,040 # SOFT INSTRUMENTAL THEME 1340 01:19:27,160 --> 01:19:29,440 I love the effect. The effect is beautiful. 1341 01:19:29,880 --> 01:19:31,800 - This theory makes perfect sense. - It does. 1342 01:19:31,920 --> 01:19:34,000 The bigger the rod, the harder it is to lift. 1343 01:19:34,480 --> 01:19:36,360 PEDRO: I can try various shits. 1344 01:19:36,680 --> 01:19:38,000 I can try to throw and hit there. 1345 01:19:38,160 --> 01:19:39,600 Don't forget you have to say the sentence. 1346 01:19:40,000 --> 01:19:42,320 - Go, Fish. - Welcome home. 1347 01:19:44,920 --> 01:19:45,960 - Look. - Look. 1348 01:19:46,320 --> 01:19:47,920 Welcome home. 1349 01:19:50,120 --> 01:19:51,160 Forget it! 1350 01:19:51,480 --> 01:19:55,840 You know what I want to try? It was putting the aquarium on your head. 1351 01:19:57,600 --> 01:19:58,920 I can get hit with a fish in the face. 1352 01:19:59,240 --> 01:20:01,600 Go, Fish. Welcome home. 1353 01:20:04,200 --> 01:20:06,000 That's it, Markl. 1354 01:20:06,600 --> 01:20:10,600 # RHYTHMIC INSTRUMENTAL THEME 1355 01:20:12,200 --> 01:20:13,680 PEDRO: Get out! 1356 01:20:15,720 --> 01:20:18,960 A cool little fish going back home. Wait up! 1357 01:20:19,360 --> 01:20:20,920 MARKL: The sentence should have been said before... 1358 01:20:21,040 --> 01:20:22,600 Go, Fish. Welcome home. 1359 01:20:22,840 --> 01:20:23,920 Do I have to do everything again? 1360 01:20:24,440 --> 01:20:26,680 You can do this. You're here and you do this. 1361 01:20:27,240 --> 01:20:28,240 Okay. 1362 01:20:28,440 --> 01:20:31,480 Go, Fish. Welcome home. 1363 01:20:37,240 --> 01:20:39,600 It's not the most pleasant moment of my life. 1364 01:20:40,720 --> 01:20:42,640 MARKL: - Because it's the arms... - Go, Fish. 1365 01:20:43,200 --> 01:20:44,640 Welcome... 1366 01:20:45,040 --> 01:20:49,120 Why is the fish spining? I don't know. 1367 01:20:50,080 --> 01:20:51,080 I already took it. 1368 01:20:51,200 --> 01:20:53,840 Go, Fish. Son of a... 1369 01:20:54,560 --> 01:20:55,560 Go! 1370 01:20:57,240 --> 01:21:00,920 Go, Fish. Welcome home. 1371 01:21:01,040 --> 01:21:02,720 Go, Fish. Look, it came out. 1372 01:21:03,720 --> 01:21:06,200 - Get out of there! Be careful! - God help me. 1373 01:21:06,520 --> 01:21:08,720 Go, Fish. Welcome home. 1374 01:21:08,840 --> 01:21:11,640 I said it several times. Stop! MARKL WHISTLES 1375 01:21:13,000 --> 01:21:17,000 DRUM ROLL 1376 01:21:19,680 --> 01:21:21,440 - Should I get up? - Yes. 1377 01:21:23,280 --> 01:21:24,920 - Yes. - Are you trying to release the... 1378 01:21:26,480 --> 01:21:27,600 What is this that is happening? 1379 01:21:27,720 --> 01:21:30,680 Go, Fish. Welcome back home. 1380 01:21:34,160 --> 01:21:35,440 - Can I go or... - You can. 1381 01:21:35,560 --> 01:21:37,400 - I'm tired. - Go rest. 1382 01:21:37,520 --> 01:21:40,080 Go soak your arms. Thank you. 1383 01:21:41,240 --> 01:21:42,240 MARKL WHISTLES 1384 01:21:42,360 --> 01:21:44,640 Fish, stay cool. 1385 01:21:45,440 --> 01:21:49,440 APPLAUSE 1386 01:21:50,400 --> 01:21:53,200 Gilmário, do you think it was a good trip for your friend Fish? 1387 01:21:53,600 --> 01:21:56,760 For me, he lived in the basement. Fish knows where he lives. 1388 01:21:56,880 --> 01:21:58,760 In the first launch he went straight there. 1389 01:21:58,880 --> 01:22:02,280 Sometimes, we want to put people living on the eighth floor 1390 01:22:02,400 --> 01:22:04,440 and they know that life is better down there. 1391 01:22:05,320 --> 01:22:07,600 VASCO: Pedro Alves, your strategy with Fish was 1392 01:22:07,960 --> 01:22:10,800 to try to make a fishing rod ten meters long. 1393 01:22:10,920 --> 01:22:12,280 It cost me a lot to do that, 1394 01:22:12,400 --> 01:22:14,800 because I noticed that Fish didn't like that house. 1395 01:22:14,920 --> 01:22:16,120 You could tell by the size. 1396 01:22:16,640 --> 01:22:18,360 He was a Fish who liked to be out of the house. 1397 01:22:18,480 --> 01:22:21,560 I had a fish like that, it was suicidal, it threw itself out of the aquarium. 1398 01:22:21,800 --> 01:22:24,600 We've already seen two of Fish's trips back home. Go, Fish. 1399 01:22:24,720 --> 01:22:26,480 Now, I'm thirsty for more drama. 1400 01:22:26,880 --> 01:22:29,280 Preferably with a happy ending, 1401 01:22:29,400 --> 01:22:32,560 because whenever I see dramas of a piscatorial nature, 1402 01:22:33,160 --> 01:22:36,960 beneath this tough exterior, I feel a scaly heart beating. 1403 01:22:37,280 --> 01:22:39,040 A scaly heart. You should see it. 1404 01:22:39,400 --> 01:22:42,120 Here's Hugo Van Der Ding and Gabriela Barros, 1405 01:22:42,240 --> 01:22:46,600 helping our aquatic hero return to his cozy home. 1406 01:22:48,040 --> 01:22:50,200 You should start by finding where the fish's house is. 1407 01:22:51,920 --> 01:22:55,840 - It's over there. I can't see well. - You were going to get there. 1408 01:22:56,480 --> 01:22:59,440 That traditional one. Let's try. 1409 01:22:59,800 --> 01:23:01,560 - If you get it right... - Imagine... 1410 01:23:02,000 --> 01:23:03,000 You had to say the phrase. 1411 01:23:03,800 --> 01:23:04,800 CENSORED SPEECH 1412 01:23:05,000 --> 01:23:06,600 Your idea is to ride the inflatable? 1413 01:23:06,720 --> 01:23:07,720 HUGO: Yes. 1414 01:23:08,040 --> 01:23:09,040 What's the text? 1415 01:23:09,240 --> 01:23:11,960 Go, Fish. Welcome home. 1416 01:23:13,840 --> 01:23:17,440 - Throw me the Fish. - I knew this would fall on me. 1417 01:23:18,800 --> 01:23:20,440 - It's 20 minutes, isn't it? - It is. 1418 01:23:21,840 --> 01:23:24,600 Go, Fish. Welcome home. 1419 01:23:26,160 --> 01:23:28,160 CENSORED SPEECH 1420 01:23:31,920 --> 01:23:33,160 Go, Fish. Welcome home. 1421 01:23:36,120 --> 01:23:38,680 - We have a question. - Can't I cross the bay? 1422 01:23:38,800 --> 01:23:39,800 MARKL: Well... 1423 01:23:40,240 --> 01:23:42,880 - There's a fishing rod here, isn't there? MARKL: - How would I know? There's so much stuff. 1424 01:23:44,320 --> 01:23:46,560 HUGO SCREAMS I got scared. 1425 01:23:47,600 --> 01:23:49,000 Down! 1426 01:23:51,360 --> 01:23:53,960 Go, Fish. Good to be home. 1427 01:23:57,280 --> 01:23:58,400 Can I do it again? 1428 01:23:58,920 --> 01:24:00,600 MARKL: Wasn't it amazing to do a pole vault? 1429 01:24:03,600 --> 01:24:05,760 You'd come here from the bay, but it was spectacular. 1430 01:24:07,160 --> 01:24:08,160 No! 1431 01:24:09,040 --> 01:24:10,320 - Fire! - Yeah... 1432 01:24:11,400 --> 01:24:14,680 Quiet, there! Good to be home. 1433 01:24:15,200 --> 01:24:16,320 I'm going to grab random things. 1434 01:24:16,680 --> 01:24:18,480 To create a certain spectacularity. 1435 01:24:19,440 --> 01:24:20,760 Yes! 1436 01:24:21,200 --> 01:24:23,040 - Are you getting my... MARKL: - I am. 1437 01:24:23,640 --> 01:24:26,840 Ideally and in terms of happiness it was spectacular 1438 01:24:26,960 --> 01:24:31,000 that as soon as he entered the wires and sticks would come out. 1439 01:24:35,680 --> 01:24:39,920 - You don't have to think here, Markl. MARKL: - It's a personal taste of mine. 1440 01:24:40,400 --> 01:24:42,000 You'd really like this? 1441 01:24:45,600 --> 01:24:47,520 Go, Fish. Good homecoming. 1442 01:24:49,640 --> 01:24:51,960 Should I risk doing the fisherman's throw? 1443 01:24:52,080 --> 01:24:53,080 My God. 1444 01:24:53,960 --> 01:24:56,960 # RHYTHMIC INSTRUMENTAL THEME LAUGHTER 1445 01:24:57,960 --> 01:24:59,080 MARKL: Move to this side, maybe. 1446 01:24:59,760 --> 01:25:01,040 Because if I pull... 1447 01:25:01,640 --> 01:25:05,520 Instead of pulling the fish you pull the stick, so to speak. 1448 01:25:06,560 --> 01:25:09,000 Besides the puns you're reinventing laws of Physics. 1449 01:25:09,400 --> 01:25:11,600 Go, Fish. Good homecoming. 1450 01:25:12,040 --> 01:25:15,040 GABRIELA SCREAMS 1451 01:25:15,440 --> 01:25:17,880 Goodbye, Fish. Good homecoming. 1452 01:25:20,240 --> 01:25:21,240 Oh man! 1453 01:25:21,600 --> 01:25:22,600 Go... 1454 01:25:23,640 --> 01:25:26,400 Go, Fish. Go back home. 1455 01:25:28,520 --> 01:25:30,200 What can hold the stick in the middle? 1456 01:25:31,960 --> 01:25:32,960 MARKL: Good! 1457 01:25:33,840 --> 01:25:36,840 GABRIELA HUMS 1458 01:25:37,440 --> 01:25:41,080 Go, Fish. Good homecoming. 1459 01:25:41,600 --> 01:25:43,680 Enter... CENSORED SPEECH 1460 01:25:45,080 --> 01:25:48,680 Goodbye, Fish. Good homecoming. 1461 01:25:49,200 --> 01:25:51,400 - Is it touching? Is it inside? MARKL: - It's just the head... 1462 01:25:51,960 --> 01:25:52,960 Wow! 1463 01:25:54,880 --> 01:25:58,160 MARKL: - It's almost there. - Go, as... 1464 01:25:58,280 --> 01:25:59,320 MARKL: That's not the phrase. 1465 01:25:59,440 --> 01:26:01,760 Go, Fish. Good homecoming. 1466 01:26:02,640 --> 01:26:04,000 - It is. MARKL: - Can I whistle? 1467 01:26:04,200 --> 01:26:06,000 GABRIELA: Yes. MARKL WHISTLES 1468 01:26:07,240 --> 01:26:09,240 APPLAUSE 1469 01:26:10,200 --> 01:26:12,200 Hugo Van Der Ding, I'm very curious to know 1470 01:26:12,320 --> 01:26:14,600 what trip you were going to take with Fish on that duck. 1471 01:26:15,440 --> 01:26:17,240 I don't really know. There was a part that said 1472 01:26:17,360 --> 01:26:19,960 that it had to be the most spectacular trip. 1473 01:26:20,080 --> 01:26:22,200 - And it was being spectacular. HUGO: - I thought so. 1474 01:26:22,320 --> 01:26:24,800 The trip was you on top of the duck taking the fish. 1475 01:26:25,160 --> 01:26:26,480 Taking the fish. And he would get there and do this. 1476 01:26:26,800 --> 01:26:29,800 The fish would fall, everything would be fine, you would clap 1477 01:26:29,920 --> 01:26:32,600 and I would get five points. MARKL: - Consecration. 1478 01:26:32,720 --> 01:26:34,960 But I don't think that was the situation. 1479 01:26:35,080 --> 01:26:38,440 We'll see! Gabriela, a central element was needed. 1480 01:26:38,560 --> 01:26:41,200 An element that would give support for your rod. 1481 01:26:41,640 --> 01:26:45,720 Yes, because I wasn't very smart, which I know is unusual for me, 1482 01:26:46,200 --> 01:26:50,560 and I picked up heavy sticks. PEDRO: - Heavy sticks. 1483 01:26:51,920 --> 01:26:55,200 - Pigs. Minds... - I didn't say anything. 1484 01:26:55,560 --> 01:26:58,800 We saw Fish coming home, but one trip is missing. 1485 01:26:58,920 --> 01:27:00,680 MARKL: - Yes. - Go, Fish. Welcome home. 1486 01:27:00,800 --> 01:27:02,000 This phrase could become 1487 01:27:02,120 --> 01:27:04,840 one of the great iconic phrases in popular culture, I think. 1488 01:27:04,960 --> 01:27:07,640 That's right. I would love our fan community 1489 01:27:08,000 --> 01:27:10,400 to shout that phrase across social media. 1490 01:27:10,800 --> 01:27:13,200 That t-shirts were made of this. 1491 01:27:13,560 --> 01:27:17,120 That people tattoo "go, Fish. Welcome home" on their bodies. 1492 01:27:18,200 --> 01:27:23,840 And even that couples shout that in the heat of passion in their beds. 1493 01:27:25,000 --> 01:27:26,640 VASCO: But who says that in the heat of passion? 1494 01:27:27,280 --> 01:27:28,280 MARKL: People. 1495 01:27:29,880 --> 01:27:31,120 - Which people? - Me. 1496 01:27:34,600 --> 01:27:38,520 Let's see how Ana Garcia Martins solved this touching mess. 1497 01:27:38,960 --> 01:27:41,080 We are sure he lives here. 1498 01:27:42,600 --> 01:27:44,200 What am I thinking? 1499 01:27:44,760 --> 01:27:47,560 That was indeed his house, the Fish villa. 1500 01:27:47,920 --> 01:27:53,320 But due to the housing crisis the rent has increased a lot 1501 01:27:53,840 --> 01:27:58,400 and Fish can no longer afford the rent of this aquarium. 1502 01:27:58,880 --> 01:28:02,360 And so he will have to look for an alternative 1503 01:28:02,480 --> 01:28:06,800 more according to his gill and will live somewhere else. 1504 01:28:06,920 --> 01:28:07,920 Okay. 1505 01:28:08,400 --> 01:28:10,960 Let's go behind the bay then. Look at me behind the bay. 1506 01:28:11,320 --> 01:28:13,400 You're not really behind the bay. Go behind the bay. 1507 01:28:14,200 --> 01:28:16,000 Fish is a child. I'm going to put him back here. 1508 01:28:16,600 --> 01:28:18,640 Watch out for the bay. Are you behind the bay? 1509 01:28:18,760 --> 01:28:19,960 ANA: I'm behind the bay. 1510 01:28:20,080 --> 01:28:22,640 Be quiet. Let me put your belt on quietly. 1511 01:28:23,040 --> 01:28:25,240 I'm just going to get something. Stay there for a bit. 1512 01:28:25,400 --> 01:28:27,720 - Don't leave here. - No. 1513 01:28:28,240 --> 01:28:31,680 Decent housing, decent housing. 1514 01:28:32,200 --> 01:28:35,200 Fish deserves a house. Decent housing. 1515 01:28:36,000 --> 01:28:37,920 FISH GETS AGITATED Look... 1516 01:28:38,040 --> 01:28:39,960 Calm down, this is quick. 1517 01:28:40,560 --> 01:28:43,400 Fish is a citizen, he has the right to housing. 1518 01:28:44,040 --> 01:28:47,040 # FUN INSTRUMENTAL THEME 1519 01:28:47,560 --> 01:28:50,640 I'm starting to think that leaving him in the aquarium wouldn't have been... 1520 01:28:51,280 --> 01:28:52,920 It was more practical. 1521 01:28:53,360 --> 01:28:57,520 Telling a story conceptually is more epic. 1522 01:28:57,960 --> 01:28:59,200 What was the fish, fish, fish? 1523 01:28:59,320 --> 01:29:01,480 - It was "Sesame Street". - Of course. 1524 01:29:01,600 --> 01:29:04,440 - Egas and Becas who went fishing. - Of course. 1525 01:29:05,200 --> 01:29:06,640 Fish, fish, fish. 1526 01:29:07,600 --> 01:29:09,040 Look at him back there. 1527 01:29:09,840 --> 01:29:10,840 MARKL: Hang in there. 1528 01:29:13,840 --> 01:29:16,320 - We made it. - Safe and sound. 1529 01:29:16,840 --> 01:29:19,240 - Five stars on the app. - Yes, ma'am. 1530 01:29:20,360 --> 01:29:23,160 And you, my little one? Treasure. Your mother's most beautiful thing. 1531 01:29:23,840 --> 01:29:27,680 Let's go, then. We have fish, poster, bays... 1532 01:29:28,520 --> 01:29:29,560 Let's get on with our lives. 1533 01:29:29,920 --> 01:29:32,720 We're arriving at your new home, little one. 1534 01:29:33,160 --> 01:29:36,600 Let's put... He used to live in a mansion. 1535 01:29:37,040 --> 01:29:39,920 Maybe we'll put something more modest. 1536 01:29:40,040 --> 01:29:41,600 - An annex. - Fish Annex. 1537 01:29:41,720 --> 01:29:43,080 Fish Annex. 1538 01:29:43,360 --> 01:29:45,280 That could be a good name for a fish shop. 1539 01:29:45,400 --> 01:29:48,400 If you can, stay there burying that. 1540 01:29:48,960 --> 01:29:53,960 And let's proceed to the Fish launching ceremony. 1541 01:29:54,400 --> 01:29:58,960 ANA: I hope you're happy, Fish. It was the best place I found. 1542 01:29:59,120 --> 01:30:00,200 Give Fish a kiss. 1543 01:30:00,960 --> 01:30:03,080 Go, Fish. Welcome home, little one. 1544 01:30:03,800 --> 01:30:05,240 I'm having that thing of separation, you know? 1545 01:30:05,360 --> 01:30:07,880 Sure. You spent a lot of time together. 1546 01:30:08,400 --> 01:30:11,480 Go, Fish. Welcome home. 1547 01:30:15,520 --> 01:30:18,080 MARKL: There he goes. He doesn't want to go. He's coming back. 1548 01:30:18,640 --> 01:30:21,880 - He'll eventually settle in. - Bye, my kid. 1549 01:30:22,120 --> 01:30:24,000 Go for it. MARKL WHISTLES 1550 01:30:25,600 --> 01:30:29,600 APPLAUSE 1551 01:30:30,640 --> 01:30:33,600 Pipoca, what trip did Fish take? 1552 01:30:34,040 --> 01:30:37,400 It was this. Houses are expensive in Lisbon, 1553 01:30:37,840 --> 01:30:40,000 and he was returned to his natural habitat. He's very happy. 1554 01:30:40,120 --> 01:30:41,920 We've been talking. He's been sending news. 1555 01:30:42,040 --> 01:30:45,640 He's great. He has a lot of space now. 1556 01:30:46,040 --> 01:30:50,600 He started a family. He already has little fish. 374. 1557 01:30:50,720 --> 01:30:51,800 - They are very happy. MARKL: - Good to know. 1558 01:30:51,920 --> 01:30:54,200 Fish calls Ana and asks, "what's wrong?". 1559 01:30:54,320 --> 01:30:58,360 And she, "longing, longing, longing, longing, longing, longing". 1560 01:30:59,360 --> 01:31:01,240 It must be said... 1561 01:31:03,280 --> 01:31:06,560 It must be said here that what mattered was Fish's trip. 1562 01:31:06,880 --> 01:31:08,280 MARKL: - It was. - Most of them 1563 01:31:08,400 --> 01:31:09,480 weren't very different, 1564 01:31:09,600 --> 01:31:11,520 because Fish was already almost reaching the aquarium. 1565 01:31:12,040 --> 01:31:15,680 I'll give three, three, three, three, because they managed, 1566 01:31:15,800 --> 01:31:18,680 but the five points go to the last great trip 1567 01:31:18,800 --> 01:31:20,440 that Pipoca gave to Fish 1568 01:31:20,560 --> 01:31:24,240 and took the fish to its natural habitat 1569 01:31:24,360 --> 01:31:27,560 and even gave him a car ride. Great Fish. Great Pipoca. 1570 01:31:28,440 --> 01:31:29,440 My fish. 1571 01:31:29,560 --> 01:31:33,040 And before the last studio test, how are things? 1572 01:31:33,160 --> 01:31:34,360 PEDRO: I'm in last place. 1573 01:31:36,120 --> 01:31:38,000 MARKL: In the lead, Gabriela with 19. 1574 01:31:38,120 --> 01:31:40,240 Then, Ana and Gilmário tied with 17. 1575 01:31:40,360 --> 01:31:42,560 Hugo with 14 and Pedro with ten. 1576 01:31:42,680 --> 01:31:44,160 VASCO: A round of applause for our five. 1577 01:31:45,240 --> 01:31:48,400 Get those glutes up and go to our stage. 1578 01:31:49,000 --> 01:31:53,000 APPLAUSE 1579 01:31:53,120 --> 01:31:54,120 (...) 1580 01:31:54,840 --> 01:31:59,480 - Nuno, what are you pointing at? - At the last task. 1581 01:31:59,880 --> 01:32:01,480 And Hugo Van Der Ding is going to read it. 1582 01:32:01,600 --> 01:32:03,960 VASCO: A round of applause for our guest, Hugo Van Der Ding. 1583 01:32:04,200 --> 01:32:05,920 PEDRO: - Can you read? - Thank you. 1584 01:32:08,640 --> 01:32:13,200 "Push the Fish to the target, using your mop." What is this? 1585 01:32:13,480 --> 01:32:15,840 "You have to push your Fish in the next ten seconds 1586 01:32:15,960 --> 01:32:17,600 "to Markl placing your Fish. 1587 01:32:17,800 --> 01:32:19,760 "The Fish that is furthest from the center of the target 1588 01:32:19,880 --> 01:32:22,080 "at the end of each round is eliminated. 1589 01:32:22,360 --> 01:32:24,640 "The last Fish to survive wins." 1590 01:32:24,920 --> 01:32:26,160 MARKL: Exactly. That's what's going to happen. 1591 01:32:26,280 --> 01:32:28,680 I'm going to place the Fish there on that mark. 1592 01:32:29,360 --> 01:32:31,120 You have to give it a "mop". 1593 01:32:31,240 --> 01:32:35,000 If the Fish leaves this track here, you are disqualified. 1594 01:32:35,640 --> 01:32:39,600 And from then on, we'll see who can get the Fish closest to the target. 1595 01:32:40,040 --> 01:32:43,600 Let's start with Ana Garcia Martins and her Fish. 1596 01:32:43,720 --> 01:32:45,320 - Blue fish. MARKL: - Blue fish. 1597 01:32:45,440 --> 01:32:46,600 PEDRO: Blue fish. 1598 01:32:47,920 --> 01:32:50,400 - Force! VASCO: - Attention to the target, Ana. 1599 01:32:53,640 --> 01:32:56,720 We have the first Fish. It's halfway. 1600 01:32:57,240 --> 01:32:59,160 MARKL: - Next is Gilmário Vemba. - Let's go, Gilmário! 1601 01:33:02,560 --> 01:33:05,960 No, it's really dead. It's too far. It has to be here. 1602 01:33:06,360 --> 01:33:08,320 MARKL: - It has to be on the mark. GABRIELA: - Sweep the one from Pipoca. 1603 01:33:09,680 --> 01:33:11,400 VASCO: Good! 1604 01:33:12,000 --> 01:33:14,000 APPLAUSE 1605 01:33:14,360 --> 01:33:16,800 MARKL: - Good... PEDRO: - Your fish... 1606 01:33:16,920 --> 01:33:18,720 GABRIELA: - Come on. PEDRO: - ... Is on its way. 1607 01:33:19,280 --> 01:33:21,400 Mine is very lively. 1608 01:33:22,160 --> 01:33:24,160 Go! Calm down, little bug. Calm down. 1609 01:33:25,800 --> 01:33:26,800 Five seconds. 1610 01:33:29,640 --> 01:33:32,080 PEDRO: - It's me. Yellow fish. - Pedro's fish. 1611 01:33:33,440 --> 01:33:37,800 Can it be based on golf, or not? I'm doing this right. 1612 01:33:43,960 --> 01:33:46,640 MARKL: - Hugo, let's do this. - I'm terrible at this. 1613 01:33:47,200 --> 01:33:48,960 See if you stay behind. 1614 01:33:49,680 --> 01:33:51,680 APPLAUSE 1615 01:33:51,840 --> 01:33:53,480 HUGO SPEAKS ENGLISH: Thank you. 1616 01:33:55,760 --> 01:33:59,680 MARKL: - It's going to fall. HUGO: - It won't fall. It won't fall. 1617 01:34:00,720 --> 01:34:02,200 This is very exciting. It stopped. 1618 01:34:02,320 --> 01:34:07,200 My Fish is no longer closer to the target compared to... 1619 01:34:07,560 --> 01:34:08,840 GABRIELA: There are rounds. 1620 01:34:08,960 --> 01:34:12,720 The Fish that is farthest away will be eliminated. 1621 01:34:12,840 --> 01:34:14,760 MARKL: Let's measure the distance. 1622 01:34:15,760 --> 01:34:18,520 ANA: Move the mop back. You're pushing the fish's butt. 1623 01:34:20,040 --> 01:34:23,120 - From the center it's 1.14 m. - Thirteen and a half. 1624 01:34:23,560 --> 01:34:26,600 MARKL: Okay. Let's see what's going on here. 1625 01:34:29,760 --> 01:34:32,200 - 1.14 m. - No, mine is one meter and 13 and a half. 1626 01:34:33,680 --> 01:34:35,280 VASCO: - How much is it at? - 1.14 m. 1627 01:34:35,440 --> 01:34:38,640 VASCO: - At 14? - They are the same distance. 1628 01:34:38,760 --> 01:34:41,680 VASCO: - Be rigorous, Markl. - I think this one is farther. 1629 01:34:42,200 --> 01:34:43,680 VASCO: - And who's is the green one? - Van Der Ding's. 1630 01:34:45,600 --> 01:34:47,600 I thought it had been such a good play. 1631 01:34:47,720 --> 01:34:48,720 You're not upset, are you? 1632 01:34:48,840 --> 01:34:50,960 VASCO: An applause for Hugo Van Der Ding. 1633 01:34:52,280 --> 01:34:54,200 PEDRO: I am upset. 1634 01:34:55,760 --> 01:34:57,800 MARKL: Let's go to the second round. 1635 01:34:57,920 --> 01:35:01,480 And this time we're going to start with Gilmário and his flaccid fish. 1636 01:35:03,120 --> 01:35:05,600 GILMÁRIO: - The fish is dead. MARKL: - It doesn't work well. 1637 01:35:06,160 --> 01:35:08,000 GABRIELA: Put another one. This is a disadvantage. 1638 01:35:08,120 --> 01:35:10,560 He's stopped. The aerodynamics are different. 1639 01:35:12,520 --> 01:35:15,800 - That's true. GILMÁRIO: - It's for safety. 1640 01:35:17,520 --> 01:35:20,240 MARKL: Gabriela... White fish. 1641 01:35:21,240 --> 01:35:24,480 Mine is alive. Mine is here with some eagerness. 1642 01:35:24,720 --> 01:35:27,000 PEDRO: - It's fresh. - It's quiet. Wait! 1643 01:35:27,120 --> 01:35:29,200 Hit him in the butt and he'll get up right away. 1644 01:35:30,600 --> 01:35:34,600 APPLAUSE SHOUTS OF JOY 1645 01:35:34,720 --> 01:35:40,720 (...) 1646 01:35:41,400 --> 01:35:43,640 MARKL: Let's see what happens now. Pedro... 1647 01:35:48,720 --> 01:35:50,120 ANA: - Send them out. MARKL: - Ten seconds. 1648 01:35:51,000 --> 01:35:53,000 LAUGHTER 1649 01:35:55,200 --> 01:35:57,200 APPLAUSE 1650 01:35:57,880 --> 01:35:59,320 This is amazing. 1651 01:36:00,760 --> 01:36:01,920 SPEAKING ENGLISH: I'm back. 1652 01:36:02,040 --> 01:36:04,040 MARKL: Mrs. D. Popcorn... 1653 01:36:05,240 --> 01:36:07,120 Popcorn, what are you going to do with your life? 1654 01:36:07,600 --> 01:36:08,640 It's going to be brutal. 1655 01:36:09,240 --> 01:36:11,240 - Don't be ambitious. - Everything goes forward. 1656 01:36:12,920 --> 01:36:16,920 LAUGHTER APPLAUSE 1657 01:36:20,640 --> 01:36:22,600 The popcorn always pops. 1658 01:36:22,720 --> 01:36:25,600 VASCO: This round eliminates Ana Garcia Martins. An applause. 1659 01:36:27,320 --> 01:36:30,720 MARKL: Well... Third round. 1660 01:36:34,160 --> 01:36:36,160 VASCO: Gabriela behaved so well a moment ago. 1661 01:36:36,280 --> 01:36:37,920 Let him turn around. 1662 01:36:40,280 --> 01:36:42,000 - Five seconds. - Zinga. 1663 01:36:42,880 --> 01:36:46,240 - Ready. GILMÁRIO: - He's coming back. 1664 01:36:47,440 --> 01:36:48,600 Yes, he's still. 1665 01:36:49,160 --> 01:36:51,000 It's funny the noise your fish was making. 1666 01:36:51,120 --> 01:36:53,560 - Sounds like my neighbor at night. - Pedro Alves. 1667 01:36:55,360 --> 01:36:57,200 Here it is. Ten seconds from now. 1668 01:36:58,560 --> 01:36:59,640 GABRIELA: Go, Pedro! 1669 01:37:04,080 --> 01:37:05,440 Stay still! 1670 01:37:06,760 --> 01:37:09,800 I'll send you a "black pudding" that will stop you from moving. 1671 01:37:10,280 --> 01:37:13,280 LAUGHTER 1672 01:37:13,600 --> 01:37:17,600 APPLAUSE 1673 01:37:18,320 --> 01:37:20,560 SPEAKS FRENCH: - It's me. MARKL: - Gilmário. 1674 01:37:21,160 --> 01:37:24,360 - Look at him cleaning the floor. GILMÁRIO: - That fish brings bad luck. 1675 01:37:24,480 --> 01:37:26,400 PEDRO: Looks like the "play-offs". He was rescued, that one. 1676 01:37:29,000 --> 01:37:31,240 GILMÁRIO: - They don't mess with me. MARKL: - No. 1677 01:37:31,920 --> 01:37:32,920 Go! 1678 01:37:35,440 --> 01:37:36,920 MARKL: A somersault. 1679 01:37:37,600 --> 01:37:41,200 We eliminated Gilmário. An applause for Gilmário Vemba. 1680 01:37:41,320 --> 01:37:43,080 PEDRO: You've already won. 1681 01:37:44,360 --> 01:37:46,240 GILMÁRIO: - Gabriela has already won. - I already won! 1682 01:37:47,520 --> 01:37:50,280 But for entertainment purposes we're going to play more. 1683 01:37:50,800 --> 01:37:53,480 Don't forget that we also play for the entire season. 1684 01:37:53,720 --> 01:37:57,280 Pedro, winning five points now, are five important points. 1685 01:37:57,400 --> 01:38:00,840 Pedro, it's your turn. Final round. 1686 01:38:01,600 --> 01:38:05,600 # RHYTHMIC INSTRUMENTAL THEME 1687 01:38:07,400 --> 01:38:08,400 Five seconds. 1688 01:38:10,440 --> 01:38:11,840 VASCO: Well. 1689 01:38:14,000 --> 01:38:16,000 MARKL: Will Gabriela win the five points? 1690 01:38:16,320 --> 01:38:19,640 PEDRO: - I got him from the side. - So nervous. 1691 01:38:22,600 --> 01:38:24,240 VASCO: No. 1692 01:38:24,680 --> 01:38:26,720 GABRIELA: - But I won. - I was the one who won. 1693 01:38:26,840 --> 01:38:29,680 I won a challenge. 1694 01:38:29,800 --> 01:38:32,440 GILMÁRIO: I knew she was going to win indirectly. 1695 01:38:32,840 --> 01:38:34,560 VASCO: That's five points for Pedro Alves. 1696 01:38:36,120 --> 01:38:38,640 MARKL: - Hooray! - I won a challenge. 1697 01:38:38,760 --> 01:38:44,560 However, the winner of this episode of "Taskmaster" is Gabriela Barros. 1698 01:38:45,040 --> 01:38:49,040 APPLAUSE 1699 01:38:51,600 --> 01:38:56,720 You're going to celebrate already. But first, what did we learn today? 1700 01:38:57,000 --> 01:38:59,640 We learned the following... You may like Ruca, 1701 01:39:00,160 --> 01:39:01,400 you may like Noddy, 1702 01:39:01,520 --> 01:39:04,640 but friend, true friend, is the one who says "pamodi" to you. 1703 01:39:06,160 --> 01:39:08,880 Arrange a dinner with him. Order a chicken. 1704 01:39:09,000 --> 01:39:12,200 Vandalize a xylophone, throw an orangutan. 1705 01:39:12,400 --> 01:39:13,640 Do crazy things, 1706 01:39:13,760 --> 01:39:17,920 but it will be worrying if by chance you fill a baby with sealant. 1707 01:39:19,000 --> 01:39:21,680 Go to the disco and rock the dance floor. 1708 01:39:22,480 --> 01:39:24,600 And say goodbye to "Pamodi", saying... 1709 01:39:24,960 --> 01:39:27,080 Go, Fish. Safe travels home. 1710 01:39:27,640 --> 01:39:31,240 This was "Taskmaster". See you next week! 1711 01:39:31,840 --> 01:39:35,840 # TASKMASTER THEME APPLAUSE 1712 01:39:35,960 --> 01:39:43,960 # (...) 1713 01:39:44,080 --> 01:39:48,080 Adaptation and Subtitles RTP - Adapted Contents